Firebacks

Description: Canted rectangle; ovolo-moulded edging (top and sides); from top: double star stamp repeated four times; date between two triads of the same initials, the 'Y' and the 'N' reversed; stylised fleur-de-lys below each pair of initials, with a large hollow fleur-de-lys in the centre.

Notes: The initials 'NYM' in triad probably relate to a couple whose surname initial was 'Y'; a fireback, dated 1659, with some of the same stamps is at the Dean Heritage Centre, Soudley, Gloucestershire, and another, dated 1667, has been noted at Upper End Farm, Hope Mansell, Herefordshire. Christie's auction, 24 May 2001.

Inscription: NYM [triad] 1669 NYM [triad]

Description: Canted rectangle; hatched fillet edging (top and sides); initials in triad to the left; fleur-de-lys stamp repeated seven times across top; date and initial pairs below; full width, horizontal hatched fillet below inscription; zig-zag formed of short, hatched fillets down each side below horizontal fillet; space within bordered by squared cross stamp repeated 12 times horizontally and six times on each side.

Notes: The distinctive squared cross and fleur stamps are seen on other firebacks; the initials in triad may relate to a husband and wife, the pairs of initials to their children; an almost identical fireback seen at Smith's Funeral Services, close to the site of Elmbridge Furnace, at Newent, Gloucestershire, differs only in the alignment of the left-hand column of squared crosses.

Inscription: AHE [triad] 1671 WH MH

Description: Rectangular; cavetto-moulded edging; shield, garter, supporters and crown of the English royal house of Stuart.

Notes: One of many designs of the Stuart royal arms on firebacks. Another, corroded version of this fireback measures 900mm x 610mm. Criterion Auctions, Bath, 10 Sep 2016 lot 168.

Copies of this fireback are known.

Inscription: HONY SOIT QUI MAL Y PENSE

Arms: English Stuart royal

Description: Plain rectangular plate; no edging; top centre, date with '7' reversed; below date, initials in triad.

Notes: The reversed '7' indicates that the numerals, and probably the letters, had no backing; the initials are probably those of a husband and wife whose surname began with 'H'.

Inscription: 1676 / BHM

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular shaped border with fillet edging, containing floral swags suspended from a wreath; on top, a scallop shell between two dolphins.

Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Description: Arched rectangular shaped central panel, bead edging (top and sides), pedestal bearing a supine male figure with headband being trampled by a horse, facing left, mounted by a rider with long hair, facing to the front; on each side of the plinth is a seated figure wearing a hat, with a basket of fruit; above the rider are crescent lines representative of clouds; the inscription is split either side of the horse; the date (‘7’ rotated and, with ‘4’, reversed) is on the die of the pedestal; arched rectangular shaped border, fillet edging, on each side a Solomonic column with vine decoration; in the arch, symmetrical parallel curved lines with a central oval cartouche beneath a crown; on top of each shoulder of the plate a figure in repose.

Notes: The equestrian figure is derived from the statue of Charles II erected in Stocks Market, London, in 1672. Originally to be of Jan Sobieski, later king of Poland, riding down a Tatar, it was altered to represent Charles, and the Tatar’s face was changed to that of Oliver Cromwell; the statue attracted a fair degree of derision. The statue is now at Newby Hall, near Ripon, North Yorkshire. Another version (no. 464) omits a date and has altered initials.

Copies of this fireback are known.

Inscription: C R / 1674

Description: Arched rectangle; cavetto moulded edging; garter enclosing Stuart royal arms, crown, crowned lion and unicorn supporters and motto; initials in top corners.

Notes: The crown is not typically English in form, suggesting that the patternmaker may have been of foreign extraction.

Copies of this fireback are known.

Inscription: C R / [Garter motto - illeg.]

Arms: English Stuart royal

Description: Rectangular; twisted rope edging (top and sides) with a fillet inside; top centre, concentric roundel with rose-and-crown below; top left, initials in triad with small rose below 'W' and small fleur-de-lys below 'M'; upper right, date with small fleur below '6' and small rose lower, below second '7'.

Notes: The style of rose and crown is similar to that used in gun founding in the Tudor period, suggesting that the furnace that was the source of this fireback may have been used for that purpose.

Inscription: WLM [triad] 1677

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of Jesus sitting at the well with the woman of Samaria standing opposite, a rural scene behind, trees on each side and clouds with sunrays above; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription 'L6C'; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The scene, seen on many German firebacks and stoveplates, is from St John's gospel, chapter 4; the inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Copies of this fireback are known.

Inscription: L6C

Description: Arched rectangular shaped central panel with bead edging; naked figure of Mercury/Hermes with winged helmet (petasos), holding a snake-entwined staff (caduceus); he is sitting astride a pair of bellows and blowing a straight trumpet; a twice-bent trumpet lies at his feet; the bellows are pumping air into an organ; to the right of his head is the word, AER (air - Latin); above is a swag of drapery; arched rectangular shaped border with ovolo edging; floral wreath at top with suspended swags of fruit and leaves, including, grapes, pomegranates and apples; inscription, ‘ANNO 1661’, on a scroll at the bottom; scallop shell and sea serpents on top.

Notes: One of a series of firebacks symbolising the four elements.

Copies of this fireback are known.

Inscription: AER / ANNO 1667