Firebacks

Description: Arched rectangular central panel with triple bead and pellet edging; semi-naked figure of Fortune, holding in her hands a billowing sheet, and standing on a ground; arched rectangular fillet border enclosing suspended swagged flowers and berries (top and sides), with indeterminate foliage on the bottom on either side of an empty cartouche; on top, symmetrical wsirled foliage.

Notes: The design is derived from an engraving by Aegidius Sadeler after a painting by Christoph Schwarz of about 1580-1600. Although not marked as such, other castings of this fireback are marked with the initials, GK, and dated to 1700.

Copies of this fireback are known.

Description: Quasi-arched rectangular shaped, with sides leaning slightly towards the top; wide ovolo edging (top and sides) with twisted rope relief; Tudor shield, garter, crown and supporters (crowned lion and dragon); motto along base; irregular ribbon behind.

Notes: Whole pattern; strong stylistic similarities with a Buckhurst arms fireback (no. 491), an example of which is at Michelham Priory, near Hailsham, East Sussex, suggest a common pattern maker and possibly furnace.

Inscription: DIEV ET MON DROI

Arms: Tudor royal (prob. Elizabeth I)

Description: Quasi-arched shape; straight fillet edging to sides and bottom, symmetrical, stepped cavetto, ovolo, cavetto and double arched on top; central pictorial scene of a female and male seated on a couch, both in 18th century dress, with swirled floral border; swirled floral base panel separated by a fillet; two sea serpents on top.

Notes: The dress of the figures portrayed suggests a late-18th century date

Description: Arched rectangular shape; thin twisted rope edging on top and sides; trailing vine strips frame a row of repeated bird (probably swan) stamps (5) above repeated rose en soleil stamps (5); single bird stamp with two short, slanting vine strips in top arch.

Notes: The rose-en-soleil was the badge of King Edward IV and, thus, a Yorkist symbol, while the swan had been adopted by Henry IV and was, therefore, a Lancastrian symbol.

Description: Rectangular with an arched rectangular style arch linked by symmetrical concave curves; ovolo moulding (top and sides); shield, helmet, crest and mantling of the family of Baker, of Mayfield, quartered with Farnden, of Sedlescombe: Quarterly, 1st and 4th, Argent, a tower between three keys erect sable (Baker); 2nd and 3rd, Purpure, a chevron vairy Or and gules, between three leopards’ faces Or (Farnden); crest (Baker): on a tower sable an arm embowed in mail holding in the hand a flint-stone proper. Date split by mantling.

Notes: A carved armorial on a plain, edged base board. John Baker (1644-1723) married Ruth, daughter and co-heiress of Peter Farnden, in 1663; she died in 1691. During their marriage the Farnden arms, would have been borne as an escutcheon of pretence in the centre of the arms of Baker, and not quartered with those of her husband until after her death. The date, 1690, is therefore spurious and would have been added to a later casting of what on other examples is an undated armorial fireback. The same base board has been also used for another achievement of arms dated to the 1740s.

Inscription: 16 90

Arms: Baker of Mayfield quartering Farnden of Sedlescombe

Description: Arched rectangular central panel with bead-and-pellet edging; S-scroll, two-handled, gadrooned vase with tulip stems, flowers and leaves; arched rectangular border with fillet edging and suspended flower bunches; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two symmetrical, coiled serpents; narrow, curved shouldered side panels with beads in oval depressions.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Rectangular with fillet edging (top and sides) formed from separate strips, possible from furniture; date split by letters in triad; number '1' has a central knob.

Notes: The initials are believed to relate to Thomas and Mary Manser, who occupied the Star Inn, Waldron, East Sussex, in the seventeenth century.

Inscription: 16 TMM 94

Description: Rectangular; twisted rope edging (top and upper three-quarters of sides); central Tudor shield, garter, crown and supporters (greyhound and lion), formed from separate stamps; date on a single stamp in top left corner.

Notes: This is an early example of a fireback being used as a pattern, with the addition of a subsequent date. The same stamps forming the arms can also be seen on other firebacks. The extension of the lower part of the ‘3’ on the date stamp suggests that the numbers may have been fixed to the backing block, rather than the date being carved as a whole. Another variant of this fireback has the rope edging extending further down the sides.

Inscription: 1583 / HONE SOVT qVEY MAL Y PENSE

Arms: Tudor royal (prob. Henry VIII)