Firebacks

Description: Arch-shaped; fillet edge; at top, date split by crown (horizontal of '7' missing), crown over a Tudor shield, garter (motto clockwise but reversed) and supporters; rose with viscount's coronet on dexter, and portcullis (grid of 16) with viscount's coronet on sinister side of crown; the supporters, a dragon and a greyhound, stand on separate plinths; the initials, G C, are placed in either side of the garter buckle.

Notes: There are several firebacks with the Tudor royal arms that were probably originally produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the shape of the shield, the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the crowned rose and portcullis. Hôtel Drouot auction, Paris, 21 Jan 2023, lot 89.

Inscription: 15 70 / HONY SOYT QVI MAL Y PENSE / G C

Arms: Tudor royal

Description: Rectangular; twisted rope edging (top and sides) with a fillet inside; top centre, concentric roundel with rose-and-crown below; top left, initials in triad with small rose below 'W' and small fleur-de-lys below 'M'; upper right, date with small fleur below '6' and small rose lower, below second '7'.

Notes: The style of rose and crown is similar to that used in gun founding in the Tudor period, suggesting that the furnace that was the source of this fireback may have been used for that purpose.

Inscription: WLM [triad] 1677

Description: Rectangular; cavetto moulded edging; date aplit by intitials placed centrally at top.

Inscription: 17 TM 70

Description: 'Dutch' style; arched rectangular shaped central panel with bead edging, figure of Charity holding a baby in her left arm and an olive branch in her right, two other children stand on each side of her, one holding a burning heart, trees in the background; arched rectangular shaped border with fillet edging and a repeated leaf pattern; on top a clam shell between two symmetrical serpents.

Notes: Typical type of fireback produced in Germany by Dutch pattern makers; the central panel was made separately for insertion into different borders; this border is a relatively simple type; the portrayal of Charity is derived from the 'Iconologia' of Cesare Ripa. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Plain rectangle with cavetto moulded edging (top and sides); pediment with same moulding.

Notes: Three identical backs, but with various stamps, indicate that the pattern for this fireback formed the base board for them and came from the same source as a distinct series of Tudor heraldic backs. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Rectangular with ‘pediment’ arch linked by cavetto curves; fillet and cavetto edging; pictorial, a cylindrical furnace with inscribed stone courses, flames issuing from the top, with the heads of three people, a hand raised from two of them, and an angel with wings and arms outstretched; the furnace has a small arched opening bottom centre; above the angel, the inscription was inscribed on the pattern.

Notes: The scene represents Shadrach, Meshach, and Abednego being delivered from the burning fiery furnace by the angel of God (Daniel 3), the phrase, The Three Children, being a reference to the eponymous apocryphal verses from the Book of Daniel. Formerly at Brightling Hall, Robertsbridge, Sussex.

Inscription: THE THREE CHILDREN

Description: Carved wooden fireback pattern. Arched rectangular central panel with astragal and fillet edging; Phaëton riding Apollo’s chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel.

Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks; given to the Sussex Archaeological Society by the Rev. J. Bickersteth.

Description: Arched shape; cavetto-moulded edging to the arch; quartered shield with an, off-centre, knight's helm, wreath and mantling, and crest of a cubit arm vested, or habited, cuffed and erased holding an arrow in bend sinister; the shield has, in the 1st quarter three lions rampant, in the 2nd a bend cotised, in the 3rd possibly a lion rampant, and in the 4th possibly a dragon rampant within a bordure indented; below the shield, a partially indistinct motto.

Notes: From the style of the mantling the pattern carver may have also been responsible for other firebacks from the west Midlands or Welsh border area. A short horizontal fillet on the right extending perpendicular to the vertical fillet edging below the arch indicates that the fireback originally was of arched rectangular shape and extended to the left and right. The cavetto edging around the arch would have extended to the bottom of the fireback were this not so.

Inscription: ...ACH CAVSE...

Arms: Not known

Description: Arched rectangular central panel with bead-and-pellet edging; on a ground between two plants, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Arched rectangular central panel with arch and bead edging within a similarly shaped cavetto-moulded border and pomegranates on to and on the ach shoulder of the plate; pictorial representation of the king of Sweden mounted on a horse.

Notes: The king would be Gustav II. There is a companion fireback bearing the image of Prince Fredrik Henrik of Oranje.

Copies of this fireback are known.

Inscription: DIE KONINCK VON SWEDEN