Firebacks

Description: Arched rectangular shape cut away with symmetrical concave curves; ovolo moulding (top and sides); shield, helmet, crest and mantling of the family of Baker, of Mayfield, quartered with Farnden, of Sedlescombe: Quarterly, 1st and 4th, Argent, a tower between three keys erect sable (Baker); 2nd and 3rd, Purpure, a chevron vairy Or and gules, between three leopards’ faces Or (Farnden). Crest (Baker): on a tower sable an arm embowed in mail holding in the hand a flint-stone proper.

Notes: A carved armorial on a plain, edged base board; John Baker (1644-1723) married Ruth, daughter and co-heiress of Peter Farnden, in 1663; she died in 1691, thereafter the arms of Baker quartered those of Farnden; the arms of Farnden had been granted in 1634. The armorial design has been inadequately pressed into the sand bed.

Copies of this fireback are known.

Arms: Baker, of Mayfield, quartering Farnden, of Sedlescombe

Description: Cavetto-canted arched rectangle; twisted rope edging, separately around rectangle and arch; initials 'R' and 'H' in upper left and right corners of rectangle; 'M' above date in arch.

Notes: The arch does not appear to have been a separate stamp, although the rope edging gives that impression; the initials, in triad, suggest a husband and wife - R.. and H.. M..

Inscription: M / 1654 / / R H

Description: Cavetto-canted arched rectangular shape with rectangular extension panels; cavetto-moulded edging, with astragal on wide fillet edging on the extension panels; central panel, crown, shield and Garter of the Tudor royal arms but with crowned lion and unicorn supporters, all within an undulating vine border; extension panels comprise a single letter (W on left, H on right) above an inward-facing seated squirrel.

Notes: The royal arms are a hybrid of the Tudor and Stuart achievement, quite crudely modelled. The initials and squirrels both relate to the Holte family who lived at Aston Hall, which was built between 1618 and 1623. The difference in the condition of the armorial and the extensions suggest that the armorial was significantly older than the extensions. The bottom 190mm of the fireback is concealed below, behind the grate placed in front of it.

Inscription: W / HONY SOIT QUI MAL Y PENSE / H

Arms: English Tudor royal with Stuart lion and unicorn supporters

Description: Rectangular with an arched rectangular style arch linked by symmetrical concave curves; ovolo moulding (top and sides); shield, helm, crest and mantling of the Fuller family. A number 7, the only visible part of the date seen on other castings is in the top right corner of the shield.

Notes: A carved armorial on a plain, edged base board; the arms of the Fullers of Brightling Park, Sussex: Argent, three bars and a canton gules; the crest; Out of a ducal coronet Or, a lion’s head argent; the Fullers were iron masters and gun founders in the first half of the 18th century, operating Heathfield furnace, where it is likely that this fireback was cast.

Inscription: [1] 7 / [4] [7]

Arms: Fuller, of Brightling, Sussex

Description: Cavetto-canted arched rectangular shape; rebated wide fillet edging; shield of Llewellyn impaling unidentified arms: (Llewellyn) Per fesse embattled, azure and or, a javelin erect, between two boars' heads erased in chief, and a like boar's head between two javelins in base, all counterchanged; below, scroll bearing the motto, Gwell angau na Chywilydd (Death before Dishonour), possibly inscribed after casting.

Notes: The arms were granted to Robert William Llewellyn of Court Colman and Baglan Hall, Glamorgan, in 1902.

Inscription: Gwell angau na Chywilydd

Arms: Llewellyn, of Court Colman, Glamorgan

Description: Central panel of arched rectangular shape with cavetto canted corners and bead edging; crowned female figure holding a sceptre in her right hand, seated in a chariot drawn by two caparisoned ponies, a cornucopia at their feet; below, sloping ground with plants, clouds with rain above; identically shaped border with fillet edging and symmetrical swags of flowers and drapery suspended from ribbons; at the base two symmetrical palm fronds tied with a ribbon.

Notes: The figure may represent Ceres, goddess of plenty. The fireback is one of a series designed and made in England, copying the prevailing 'Dutch' style. Its style echoes that of a fireback pattern preserved at Rottingdean Grange, Sussex. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Carved wooden fireback pattern. Cavetto-canted rectangle with arch; ovolo-moulded edging; shield, garter, helm, mantling, crest, motto and supporters of William Cecil, 1st Lord Burghley, KG (1520-98). Date below garter.

Notes: William Cecil was Queen Elizabeth I's first minister. Several firebacks cast using this fine carved, wooden painted panel are known.

Inscription: HONI SOIT QUI MAL Y PENSE / COR VNVM [ET] VIA VNA / 15 75

Arms: William Cecil, 1st Baron Burghley, KG

Description: Cavetto-canted rectangle with arch; ovolo-moulded edging; shield, garter, helm, mantling, crest and supporters of William Cecil, 1st Lord Burghley, KG (1520-98). Date below garter.

Notes: William Cecil was Queen Elizabeth I's first minister. The wooden pattern for this fireback, itself a fine carved, wooden painted panel, is at Hatfield House, Hertfordshire.

Copies of this fireback are known.

Inscription: HONI SOIT QUI MAL Y PENSE 15 75

Arms: William Cecil, 1st Baron Burghley KG

Description: Rectangular with arched rectangular shaped top joined by cavetto curves; astragal edging; shield, supporters, ducal coronet, motto and garter of the Duke of Dorset: Quarterly, Or and gules, a bend vair.

Notes: Almost certainly the arms of Lionel Sackville KG (1688-1765), created first duke of Dorset in 1720.

Copies of this fireback are known.

Inscription: [around shield] HONY SOIT QUI MAL Y PENSE / [on motto scroll] AUT NUNQUAM TENTES, AUT PERFICE

Arms: Lionel Sackville, 1st Duke of Dorset

Description: Central panel of arched rectangular shape with cavetto canted corners and bead edging; figure seated astride a triumph of weaponry (cannon, spears, drums), holding a laurel wreath in his right hand, surrounded by martial objects (flags, cannon, drums etc.), symmetrical hanging drapery above; same-shaped border with fillet edging and suspended ribbons with floral bunches

Notes: Possibly a depiction of an allegory of Victory. Other firebacks have the same distinctively shaped central panel and border shape, suggesting the same pattern maker. A reduced variant of a more elaborate fireback (no. 456) but with probable reed decoration at the base missing.