Firebacks

Description: Arched; fillet edging; English royal Stuart shield, garter, crown, supporters, 'CS' monogram to left of Garter buckle, and motto on a cartouche; small rose stamp repeated each side of crown; date split each side of top of crown (first part absent in this casting).

Notes: Although English arms, the design is in a continental style, arched firebacks being typical of Lorraine; the 'CS' monogram is likely to be that of the pattern-maker; a modern copy of a poor casting, hence the incomplete date. For the complete version see no. 994.

Copies of this fireback are known.

Inscription: [16 missing] 21 / HONI SOIT QVI MAL Y PENSE / CS / DIEV ET MON DROIT

Arms: English Stuart royal (James I)

Description: Arched rectangular shaped central panel with paternost bead edging; figure holding a bow in his left hand and a lyre in his right hand, a quiver suspended from his belt, on an undulating ground with small trees, and suspended swags of drapery above; Arched rectangular shaped border with fillet edging, and symmetrical flowers and swirled tendrils; initials at bottom centre; on top, symmetrical pattern of swirled leaves and tendrils.

Notes: The figure is Apollo, personifying the Sun, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: SHR

Description: Rectangular shape; twisted rope edging (top and sides) with fillet edging at bottom; cast of a 1598 fireback within a recessed panel, the arch of the original fireback being overlaid with twisted rope and diagonal lengths of rope laid alongside. The original fireback is described as follows: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of 'bullseye' motifs comprising concentric rings deepening towards the centre.

Notes: The central fireback measures 795mm wide by 735mm high and is from a different casting to that seen at Linchmere, Sussex (no. 475).

Inscription: 1598 / IM IB

Description: Plain rectangular plate with cyma reversa, or ogee, moulding on top and sides.

Notes: A base board without other decoration. Other firebacks may have been cast using it.

Description: Rectangular shape; astragal with cavetto-moulded edging; decoration in three vertical sections each divided by a fillet; central section: three ostrich feathers within a coronet and a motto scroll - ICH DIEN (I serve); at the top, the date split either side of the uppermost feather; at the bottom, initials - SG - split either side of the quills; left panel: on a pedestal, an arrangement of musical and scientific instruments and books below a floral swag with a central rose; right panel: on a palisade, a triumph of martial arms - cannon, drum, shield, spear, flag etc. - beneath a floral swag and handful of arrows.

Notes: The three ostrich feathers within a coronet and the motto, Ich Dien, are the badge of the Prince of Wales. Probably a fireback in honour of Henry Frederick, Prince of Wales, oldest son and heir of King James VI of Scotland, I of England, with the date added to commemorate his death in 1612. The initials are likely to be those of the pattern maker.

Inscription: 16 12 / ICH DIEN / S G

Description: Rectangular; rope edging (top and sides); central Tudor royal shield with encircling garter (motto reversed: HONE SOVT QVEY … PEN), separate greyhound and lion supporters, separate crown; a bird, repeated in each top corner, its wings displayed and inverted and its head facing behind and to the left, standing on a scroll; a fleur de lys repeated in the bottom corners; inside the birds is a repeated stamp, half of one similar to a stamp on a fireback in Hastings Museum.

Notes: The particular form of the Tudor arms and supporters is encountered on other firebacks, as are the distinctive style of fleurs de lys and the birds (probably swans, a Lancastrian icon). The plain scroll upon which the bird is perched suggests that there might have been a painted inscription on it originally and that the stamp had not been made specifically for the decoration of firebacks but was, perhaps, redundant from interior domestic decoration. Formerly at Framfield, East Sussex.

Arms: Tudor royal (prob. Henry VIII)

Description: Quasi-arched shape with forward-facing 'wings', which splay outwards towards the base; the 'wings' curve to follow the shape of the main panel but curl outwards at the top; central panel with pictorial image of, to the right, a shepherd holding a musical pipe, his right foot upon a log, upon which a dog, to the left, sits holding the shepherd's crook; top centre, a crown, on either side of which, on the curled upper parts of the 'wings', is an inward facing sheep.

Notes: This small, but unusual, casting was probably cast in an open box mould as the upcast (reverse) side of the casting shows evidence of being sand-treated. Only a very small number of such castings are known. Depth 210mm

Description: Arched rectangular central panel with bead on fillet edging; flowers in a gadrooned vase upon a pedestal; arched rectangular border with fillet edging containing flowers descending from a ribbon bow; at the bottom, date; on top, symmetrical swirled foliage.

Notes: The swirled foliage on top and the proportions of the fireback suggest an English origin.

Inscription: 1723

Description: Arched shape; fillet edging; top centre, date; decorative Tudor royal shield, crown, garter (motto clockwise but reversed) and supporters (dragon and greyhound); a rose to the left and a portcullis (grid of 6) to the right side of crown; the supporters stand on a horizontal compartment which, on similar firebacks, often contains the date.

Notes: There are several firebacks with the Tudor royal arms that were probably originally produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the rose and portcullis.

Inscription: 15 70 / HONY SOYT QVI MAL Y PENSE

Arms: English royal Tudor

Description: Arched rectangular shaped central panel with bead edging; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; in the left and right bottom corners, the initials 'HH' and 'S' respectively; at the bottom, a central cartouche with date (indistinctly), between floral swags; on top, twin spirals between descending floral festoons.

Notes: A border panel, without the central pictorial panel.

Copies of this fireback are known.

Inscription: HH S