Firebacks

Description: Quasi-arched rectangular shaped with cyma recta curved shoulders and 'pinnacles'; ovolo moulded edging with a deep base panel; shield, helm, crest and mantling of the Maynard family; plain motto scroll below.

Notes: The arms, which are those of an esquire, can be identified from the first four quarters on the memorial to Raffe Maynard, d.1613, in St Albans Cathedral, son of John Maynard (d.1556); quarterly, 1, Maynard: argent, a chevron azure between three sinister hands couped at the wrist gules; 2, Filleigh: gules, a fess vairy between six crosses formy or; 3, Hewis: gules fretty argent a canton of the second; 4, Lyons: argent a chevron sable between three lions dormant coward gules; the crest, a stag statant, is of Maynard. Contemporaneously, there were Maynards who operated ironworks in the Rotherfield area in Sussex, with whom this fireback may be connected. Significantly the motto scroll is blank, suggesting that the wooden pattern for the fireback had been originally intended as a decorative panel with the motto painted rather than carved in relief. The top right corner of the shield was evidently broken on the original pattern prior to being impressed into the casting sand to form the mould. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Arms: Maynard family

Description: Arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom.

Notes: The supporters are those of Henry VII or Henry VIII, but the initials suggest the fireback dates from the reign of Edward VI (1547-53). John Harvo (d. c1565) was a gunfounder who has been identified as occupying Pounsley furnace, Framfield, Sussex, possibly from as early as 1547. This fireback is also seen with a variety of rectangular, rope-edged side panels bearing stamps or letters, some of which link the source of this and other groups of firebacks. The pattern or model for this fireback may have been made during the reign of Henry VIII (1509-47), with the initials added to an early casting using the original pattern. The protuberance on the bottom of the plate may be the remains of the runner from a pouring basin or overflow channel used during casting. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: E R / HONY SOYT QVE MAL Y PAVNCE / Made in Sussex by John Harvo / DV ET MOVN DRO

Arms: Tudor royal (Edward VI)

Description: Rectangular central panel with bead edging; a phoenix, with wings displayed, rising from the flames; rectangular border with bead edging, flowers and leaves festooned from a central flower; initials split either side of a flower at the base; on top, symmetrical swirled leaves.

Notes: Although similar to 'Dutch' types made in north Germany, this is probably an English design. A fireback bearing a phoenix was one of three designs ordered by Trubshaw's, ironmongers of London and Birmingham, from George Sitwell's furnace at Foxbrooke, Derbyshire, in the 1660s. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: R (or B) G

Description: Upon a rectangular base plinth, wide scrolled side fillets with foliage about the scrolls and suspended bell flowers in chain above; central oval shield bearing three fleurs-de-lys supported by an angel on each side, and surmounted by a French royal crown; on top, an arch rising from horizontal moulding on each side.

Notes: Characteristic of designs illustrated by architects such as Daniel Marot.

Arms: France Royal

Description: Fragment; arched rectangular fireback with embattled, cavetto-moulded edging; English Stuart royal shield, Garter, crown and supporters, stemmed rose and stemmed thistle, respectively, to left and right of crown; initials CR above crown; all within a plain border, with short lengths of twisted rope edging containing, at the top, the initial M between a split date; initials (only S surviving) below date.

Notes: A Carolean composite fireback. The armorial fireback includes stylistic elements - the form of the unicorn and of the harp - identical to those on two series of firebacks dated 1618 and 1619, indicating the work of the same pattern-maker; its width is 490mm.

Inscription: M / 1634 / [?] S / C R

Arms: English Stuart royal (Charles I)

Description: Arched rectangular central panel, with bead-and-pellet edging; pictorial, standing female figure in classical dress, facing to the left, holding a snake in her right hand, a bunch of flowers at lower left; the initials located in bottom corners; arched rectangular border, fillet edging, containing swirled foliage, with a putto in the top corners; on top, two perched bird facing each other, with swirled foliage descending behind them.

Notes: The figure is of Sapientia, or Wisdom, based closely on an engraving, one of a set entitled 'The Virtues' by Hendrik Goltzius c.1593; a small number of firebacks bear the initials, GK; it is not known to whom they refer, but dated ones are of 1700.

Copies of this fireback are known.

Inscription: G K

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped. Two plank-lines.

Notes: Whole pattern with added date; one of a series of firebacks where the number ‘1’ is hooked at both ends. Damage and subsequent repair to the bottom right corner has obliterated a letter 'M' seen on another casting; presumably part of 'IM'. A variant, at Lewes, is incorrectly dated 1550.

Copies of this fireback are known.

Inscription: 1650

Description: Upon a rectangular base plinth with an inscribed rectangle, to each side, a wide foliate scroll; central cartouche behind an oval shield bearing three fleurs-de-lys over a horizontally textured ground, supported on each side by a draped male figure, the whole surmounted by a French royal crown; on top, an arch rising from horizontal moulding on each side.

Notes: Characteristic of designs illustrated by architects such as Daniel Marot; the texturing on the shield indicates the azure tincture.

Arms: French royal

Description: Rectangular with two mirrored scrolls on top, a lion’s face between; ogee-moulded edging; central pilaster with vine scrolling, Corinthian capital, a diamond on the pedestal; on either side, an arched alcove with fillet edging, each with a halberdier in mid-17th century clothes, their feet pointing to the middle.

Notes: A more common version has different edging and a pattern-maker’s mark. Formerly part of the J. H. Every collection.

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped.

Notes: The fireback has been incorrectly dated 1550 instead of 1650, which Schubert, following W. R. Lethaby, asserted was a forgery claiming indications that a ‘6’ had been erased. Undoubtedly the first '5' is more prominent than the other figures though the exact method by which it has been substituted is not clear. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Inscription: 1550