Firebacks

Description: Rectangular with complex quasi-arched rectangular top; ovolo moulded edging; shield with Royal arms of France in a swirled cartouche, initials IT top centre; above, an English crown; below to right and left, a prancing stag.

Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625; although the framing of the pattern is very similar to others of the same basic design, the style suggests a different pattern maker. A variant of an otherwise identical fireback, with the addition of the date and initials. Bonhams sale, Chester, 25 July 2013, lot 257.

Copies of this fireback are known.

Inscription: IT / 16 [?]1

Arms: France modern

Description: Rectangular, with a detached pediment joined by rebated scrolls; cavetto-moulded edging; circular 'shield' in a cartouche, surmounted by an esquire's helm and lion rampant crest, with mantling behind; initials split by crest; date split in top corners.

Notes: The armorial is of David Prichard (d. 1630) of Llancaiac Fawr Manor; the blazon follows the patriarchal tradition of Welsh heraldry: quarterly, 1st, Sable a lion rampant Argent (for Cydrych ap Gwaithfoed), 2nd, Sable a chevron between three fleurs de lys Argent (for Einion ap Gollwyn), 3rd, Gules three chevrons Argent (for Iestyn ap Gwrgan), and 4th, Sable a chevron between three spear-heads Argent (for Bleddyn ap Maenyrch); the '8' of the date has a flattened top. A recasting, replacing a broken original.

Inscription: D P / 16 28

Arms: Prichard (or ap Richard)

Description: Rectangular with complex quasi-arched rectangular top; ovolo moulded edging; shield with Royal arms of France in a swirled cartouche; above, an English crown; below to right and left, a prancing stag.

Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625; although the framing of the pattern is very similar to others of the same basic design, the style suggests a different pattern maker. Christie's auction 21 Jun 2011 lot 208 (£2,750).

Copies of this fireback are known.

Arms: France modern

Description: Quasi-arched rectangular shape upon a moulded plinth; on a background comprising foliate swirls, a central shield, helm, coronet and elaborate mantling, with a crest of a forward facing centaur armed with a drawn bow pointed to the sinister side, and behind which are six pennons, three each side display in a v-shape; to the left, a triumph comprising a drum, draped flag on pole, concealing an arquebus, halberd and breastplate, and a broad-brimmed hat with feather; to the right, a triumph comprising a drum, a breast plate and tassets, a powder horn, and partially concealed arquebus, sword and spear, and a broad-brimmed hat with feather; at the base, a horizontal fillet with scrolled ends and squatting 'rodents'.

Notes: An uncharacteristic fireback designed and cast for the family of Joan Huydecoper (1625-1704). A variant without the base plinth and 'rodents' is in the collection of Museum Rotterdam (inv. 15224).

Inscription: ANNO 1647

Arms: Joan Huydecoper

Description: Rectangular with complex quasi-arched rectangular top; ovolo moulded edging; shield with Royal arms of France in a swirled cartouche, initials inserted at top of shield; above, an English crown; below to right and left, a prancing stag.

Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625; although the framing of the pattern is very similar to others of the same basic design, the style suggests a different pattern maker. A recasting of an earlier back with inserted initials.

Copies of this fireback are known.

Inscription: IT

Arms: France modern

Description: Armorial within complex ovolo moulded edging on all sides; two plank lines; shield, helm, crest and mantling of the Trevor family; the achievement is distinguished by the elaborately festooned mantling, the whole resting on a boat-shaped compartment.

Notes: The arms, which are of an esquire, are probably those of John Trevor (c1652-1686), the son of Sir John Trevor, one of Charles II’s Secretaries of State. By his marriage in 1679 to Elizabeth (c1656-1693), widow of William Morley, of Glynde, Sussex, the Glynde Place estate passed into the hands of the Trevors. The arms on this fireback have been variously, but incorrectly, attributed to Lord Dacre (a descendant of John Trevor), and Col. Marcus Trevor, 1st Viscount Dungannon (peers' arms have supporters). The distinctive shape is seen in similar form on several other armorial firebacks over the preceding century, suggesting a continuity of pattern making, if not the same pattern maker. Many copies of this fireback exist.

Copies of this fireback are known.

Arms: Trevor family, of Glynde

Description: Plain plate with scrolled side edges; canted arched rectangular astragal and fillet top moulding; central shield, crest and motto of the hardy family.

Inscription: ARMEE DE FOI HARDI

Arms: Hardy

Description: Quasi-arched rectangular shape with symmetrical double fillet rococo edging; high relief pictorial battle scene with mounted knights carrying lances and pennants.

Notes: The battle scene may have been inspired by more than one classical portayal of a battle in history; likely sources are 'The Defeat of the Pisans at the Tower of St Vicenzo' by Giorgio Vasari and 'Alexander the Great's crossing of the Granicus' by Charles Le Brun. An engraving by Daniel Kellerthaler (1574-1648) has a similar frame enclosing an unidentified cavalry conflict.

Copies of this fireback are known.

Description: Of unique design; quasi-arched rectangular shape; ribbon border, curled on each side of the neck. Symmetrical arrangement of plant tendrils with acorns, oak leaves, pomegranates and other leaves across the rectangular base; above and centrally placed are the date, over which are the initials either side of a crescent moon, surmounted by an earl’s coronet.

Notes: The initials, H N, are thought to refer to Henry, 9th Earl of Northumberland, and the date to his release from the Tower of London following his 17 years’ imprisonment for alleged involvement in the Gunpowder Plot.

Copies of this fireback are known.

Inscription: H N / 1622

Description: Armorial within complex ovolo moulded edging (top and sides); quartered shield, helm, crest and mantling; plain panel below.

Notes: The arms can be identified from the first four quarters on the memorial to Raffe Maynard, d.1613, in St Albans Cathedral; quarterly, 1, Maynard: argent, a chevron azure between three sinister hands couped at the wrist gules; 2, Filleigh: gules, a fess vairy between six crosses formy or; 3, Harris/Hawes/Hewish: gules fretty argent a canton of the second; 4, Lyons: argent a chevron sable between three lions dormant coward gules; the crest, a stag statant, is of Maynard. The Maynards, originally from Devon, were a large family in Rotherfield, and Richard Maynard (d.1619) had an interest in Old Mill, Mayfield, as well as in Birchden forge, and probably Hamsell furnace. An example without the extension panel at the bottom has been noted. A larger fireback with the same arms, and probably by the same pattern maker, can also be seen.

Copies of this fireback are known.

Arms: Maynard