Firebacks

Description: Carved wooden fireback pattern. Canted arched rectangular shape with cavetto-moulded astragal edging; coronet in arch; oval shield with a crowned lion lion rampant, supported two griffons reguardant, the whole within a cartouche, the bottom of which terminates in two swirls between which is a human mask.

Notes: Theodore Agrippa d'Aubigné (1552-1630) was a French poet and writer.

Arms: Theodore Agrippa d'Aubigné

Description: Rectangular with complex quasi-arched rectangular top; ovolo moulded edging; shield with Royal arms of France in a swirled cartouche, initials IT top centre; above, an English crown; below to right and left, a prancing stag.

Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625; although the framing of the pattern is very similar to others of the same basic design, the style suggests a different pattern maker. A variant of an otherwise identical fireback, with the addition of the date and initials. Bonhams sale, Chester, 25 July 2013, lot 257.

Copies of this fireback are known.

Inscription: IT / 16 [?]1

Arms: France modern

Description: Rectangular: fillet edging; top left, standing classically dressed female figure playing a lyre, with short column behind; top right, classically dressed female figure leaning on a short column; top centre, hatted figure of a bearded man with bagpipes on his back, riding a horse.

Notes: An unusual group of stamps, possibly derived from brass chimney ornaments; the middle figure seems to have little in common with the other two, and the horse’s tail may include part of another figure. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Fragment; arched rectangular fireback with embattled, cavetto-moulded edging; English Stuart royal shield, Garter, crown and supporters, stemmed rose and stemmed thistle, respectively, to left and right of crown; initials CR above crown; all within a plain border, with short lengths of twisted rope edging containing, at the top, the initial M between a split date; initials (only S surviving) below date.

Notes: A Carolean composite fireback. The armorial fireback includes stylistic elements - the form of the unicorn and of the harp - identical to those on two series of firebacks dated 1618 and 1619, indicating the work of the same pattern-maker; its width is 490mm.

Inscription: M / 1634 / [?] S / C R

Arms: English Stuart royal (Charles I)

Description: Rectangular with two-stepped top; plain plate; date across lower step; rope saltire in upper step; initials split below outer shoulders.

Notes: The distinctive hand-formed characters on this and some other stepped firebacks imply a common source. Although the talbot crest, by which other firebacks in the series are identified, is absent on this casting, the shape and the style of the characters places it incontrovertably in the same group. Formerly part of the J. H. Every collection.

Inscription: 1615 / R T

Description: Canted rectangle; twisted rope edging; irregularly spaced, 5 x 5 rope grid; damage to top right corner.

Notes: A 5 x 3 variant is also known.

Description: Sub-rectangular fragment; undulating vine tendril strip repeated twice vertically from left edge with a bird stamp (probably a swan, a Lancastrian badge) repeated three times between, interspersed with a grape cluster stamp repeated seven times; vine tendril stamp repeated twice horizontally at right angles to rightmost vertical strip, three bird stamps between strips and two above, interspersed with seven grape cluster stamps.

Notes: This fragment incorporates common elements from a large series of firebacks.

Description: Stove-plate; rectangular; flanged edging; central rectangular panel bearing the shield of the kingdom of Denmark and Norway with male supporters, encircled by the chain of the Order of the Elephant; one each side of the central panel, repeated floriate stamps and flower heads.

Notes: A similar plate is illustrated by Nygard-Nilssen vol. 1, p.255. The poor detail suggests that this is a copy.

Arms: Kingdom of Denmark and Norway

Description: Arched rectangular central panel with additional arch above; bead edging; pictorial scene of Solomon, rising seated on a scallop-backed, canopied throne, greeting the Queen of Sheba, with other figures in attendance; identical shaped border with cavetto-moulded edging; a vase on top with descending swags of drapery; at the sides, festoons of flowers suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a bunch of three flowers with an ascending serpent on each side, and a bunch pf fl;owers on each shoulder of the plate.

Notes: Several contemporary paintings are of similar scenes; this design may have been derived from a Dutch engraving of a drawing by an anonymous French artist after Maarten van Heemskerck. Close observation shows that the scene depicted, and some other decorative elements, are different to those on a similar fireback, no. 489. Wilkinsons auction, Doncaster, 25 Mar 2024, lot 606 (£200).

Description: Canted rectangular shape; astragal edging with repeated fleurs-de-lys inside top and side edges; figure of St George impaling a dragon to the left with a lance over an undulating ground, with a kneeling figure above a sheep to the right.

Notes: The mould for this unusual fireback may have been formed using a redundant carved, medieval wooden panel, perhaps from a church. Wilkinson's Auctioneers, Doncaster, 24 June 2018, lot 132.