Firebacks

Description: Fragment; canted rectangle; twisted rope edging (top and sides); repeated scroll strip stamp along each side; date, top centre; a fleur-de-lys stamp repeated three times vertically down left side, probably mirrored on right side (top fleur visible).

Notes: Use of the same stamps indicates a common source with a variant dated 1692 (see Fireback no. 237).

Inscription: 1694

Description: Rectangular; truncated egg and dart moulded edging on top and left side; top right of centre, date in individual over-pressed stamps; initials in over-pressed stamps centred below date.

Notes: A rare use of egg and dart moulding used as separate edging, presumably derived from redundant domestic moulding or furniture.

Inscription: 1637 / H V

Description: Rectangular with 5-facetted arch; twisted rope edging; centre top, rectangular stamp, over-pressed, with crown above initials in bottom corners; diamond shaped stamp with fleur-de-lys repeated each side of crown, both over-pressed; spillage blemish below left fleur.

Notes: Notable for the large size of the fleur-de-lys stamp; this casting differs from another (q.v. 1164) in the placement of the stamps.

Inscription: E R

Description: Arched rectangular shape; ovolo-moulded edging; central crest of a gryphon's head couped, its wings displayed; above, the initials, the 'S' above the 'P's; below, the date.

Notes: The crest is likely to be that of Peter Short of Lindfield, Sussex, who married Philadelphia Burrell in 1704.

Inscription: PSP / 1730

Arms: Short of Lindfield

Description: Arched rectangular shape; cavetto-moulded edging; on each side a column of small overlapping leaves above a pedestal with a single acanthus leaf; issuing from the top of each column two ribbons, in figure-of-eight with grenade terminals, fly across the arch; within an arched rectangular central panel with bead edging three naked children disport about a swag of fruit, with a central pomegranate, suspended from the top of each column; one figure sits on the top, facing right, the other two hang symmetrically from below, with mirrored swirls behind them; along the base is a line of acanthus leaves; on top a sea serpent is curled on each end.

Notes: The design may have been inspired by the paintings of Jan Pauwel Gillemans the younger (1651-1704); he may have worked in London in the 1670s. Another version of the fireback, probably by the same pattern-maker, has a slightly different design.

Copies of this fireback are known.

Description: Rectangular with 5-facetted arch; twisted rope edging; centre top, rectangular stamp, over-pressed, with crown above initials in bottom corners; diamond shaped stamp with fleur-de-lys repeated each side of crown, both over-pressed.

Notes: Notable for the large size of the fleur-de-lys stamp; this casting differs from another (q.v. 486) in the placement of the stamps.

Inscription: E R

Description: Arched rectangular shape; ovolo moulded edging; date in arch; below arch two parallel, vertical straps, each with a buckle at the top and six prong holes; initials left and right of centre; in top corners, rectangular framed stamp with inset bird; top centre, to left and right of buckle, circular 'butter mould' stamp with stylised fleur-de-lys design, the left one angled top to left; between each initial and strap, rectangular framed stamp with inset deer with antlers, and star in top left corner; below this, adjacent to each strap end, a circular stamp with symmetrical pattern; to left and right of this, a rectangular stamp with an unidentified animal, possibly a dog..

Notes: The buckles, the date and the initials all appear to be separate stamps but attached to the base board before being impressed to form the mould, as they are identically positioned on all castings. The buckles suggest a connection with the Pelham family; the initials may relate to Sir Thomas Pelham, Bt. (1597-1654) who owned and operated ironworks at Waldron in Sussex. The fleur stamp and, in particular, the circular stamp with the symmetrical pattern bear striking similarities to stamps seen on other firebacks. This would appear to be a casting of the original pattern with the addition of five pairs of stamps. Some of the same stamps, and others, are seen in greater profusion on a fireback formerly at Huggetts Farm, Waldron, Sussex and drawn by Edward Hughes, of Heathfield, in a scrapbook of images compiled by J. Starkie Gardner. Nicholson's auction, Fernhurst, 3 Jul 2021, lot 100.

Inscription: 1642 / T P