Firebacks

Manufactured in England

791 results

  1. 995

    085.jpg
    550 x 680 mm

    Description: Arched; fillet edging; English royal Stuart shield, garter, crown, supporters, 'CS' monogram to left of Garter buckle, and motto on a cartouche; small rose stamp repeated each side of crown; date split each side of top of crown (first part absent in this casting).

    Notes: Although English arms, the design is in a continental style, arched firebacks being typical of Lorraine; the 'CS' monogram is likely to be that of the pattern-maker; a modern copy of a poor casting, hence the incomplete date.

    Copies of this fireback are known.

    Inscription: [16 missing] 21 / HONI SOIT QVI MAL Y PENSE / CS / DIEV ET MON DROIT

    Arms: English Stuart royal (James I)

    Manufactured: in 1621 in England.

    Current location:.

  2. 157

    1944-24-073.jpg
    420 x 685 mm

    Description: Arched rectangular shaped central panel with paternost bead edging; figure holding a bow in his left hand and a lyre in his right hand, a quiver suspended from his belt, on an undulating ground with small trees, and suspended swags of drapery above; Arched rectangular shaped border with fillet edging, and symmetrical flowers and swirled tendrils; initials at bottom centre; on top, symmetrical pattern of swirled leaves and tendrils.

    Notes: The figure is Apollo, personifying the Sun, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude.

    Copies of this fireback are known.

    Inscription: SHR

    Manufactured: in the late 17th to early 18th century in England.

    Current location: Anne of Cleves House, Southover High Street, Lewes, East Sussex, England.

    Museum number: 1944.24.73 (part of the Sussex Archaeological Society museum group)

  3. 914

    abinger,_goddards.jpg
    1180 x 780 mm

    Description: Rectangular shape; twisted rope edging (top and sides) with fillet edging at bottom; cast of a 1598 fireback within a recessed panel, the arch of the original fireback being overlaid with twisted rope and diagonal lengths of rope laid alongside. The original fireback is described as follows: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of circular motifs comprising concentric rings deepening towards the centre.

    Notes: The central fireback measures 795mm wide by 735mm high and is from a different casting to that seen at Linchmere, Sussex.

    Inscription: 1598 / IM IB

    Manufactured: in the late 16th to early 17th century in the Weald area of England.

    Current location: Goddards, Abinger Common, Abinger, Surrey, England.

  4. 1122

    accrington,_garden street 1020x690.jpg
    1020 x 690 mm

    Description: Plain rectangular plate with cyma reversa, or ogee, moulding on top and sides.

    Notes: A base board without other decoration. Other firebacks may have been cast using it.

    Manufactured: in the 17th century in England.

    Current location: 10 Garden Street, Accrington, Lancashire, England.

  5. 10

    alfriston_clergy house.jpg
    1280 x 540 mm

    Description: Rectangular; rope edging (top and sides); central Tudor royal shield with encircling garter (motto reversed: HONE SOVT QVEY … PEN), separate greyhound and lion supporters, separate crown; a bird, repeated in each top corner, its wings displayed and inverted and its head facing behind and to the left, standing on a scroll; a fleur de lys repeated in the bottom corners; inside the birds is a repeated stamp, half of one similar to a stamp on a fireback in Hastings Museum.

    Notes: The particular form of the Tudor arms and supporters is frequently encountered; the birds (probably swans, a Lancastrian icon) are also seen on other firebacks, as is the distinctive style of fleurs de lys; the combined use of these three groups of stamps suggests a common source.

    Arms: Tudor royal (prob. Henry VIII)

    Manufactured: in the early to mid 16th century possibly at Pounsley furnace in the Weald area of England.

    Current location: The Clergy House, Alfriston, East Sussex, England.

    Museum number: NT/ALF/M/1 (part of the National Trust museum group)

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

  6. 1128

    amerongen,_21 nederstraat 03 460x520x210.jpg
    460 x 520 mm

    Description: Quasi-arched shape with forward-facing 'wings', which splay outwards towards the base; the 'wings' curve to follow the shape of the main panel but curl outwards at the top; central panel with pictorial image of, to the right, a shepherd holding a musical pipe, his right foot upon a log, upon which a dog, to the left, sits holding the shepherd's crook; top centre, a crown, on either side of which, on the curled upper parts of the 'wings', is an inward facing sheep.

    Notes: This small, but unusual, casting was probably cast in an open box mould as the upcast (reverse) side of the casting shows evidence of being sand-treated. Only a very small number of such castings are known. Depth 210mm

    Manufactured: in the late 17th to early 18th century in England.

    Current location: 21 Nederstraat, Amerongen, Utrechtse Heuvelrug, Netherlands.

  7. 1130

    amerongen,_21 nederstraat 04 465x735.jpg
    465 x 735 mm

    Description: Arched rectangular central panel with helical ribbon edging; pictorial image of a partially clothed female figure, holding an upraised wreath in her left hand and a garland in her right hand, standing on a ground, with a gadrooned vase containing flowers and leaves to the right and, above, swagged drapery; arched rectangular fillet border with descending leaves and flowers suspended from a wreath, top centre, and a wreath in each top corner; on top, mirrored swirled fronds terminating in the heads of sea monsters; bottom, all decoration obliterated by fire damage.

    Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613. Possibly one of the SHR series.

    Manufactured: in the early 18th century in England.

    Current location: 21 Nederstraat, Amerongen, Utrechtse Heuvelrug, Netherlands.

  8. 1133

    amerongen,_21 nederstraat 05 515x770.jpg
    515 x 770 mm

    Description: Arched rectangular central panel with bead on fillet edging; flowers in a gadrooned vase upon a pedestal; arched rectangular border with fillet edging containing flowers descending from a ribbon bow; at the bottom, date; on top, symmetrical swirled foliage.

    Notes: The swirled foliage on top and the proportions of the fireback suggest an English origin.

    Inscription: 1723

    Manufactured: in 1723 in England.

    Current location: 21 Nederstraat, Amerongen, Utrechtse Heuvelrug, Netherlands.

  9. 937

    ansty,_riddens farm (harper).jpg
    ~760 x ~650 mm

    Description: Arched rectangular shape; gadrooned edging (top and sides); initials, in separate stamps, at top of arch; date probably in separate stamps, below, split by spindle; spindle used as a stamp repeated three times, one between date and initial stamps, the other two below to left and right.

    Notes: Makes use of the same backing board as other firebacks in this series, and is possibly a variant of another fireback of the same date and with the same three spindles but with other initials (q.v.); it may originate in the Cuckfield area of Sussex, where most examples have been noted; illustration from book. Noted at West Riddens Farm, Ansty, near Cuckfield, Sussex, in 1906.

    Inscription: S WC / 16 22

    Manufactured: in 1622 possibly at Cuckfield furnace in the Weald area of England.

    Current location:.

    Citation: Harper, C. G., 1906, The Brighton Road (London, Chapman & Hall), p. 391.

  10. 12

    ardingly_church.jpg
    >730 x 692 mm

    Description: Rectangular; twisted rope edging on top and sides; inscription panel with repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, one vertical strip on right side (missing but probably repeated on left), at least ten short vertical strips below inscription.

    Notes: Formerly at Fulling Mill Cottages, and possibly formerly at Wakehurst Place, Ardingly; it was moved to Ardingly church sometime after 1915. The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. Edward Culpeper (1561-1630), of Wakehurst, was fourth cousin, once removed, of Anne Forster.

    Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

    Manufactured: in the late 16th century possibly at Pounsley furnace in the Weald area of England.

    Current location: St Peter's Church, Church Lane, Ardingly, West Sussex, England.

    Citation: Hodgkinson, J. S., 2018, 'The Anne Forster Firebacks', Surrey Archaeological Collections, 101, 99-114.

    Citation: Holgate, M. S., 1918, 'The Anne Forster Grave Slab', Sussex Archaeological Collections, 59, pp. 130-1.

    Citation: Holgate, M. S., n.d., The Parish Church of St Peter, Ardingly: Historical and Architectural Notes