Firebacks

Description: Arched; fillet edging; English royal Stuart shield, garter, crown, supporters, 'CS' monogram to left of Garter buckle, and motto on a cartouche; small rose stamp repeated each side of crown; date split each side of top of crown (first part absent in this casting).

Notes: Although English arms, the design is in a continental style, arched firebacks being typical of Lorraine; the 'CS' monogram is likely to be that of the pattern-maker; a modern copy of a poor casting, hence the incomplete date.

Copies of this fireback are known.

Inscription: [16 missing] 21 / HONI SOIT QVI MAL Y PENSE / CS / DIEV ET MON DROIT

Arms: English Stuart royal (James I)

Description: Arched rectangular shaped central panel with paternost bead edging; figure holding a bow in his left hand and a lyre in his right hand, a quiver suspended from his belt, on an undulating ground with small trees, and suspended swags of drapery above; Arched rectangular shaped border with fillet edging, and symmetrical flowers and swirled tendrils; initials at bottom centre; on top, symmetrical pattern of swirled leaves and tendrils.

Notes: The figure is Apollo, personifying the Sun, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: SHR

Description: Rectangular shape; twisted rope edging (top and sides) with fillet edging at bottom; cast of a 1598 fireback within a recessed panel, the arch of the original fireback being overlaid with twisted rope and diagonal lengths of rope laid alongside. The original fireback is described as follows: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of 'bullseye' motifs comprising concentric rings deepening towards the centre.

Notes: The central fireback measures 795mm wide by 735mm high and is from a different casting to that seen at Linchmere, Sussex.

Inscription: 1598 / IM IB

Description: Plain rectangular plate with cyma reversa, or ogee, moulding on top and sides.

Notes: A base board without other decoration. Other firebacks may have been cast using it.

Description: Rectangular; rope edging (top and sides); central Tudor royal shield with encircling garter (motto reversed: HONE SOVT QVEY … PEN), separate greyhound and lion supporters, separate crown; a bird, repeated in each top corner, its wings displayed and inverted and its head facing behind and to the left, standing on a scroll; a fleur de lys repeated in the bottom corners; inside the birds is a repeated stamp, half of one similar to a stamp on a fireback in Hastings Museum.

Notes: The particular form of the Tudor arms and supporters is encountered on other firebacks, as are the distinctive style of fleurs de lys and the birds (probably swans, a Lancastrian icon). The plain scroll upon which the bird is perched suggests that there might have been a painted inscription on it originally and that the stamp had not been made specifically for the decoration of firebacks but was, perhaps, redundant from interior domestic decoration. Formerly at Framfield, East Sussex.

Arms: Tudor royal (prob. Henry VIII)

Description: Quasi-arched shape with forward-facing 'wings', which splay outwards towards the base; the 'wings' curve to follow the shape of the main panel but curl outwards at the top; central panel with pictorial image of, to the right, a shepherd holding a musical pipe, his right foot upon a log, upon which a dog, to the left, sits holding the shepherd's crook; top centre, a crown, on either side of which, on the curled upper parts of the 'wings', is an inward facing sheep.

Notes: This small, but unusual, casting was probably cast in an open box mould as the upcast (reverse) side of the casting shows evidence of being sand-treated. Only a very small number of such castings are known. Depth 210mm

Description: Arched rectangular central panel with bead on fillet edging; flowers in a gadrooned vase upon a pedestal; arched rectangular border with fillet edging containing flowers descending from a ribbon bow; at the bottom, date; on top, symmetrical swirled foliage.

Notes: The swirled foliage on top and the proportions of the fireback suggest an English origin.

Inscription: 1723

Description: Arched rectangular shape; gadrooned edging (top and sides); initials, in separate stamps, at top of arch; date probably in separate stamps, below, split by spindle; spindle used as a stamp repeated three times, one between date and initial stamps, the other two below to left and right.

Notes: Makes use of the same backing board as other firebacks in this series, and is possibly a variant of another fireback of the same date and with the same three spindles but with other initials (q.v.); it may originate in the Cuckfield area of Sussex, where most examples have been noted; illustration from book. Noted at West Riddens Farm, Ansty, near Cuckfield, Sussex, in 1906.

Inscription: S WC / 16 22

Description: Rectangular; twisted rope edging on top and sides; inscription panel with repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, one vertical strip on right side (missing but probably repeated on left), at least ten short vertical strips below inscription.

Notes: Formerly at Fulling Mill Cottages, and possibly formerly at Wakehurst Place, Ardingly; it was moved to Ardingly church sometime after 1915. The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. Edward Culpeper (1561-1630), of Wakehurst, was fourth cousin, once removed, of Anne Forster.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Rectangular; composite: complex (cavetto/cyma recta/ovolo) moulded edging (top and sides), derived from domestic carpentry; two firebacks used as patterns: on the left, rectangular with mirrored floriate scrolled top, simulated overlapping tile edging at sides, with fillet bottom edge, a mythical salamander in the form of a dog with an arrow-shaped tongue, standing among flames, a stapled scroll inside the left and right edges; on the right, arched rectangular with fillet edging indented on the inner side, surrounding a circular clock face with Roman numerals, each interspaced with a bead, and a button outside each quarter, a triangular design of swirled foliage in each bottom spandrel; initials in triad between firebacks; below, stamp formed of a talbot statant guardant upon a wreath; date split: ‘1’s in top corners, ‘6’s above initials; bottom third of fireback plain.

Notes: The talbot crest, which in this instance has been over pressed and shows the shape of the backing, is seen on other firebacks indicating a common source; the 'salamander' fireback is one of the Stapled Scroll series; composite firebacks (where the impression of one or more other firebacks are used as part of the decoration) are uncommon in England but less so in France.

Inscription: 16 61 / IBM [triad]