Firebacks

Description: Rectangular shape; twisted rope edging (top and sides) with fillet edging at bottom; cast of a 1598 fireback within a recessed panel, the arch of the original fireback being overlaid with twisted rope and diagonal lengths of rope laid alongside. The original fireback is described as follows: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of circular motifs comprising concentric rings deepening towards the centre.

Notes: The central fireback measures 795mm wide by 735mm high and is from a different casting to that seen at Linchmere, Sussex.

Inscription: 1598 / IM IB

Description: Rectangular shape; cavetto-moulded edging; central abstract arrangement in low relief of a horizontally positioned oval surrounded by four separated spandrels forming a rectangular shape over all; at each side, on a raised rectangular field, a stylised bud or cone of helical form, within a calyx above a semi-circular base, one mirroring the other. A deep plankline is evident half way up the left plant.

Notes: An excrescence on the right side may have been caused by iron being poured from a ladle disturbing the casting sand. There are no parallels for this fireback design. The central abstract arrangement may be associated with a formal plan of a garden parterre, the stylised plants continuing that theme.

Description: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of circular motifs comprising concentric rings deepening towards the centre.

Notes: ‘Knot’ patterns were popular in gardens of the period. The garden theme is continued with the side panels. A version of the same design, recorded in a photograph of 1904 at Willesden, London, is a different casting, the top panel with the date and initials, being straight not slightly askew as in this example.

Inscription: 1598 / IM IB

Description: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of circular motifs comprising concentric rings deepening towards the centre.

Notes: ‘Knot’ patterns were popular in gardens of the period. The garden theme is continued with the side panels. An example of the same design, noted at Linchmere, West Sussex, is a different casting, the top panel with the date and initials being slightly askew. From a photograph in the Victoria and Albert Museum, London; photographed at Mapesbury House, Willesden in 1904.

Copies of this fireback are known.

Inscription: 1598 / IM IB