Firebacks

Description: Rectangular shape; twisted rope edging (top and sides) with fillet edging at bottom; cast of a 1598 fireback within a recessed panel, the arch of the original fireback being overlaid with twisted rope and diagonal lengths of rope laid alongside. The original fireback is described as follows: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of circular motifs comprising concentric rings deepening towards the centre.

Notes: The central fireback measures 795mm wide by 735mm high and is from a different casting to that seen at Linchmere, Sussex.

Inscription: 1598 / IM IB

Description: Quasi-arched shape with forward-facing 'wings', which splay outwards towards the base; the 'wings' curve to follow the shape of the main panel but curl outwards at the top; central panel with pictorial image of, to the right, a shepherd holding a musical pipe, his right foot upon a log, upon which a dog, to the left, sits holding the shepherd's crook; top centre, a crown, on either side of which, on the curled upper parts of the 'wings', is an inward facing sheep.

Notes: This small, but unusual, casting was probably cast in an open box mould as the upcast (reverse) side of the casting shows evidence of being sand-treated. Only a very small number of such castings are known. Depth 210mm

Description: Arched rectangular central panel with helical ribbon edging; pictorial image of a partially clothed female figure, holding an upraised wreath in her left hand and a garland in her right hand, standing on a ground, with a gadrooned vase containing flowers and leaves to the right and, above, swagged drapery; arched rectangular fillet border with descending leaves and flowers suspended from a wreath, top centre, and a wreath in each top corner; on top, mirrored swirled fronds terminating in the heads of sea monsters; bottom, all decoration obliterated by fire damage.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613. Possibly one of the SHR series.

Description: Arched rectangular central panel with bead on fillet edging; flowers in a gadrooned vase upon a pedestal; arched rectangular border with fillet edging containing flowers descending from a ribbon bow; at the bottom, date; on top, symmetrical swirled foliage.

Notes: The swirled foliage on top and the proportions of the fireback suggest an English origin.

Inscription: 1723

Description: Arched rectangular shaped central panel with bead edging; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; in the left and right bottom corners, the initials 'HH' and 'S' respectively; at the bottom, a central cartouche with date (indistinctly), between floral swags; on top, twin spirals between descending floral festoons.

Notes: A border panel, without the central pictorial panel.

Copies of this fireback are known.

Inscription: HH S

Description: Rectangular; twisted rope edging on top and sides; inscription panel with repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, one vertical strip on right side (missing but probably repeated on left), at least ten short vertical strips below inscription.

Notes: Formerly at Fulling Mill Cottages, and possibly formerly at Wakehurst Place, Ardingly; it was moved to Ardingly church sometime after 1915. The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. Edward Culpeper (1561-1630), of Wakehurst, was fourth cousin, once removed, of Anne Forster.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Canted rectangle; moulded fillet edging (top and sides); top line, 'daisy' plant stamp repeated three times, spaced evenly, with 'SOWLY' in a block, a ducal coronet above, between the left two, and '1721' in individual numerals, a ducal coronet above, between the right two; a swirling foliage stamp repeated down each side, a 'daisy' plant below each; initials 'I' and 'B' separately in bottom corners.

Notes: Sowley was the iron furnace in Hampshire owned in 1721 by the 2nd duke of Montagu, whose coronet is seen in the decoration, and operated by John White of Monmouth. The swirled foliage stamp is seen on other firebacks identified by the letters 'IB' between 1703 and 1721, probably indicating the same founder.

Inscription: SOWLY 1721 / I B

Description: Rectangular; moulded fillet edging (top and sides); left justified text in upper case, in two lines: Tunc bonus est ignis cum pendet stiria tignis (Then fire is good when icicles hang from the eaves); below left, 'SOWLY' in a block; below right, '1721' in individual numerals; a swirling foliage stamp repeated down each side; initials 'I' and 'B' separately in bottom corners.

Notes: The source of the inscription is 'A Dictionarie in English and Latine for Children' by William Clark (London, Thomas Purfoot, 1602), p. 13. Sowley was the iron furnace in Hampshire owned in 1721 by the 2nd duke of Montagu and operated by John White of Monmouth. The swirled foliage stamp is seen on other firebacks identified by the letters 'IB' between 1703 and 1721, probably indicating the same founder.

Inscription: TUNC BONUS EST IGNIS / CUM PENDET STIRIA TIGNIS / SOWLY 1721/ I B

Description: Arched rectangular shape; ovolo-moulded edging with inverted fleur-de-lys at top; lion passant guardant, with rose to the left and thistle above tail; date split between legs; single horizontal plank-line.

Notes: The boldness of the figuration suggests association with firebacks possibly cast at Brede Furnace in the same period.

Copies of this fireback are known.

Inscription: 1 6 5 6

Description: Rectangular with arched, mirrored scrolls on top and central scallop shell; fillet edging; in a grove with two putti above, blowing trumpets, to the left, a naked female figure seated against a table, pointing at three children to the right, on a rock; at the bottom, narrow panel with indistinct decoration.

Notes: The scene is probably from classical mythology, but has not been identified.

Copies of this fireback are known.