Firebacks

Description: Fragment; upper half of an arched rectangular shaped fireback; fillet edging; divided into two halves; left half - naked female figure of Truth holding scales in right hand, surrounded by motto ribbon bearing the text: HET IS V EEN SCHADE DAT TROVE IS LICHTER DAN EEN PLV; right half - naked female figure of Vigilance, a bird seated on her right hand, and with two dogs on leads held in her left hand, surrounded by a motto ribbon bearing the text: ICH IAGE OM DIE VINDEN OFT ICH TROVE KONDE VINDEN; initials between scales; date divided by cross of an orb forming the centre of the four intended panels.

Notes: The complete fireback has four figures (clockwise from top left) representing Truth, Vigilance (both naked), Indifference and Perfidy (both clothed).

Copies of this fireback are known.

Inscription: SG 1598 HET IS V EEN SCHADE DAT TROVE IS LICHTER DAN EEN PLV / ICH IAGE OM DIE VINDEN OFT ICH TROVE KONDE VINDEN

Description: Fragment; to the left, rectangular panel with braid edging, vine standard with six bunches of grapes and a cluster at the top; to the right, rectangular panel with wide fillet edging, arched recess with three flower heads in low relief, and in the arch spandrels four 'bullseye' motifs comprising concentric rings deepening towards the centre; on top, a semi-circular panel with fillet edging, within which are the date between the initials, with scattered small rings, below is a pattern of eight linked circles; vestige of another semi-circular panel to the left.

Notes: Potentially a fragment of a large fireback, the vestige of a second semi-circular arched panel on top offers the possibility that several other panels originally existed further to the right. The two surviving panels combine elements from two separate sub-groups of firebacks that were moulded from individual, interchangeable panels, indicating that the sub-groups originated from a common source.

Inscription: I 1598 R

Description: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of 'bullseye' motifs comprising concentric rings deepening towards the centre.

Notes: One of an unusual series formed from separate panels arranged, in this instance, with the outer panel repeated.‘Knot’ patterns were popular in gardens of the period. The garden theme is continued with the side panels. A version of the same design, recorded in a photograph of 1904 at Willesden, London, is a different casting, the top panel with the date and initials, being straight not slightly askew as in this example.

Inscription: 1598 / IM IB

Description: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of circular motifs comprising concentric rings deepening towards the centre.

Notes: ‘Knot’ patterns were popular in gardens of the period. The garden theme is continued with the side panels. An example of the same design, noted at Linchmere, West Sussex, is a different casting, the top panel with the date and initials being slightly askew. From a photograph in the Victoria and Albert Museum, London; photographed at Mapesbury House, Willesden in 1904.

Copies of this fireback are known.

Inscription: 1598 / IM IB