Firebacks

Description: Arched rectangular shape; plain edge with 49 large beads parallel with top and sides; upper centre, date in bold Arabic numerals; below date, raised rectangular panel with chamfered sides and corners and fillet edging, and a symmetrical sunburst and rainbow design in low relief.

Notes: Modern, quasi-Art Deco design

Inscription: 1990

Description: Arched shape; fillet edging; swan within a voided strapwork cartouche; date in Arabic numerals, at bottom, on a broad horizontal fillet.

Notes: Stylistically, of the early 17th century, suggesting the date is 1617, although the third numeral is indistinct. Bonham's sale, Chester, 18 October 2012, lot 384 (£375).

Inscription: 16 1[?]7

Description: Arched rectangular shape; fillet edging; central male figure clothed in 17th century style, facing to the left, holding a mallet in his raised right hand and holding a board with rectangular detailing in relief in his left hand; vertical boards in relief behind; below to the left, a smaller figure holding a long pole diagonally with other detailing in relief behind; to the lower right, a female figure, contemporaneously clothed, a scroll feature to her right; behind, an archtectural grille with scrolled detailing; above, swagged drapery with three descending tasselled ropes.

Notes: A pastiche of a 17th century fireback. The scene appears to be of a carpenter's workshop but some of the detail in the lower parts of the fireback is indistinct owing to corrosion. The drapery was probably inspired by a similar feature on several late-17th or early-18th century 'Dutch'-style fireback designs. The reverse (upcast) side of the fireback is very smooth indicating a modern date for the casting.

Description: Arched rectangular shaped; fillet edging; a lion rampant

Notes: Whole pattern. A modern design of fireback

Copies of this fireback are known.

Description: Arched rectangular shaped with fillet and cavetto dentil moulding, and paternost bead edging inside; a lion rampant

Notes: Whole pattern. An unusually tall fireback in relation to its width.

Copies of this fireback are known.

Description: Rectangular shape; cavetto-moulded edging; central abstract arrangement in low relief of a horizontally positioned oval surrounded by four separated spandrels forming a rectangular shape over all; at each side, on a raised rectangular field, a stylised bud or cone of helical form, within a calyx above a semi-circular base, one mirroring the other. A deep plankline is evident half way up the left plant.

Notes: An excrescence on the right side may have been caused by iron being poured from a ladle disturbing the casting sand. There are no parallels for this fireback design. The central abstract arrangement may be associated with a formal plan of a garden parterre, the stylised plants continuing that theme.

Description: Plain rectangular bottom panel with fillet on top; above, rectangular panel with fillet and ovolo-moulded edging, within which the initials, ER, ornately carved, intertwined with floral tendrils; on each side, a scrolled bracket with double fillet edging, enclosing [?] ears of corn; on top, a narrow cornich, with an arch above, scrolled at each end and with double fillet edging, enclosing the date, possibly formed of individual stamped letters.

Notes: The 'ER' initials should not be assumed to be those of Elizabeth I. Formerly at Ockwells Manor, Cox Green, Berkshire. Christie's auction 4 Nov 2008 lot 259 (£3,750).

Copies of this fireback are known.

Inscription: 1565 / ER

Description: Arched rectangular shape; plain edge with 49 large beads parallel with top and sides; upper centre, date in bold Arabic numerals; below date, raised rectangular panel with chamfered sides and corners and fillet edging, and a symmetrical sunburst and rainbow design in low relief.

Notes: Modern, quasi-Art Deco design

Inscription: 1995

Description: Rectangular; astragal edging; simple diamond pattern covering whole plate, formed from evenly-spaced diagonal lines.

Description: A rectangular field with a central circle containing a fouled anchor, the rope gathered in eleven loops around it; in the top spandrels the initials HH, on the left, and IH, on the right; below the circle, the initials IM inset in a square; on each side, a strapwork Ionic pilaster formed of alternate hollow squares, with a pyramidal infill in low relief, and hollow circles; outside each pilaster, a crouching stylised humanoid figure, facing inwards, disgorging a fructed vine; above the figures two opposed volutes, forming part of the edging; above the central field, a semi-circular compartment containing a bird, its wings inverted, and three hollow diamond shapes irregularly arranged; the date above the bird; protruding from the edging above each pilaster is a small, inward-facing scroll. Three vertical plank lines can be discerned, one in front of the right-hand figure, one through the I of the initials IH, and one to the right of the second H of the initials HH. The whole design is in low relief.

Notes: This is a reworking of a design seen on a fireback of 1608 (no. 585) though intentionally stylised. The decorative elements have yet to be fully interpreted; on the 1608 version the figures are fauns, the vines disgorged from their mouths being related to the 'green man' tradition associated with woodland spirits and symbolising resurrection, the latter echoed by the bird which, on the earlier version is a phoenix. However, in the form in which they appear on both firebacks they may be purely decorative devices. By contrast, the cabled anchor is the badge of the Lord High Admiral but in 1633 the office was vacant. The initials IM indicate that this is an early work by a prolific fireback pattern-maker more usually associated with the eastern Weald.

Inscription: 1633 / HH IH / IM