Firebacks

Description: Rectangular; rope edging (top and sides); central Tudor royal shield with encircling garter (motto reversed: HONE SOVT QVEY … PEN), separate greyhound and lion supporters, separate crown; a bird, repeated in each top corner, its wings displayed and inverted and its head facing behind and to the left, standing on a scroll; a fleur de lys repeated in the bottom corners; inside the birds is a repeated stamp, half of one similar to a stamp on a fireback in Hastings Museum.

Notes: The particular form of the Tudor arms and supporters is encountered on other firebacks, as are the distinctive style of fleurs de lys and the birds (probably swans, a Lancastrian icon). The plain scroll upon which the bird is perched suggests that there might have been a painted inscription on it originally and that the stamp had not been made specifically for the decoration of firebacks but was, perhaps, redundant from interior domestic decoration. Formerly at Framfield, East Sussex.

Arms: Tudor royal (prob. Henry VIII)

Description: Rectangular; composite: complex (cavetto/cyma recta/ovolo) moulded edging (top and sides), derived from domestic carpentry; two firebacks used as patterns: on the left, rectangular with mirrored floriate scrolled top, simulated overlapping tile edging at sides, with fillet bottom edge, a mythical salamander in the form of a dog with an arrow-shaped tongue, standing among flames, a stapled scroll inside the left and right edges; on the right, arched rectangular with fillet edging indented on the inner side, surrounding a circular clock face with Roman numerals, each interspaced with a bead, and a button outside each quarter, a triangular design of swirled foliage in each bottom spandrel; initials in triad between firebacks; below, stamp formed of a talbot statant guardant upon a wreath; date split: ‘1’s in top corners, ‘6’s above initials; bottom third of fireback plain.

Notes: The talbot crest, which in this instance has been over pressed and shows the shape of the backing, is seen on other firebacks indicating a common source; the 'salamander' fireback (see no. 851) is one of the Stapled Scroll series; composite firebacks (where the impression of one or more other firebacks are used as part of the decoration) are uncommon in England but less so in France.

Inscription: 16 61 / IBM [triad]

Description: Arched rectangular shaped, the arch linked to the rectangle by cavetto curves; cavetto edging ending in two opposed spirals at top; initials below spirals; date below initials; otherwise plain.

Notes: Probably cast from a carved, edged board, with the initials and date added separately. A copy.

Copies of this fireback are known.

Inscription: IH / 1678

Description: Composite; rectangular with semi-circular arches in middle (large) and ends (small) of top edge; rope on all edges except bottom; central panel effectively comprises an arched fireback form with Tudor royal arms (temp. Elizabeth I) with date above, and, below, letters G M, made from rope with fleur de lys terminals between two coronets surmounted by lions; below this are fronds with roses. On either side of this panel are placed the Anne Forster inscription panels; above each of these is a rose and crown with lion and dragon supporters, beneath which are three fleurs de lys. Along the base of the inscription panels and the central panel are single rows of ‘grape bunch’ shapes, beneath which are repeated trailing vine decoration from impressed wooden strips across the entire width of the fireback; 35 in all.

Notes: Formerly at Baynard's Park, Ewhurst, Surrey; GM probably refers to Sir George More, who built Baynards Park after buying the estate in 1587, and who moved to Loseley in 1604. The central coat of arms has been noted on two other firebacks, dated 1588 (no. 41) and 1595 (no. 482). The rose and crown stamps have been noted on a fireback in Haslemere Museum, and on examples illustrated by Lower (all of which bear the date 1582 and the initials IA; e.g. no. 107). The association of these stamps and the particular form of rope lettering, with the Anne Forster inscription and the ‘grape bunch’ shapes, both of which have been linked with other stamps from Pounsley furnace, suggests that they, too, were part of the stock of those works.

Inscription: 15 93 / GM / HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS [twice]

Arms: Tudor royal

Description: Rectangular; moulded fillet edging on top and sides; TCI, also arranged symmetrically, in a widely spaced triad; below, symmetrical layout of central rose and crown between two concentric roundels, with two fleurs-de-lys outside.

Notes: The style of rose and crown is similar to that used in gun founding in the Tudor period, suggesting that the furnace that was the source of this fireback may have been used for that purpose. Formerly at Baynards Park, Cranleigh, Surrey.

Inscription: 16 T C I [triad] 70

Description: Canted rectangle; twisted rope edging (top and sides); Tudor royal shield and Garter with crown above, between lion and unicorn supporters; initials separated by crown; a small ring and bar are placed to the left of the unicorn’s mouth.

Notes: The Tudor shield and crown feature on many Wealden firebacks, and have here been reused with Jacobean supporters; their stamps are derived from standing models.

Inscription: I R

Arms: Tudor royal

Description: Rectangular with two-stepped top; double astragal edging on sides; top centre, stamp formed of a talbot statant guardant upon a wreath; date split either side of crest; initials below date, ‘+’ below letters.

Notes: The talbot crest is seen on other firebacks indicating a common source.

Copies of this fireback are known.

Inscription: 16 22 / I + H

Description: Arched rectangular shape; ovolo-moulded edge; Tudor royal shield, crown, garter and supporters (dragon and greyhound). Crowned rose on left, and crowned portcullis (grid of 16) on right side of crown; the supporters stand on a horizontal fillet; date panel with ovolo-moulding on top, central putto face splitting two parts of date with faces of putti in profile at each end.

Notes: Arms are of Edward VI. A very clear casting, almost certainly from the original pattern. There are several firebacks with the Tudor royal arms that were probably produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the crowned rose and portcullis.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL I PENSE / 15 48

Arms: Tudor royal Edward VI

Description: Canted rectangle; twisted rope edging (top and sides); quasi-symmetrical arrangement of four fleurs-de-lys in star, top centre, two fleurs each side along top edge, single fleurs beneath outer top fleurs; short rope length in vertical and inverted 'V' shapes each side between top fleurs; ?dagger handle irregularly positioned centre left and right.

Notes: The style and shape of the fleurs-de-lys is unique to a particular series of firebacks, suggesting the same source; the 'V' shapes may have apotropaic significance. A sketch of this fireback c.1891 is in the collection of J. Starkie Gardner's sketch books at the Victoria and Albert Museum, Archive of Art and Design (AAD/2014/8); at the time of drawing it was stated to be in the ownership of one Simmons, a furniture dealer of Lewes.

Description: Rectangular; cavetto edging; a left-facing cockerel grasps a snake in its beak, another snake writhes on the ground behind it; date to left of the cockerel’s tail; four vertical planklines.

Notes: The design may have religious significance, the snake symbolising sin and the cockerel denoting St Peter’s denial of Christ. The ‘1’ of the date is hooked, suggesting a common source with firebacks designed by the pattern-maker, IM. A copy of this fireback is set into the brickwork of 16 Old Church Street, Chelsea, London.

Copies of this fireback are known.

Inscription: 1652