Firebacks

Description: Rectangular; cavetto edging; a left-facing cockerel grasps a snake in its beak, another snake writhes on the ground behind it; date to left of the cockerel’s tail; four vertical planklines.

Notes: The design may have religious significance, the snake symbolising sin and the cockerel denoting St Peter’s denial of Christ. The ‘1’ of the date is hooked, suggesting a common source with firebacks designed by the pattern-maker, IM. A copy of this fireback is set into the brickwork of 16 Old Church Street, Chelsea, London.

Copies of this fireback are known.

Inscription: 1652

Description: Rectangular with cavetto curves rising to corners and a ‘pediment’ top; fillet edging with low-relief, alternate regularly-spaced semi-circles and triangles inside; two-handled flower vase with gadrooned top and symmetrical flower design; trailing vines and flowers issuing from top and descending through handles to base; human face at top; date split by vase base.

Notes: The style of the numerals includes a ‘1’ with hooked serifs.

Inscription: 16 52

Description: Quasi-rectangular with raised symmetrical scrolls between semi-circular re-entrants on top edge; ovolo-moulded edge on bottom and sides, with fillet edging on top; grotesque face with swirled hair locks, above an inverted floral spike, between two moustachioed male figures in tunics, holding pikes, standing on a cavetto-moulded compartment, date beneath.

Notes: Alleged to represent the 'Brede Ogre', Sir Goddard Oxenbridge (1478-1531) who, legend states, was sawn in half by local children. Stylistically similar to other firebacks with connections with Brede furnace.

Copies of this fireback are known.

Inscription: 16 52

Description: Double arched rectangular shaped; ovolo edging; central clock dial with Roman numerals separated by stops, sunburst inside, single hand with fleur de lys pointer; teardrop weights, with finials above, suspended from each side; symmetrical tendrils above; date split below dial.

Notes: One of the ‘hooked 1’ series of firebacks; two versions exist of this fireback, the other without finials above the suspended weights.

Copies of this fireback are known.

Inscription: I · II · III · IIII · V · VI · VII · VIII · IX · X · XI · XII / 16 5 [..]

Description: Rectangular with cavetto curves rising to corners and a ‘pediment’ top; fillet edging with low-relief, alternate regularly-spaced semi-circles and triangles inside; two-handled flower vase with gadrooned upper surface and symmetrical flower design in relief below; trailing vines and flowers issuing from top and descending through handles to base; human face at top; second half of date to right of vase base.

Notes: Another version, probably by a different pattern-maker, is dated 1662; a recasting; an earlier casting measures 665mm x 610mm

Copies of this fireback are known.

Inscription: [...] 52