Firebacks

Description: Arched rectangular shape; ovolo-moulded edging; Tudor royal shield, garter, crown, motto and supporters (crowned lion and dragon); Tudor rose to right of lion’s head, portcullis to left of dragon’s head; temp. Elizabeth I.

Notes: Three versions of this fireback are known, with differing edging and one without the rose and portcullis.

Copies of this fireback are known.

Inscription: [Garter] HONI SOIT QVI MAL Y PENSE / [motto] DIEV ET MON DROIT.

Arms: Tudor royal

Description: Rectangular; rope edge (top and sides); rose and crown within a shield, stamped twice, both inverted, down centre; rectangular stamp with griffin, twice, in top corners.

Notes: Five other firebacks bearing these stamps are known: one is also in Hastings, and one, dated 1569, is at Hadlow Down, Sussex. The locations of the other three are not known. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Canted rectangle; twisted rope edging (top and sides), with dowel across the top corners; symmetrical arrangement of four crowned four-petal roses, top centre, bottom centre and both top corners; symmetrical arrangement of four fleurs de lys, two either side of top central rose, two in bottom corners.

Notes: One of a large series bearing heraldic stamps. Given to Hastings Museum by Mr A. E. Anderson of Brightling Hall, Robertsbridge, Sussex.

Description: Armorial within complex ovolo moulded edging on all sides; two plank lines; shield, helm, crest and mantling of the Trevor family; the achievement is distinguished by the elaborately festooned mantling, the whole resting on a boat-shaped compartment.

Notes: The arms, which are of an esquire, are probably those of John Trevor (c1652-1686), the son of Sir John Trevor, one of Charles II’s Secretaries of State. By his marriage in 1679 to Elizabeth (c1656-1693), widow of William Morley, of Glynde, Sussex, the Glynde Place estate passed into the hands of the Trevors. The arms on this fireback have been variously, but incorrectly, attributed to Lord Dacre (a descendant of John Trevor), and Col. Marcus Trevor, 1st Viscount Dungannon (peers' arms have supporters). The distinctive shape is seen in similar form on several other armorial firebacks over the preceding century, suggesting a continuity of pattern making, if not the same pattern maker. Many copies of this fireback exist.

Copies of this fireback are known.

Arms: Trevor family, of Glynde

Description: Arched rectangular shaped panel with fillet edging; two Salomonic columns supporting a beaded arch; standing figure of Atlas supporting a globe, on ground with plants, and two swags of fruit and leaves suspended from the centre of the arch to the capitals of the columns; above the beaded arch, symmetrical swirls of fruit and foliage; on top, a scallop shell between two sea serpents.

Notes: Probably an English design copying the north German 'Dutch' style.

Copies of this fireback are known.

Description: Quasi-rectangular with raised symmetrical scrolls between semi-circular re-entrants on top edge; ovolo-moulded edge on bottom and sides, with fillet edging on top; grotesque face with swirled hair locks, above an inverted floral spike, between two moustachioed male figures in tunics, holding pikes, standing on a cavetto-moulded compartment, date beneath.

Notes: Alleged to represent the 'Brede Ogre', Sir Goddard Oxenbridge (1478-1531) who, legend states, was sawn in half by local children. Stylistically similar to other firebacks with connections with Brede furnace.

Copies of this fireback are known.

Inscription: 16 52

Description: Rectangular; twisted rope edging (top, and top two-thirds of sides); rectangular stamp with griffin passant, repeated six times: two in top corners; two in bottom corners, rotated left; two in middle, separated by two inverted shields bearing a rose and crown, placed vertically; across each top corner, a length of twisted rope.

Notes: Five other firebacks bearing these stamps are known: one is also in Hastings, and one, dated 1569, is at Hadlow Down, Sussex. The locations of the other three are not known.

Description: Rectangular; plain plate with central crossed-square rope pattern with crosses at the corner and top; on each side a rectangular stamp with swirled tendril, serpent and demi-cup decoration.

Notes: The crossed square was an alchemistic symbol for iron vitriol (i.e. ferrous sulphate or copperas), but the crosses at the extremities may indicate other symbolism or none; similar patterns are found on other firebacks of a group that may have been associated with Pounsley furnace, Sussex. The repeated panel at the top appears to have been formed using a mould for a section of a plasterwork frieze, resulting in an intaglio impression (approx 395 x 142mm or 15½ x 5½ in.) as opposed to the normal bas-relief; this is very unusual on a fireback. The style of the mould dates from the Elizabethan or Jacobean period. The stubs on the bottom edge are likely to have been the remains of runners where the molten iron entered the mould. Recovered from a property in Burwash, Sussex, in 1910.

Description: Rectangular with ‘pediment’ arch linked by cavetto curves; fillet and cavetto edging; pictorial, a cylindrical furnace with inscribed stone courses, flames issuing from the top, with the heads of three people, a hand raised from two of them, and an angel with wings and arms outstretched; the furnace has a small arched opening bottom centre; above the angel, the inscription was inscribed on the pattern.

Notes: The scene represents Shadrach, Meshach, and Abednego being delivered from the burning fiery furnace by the angel of God (Daniel 3), the phrase, The Three Children, being a reference to the eponymous apocryphal verses from the Book of Daniel. Formerly at Brightling Hall, Robertsbridge, Sussex.

Inscription: THE THREE CHILDREN

Description: Carved wooden fireback pattern. Arched rectangular central panel with astragal and fillet edging; Phaëton riding Apollo’s chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel.

Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks; given to the Sussex Archaeological Society by the Rev. J. Bickersteth.