Firebacks

with the same citation

11 results

  1. 349

    baines_01.jpg
    774 x 628 mm

    Description: Arched rectangular shape; ovolo-moulded edging; Tudor royal shield, garter, crown, motto and supporters (crowned lion and dragon); Tudor rose to right of lionís head, portcullis to left of dragonís head; temp. Elizabeth I.

    Notes: Three versions of this fireback are known, with differing edging and one without the rose and portcullis. Illustration from book.

    Copies of this fireback are known.

    Inscription: [Garter] HONI SOIT QVI MAL Y PENSE / [motto] DIEV ET MON DROIT.

    Arms: Tudor royal

    Manufactured: in the late 16th century possibly in the Weald area of England.

    Current location:.

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  2. 120

    bridgewater_collection 01 (hastings 010).jpg
    749 x 432 mm

    Description: Rectangular; rope edge (top and sides); rose and crown within a shield, stamped twice, both inverted, down centre; rectangular stamp with dragon, twice, in top corners.

    Notes: Three other firebacks bearing these stamps are known: one at Hadlow Down, Sussex, in private hands, and a second one at Hastings Museum with more of the same stamps and rope lengths; the present location of the third is not known.

    Manufactured: in the mid to late 16th century in the Weald area of England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 952.51.11 (part of the Hastings Museum museum group)

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  3. 128

    hastings_018.jpg
    597 x 463 mm

    Description: Canted rectangle; twisted rope edging (top and sides), with dowel across the top corners; symmetrical arrangement of four crowned four-petal roses, top centre, bottom centre and both top corners; symmetrical arrangement of four fleurs de lys, two either side of top central rose, two in bottom corners.

    Notes: One of a large series bearing heraldic stamps. Given to Hastings Museum by Mr A. E. Anderson of Brightling Hall, Robertsbridge, Sussex.

    Manufactured: in the mid 16th century in the Weald area of England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 914.64.1 (part of the Hastings Museum museum group)

    Citation: Browne, P. J., 27 Jul 1967, 'Sussex Firebacks ... History of an Early Application of Cast Iron', Foundry Trade Journal, 109-111.

    Citation: Butterfield, W. R., 16 Feb 1935, 'A Tudor Fireback', Hastings and St Leonards Observer.

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  4. 158

    hastings_041.jpg
    965 x ?673 mm

    Description: Armorial within complex ovolo moulded edging on all sides; two plank lines; shield, helm, crest and mantling of the Trevor family; the achievement is distinguished by the elaborately festooned mantling, the whole resting on a boat-shaped compartment.

    Notes: The arms, which are those of an esquire, may be those of John Trevor, the son of Sir John Trevor, one of Charles IIís Secretaries of State. He married Elizabeth, widow of William Morley, of Glynde, Sussex, from whom passed the Glynde estates. The arms on this fireback have been variously, but incorrectly, attributed to Lord Dacre (a descendant of John Trevor), and Col. Marcus Trevor, 1st Viscount Dungannon (peers' arms have supporters). The distinctive shape is seen in similar form on several other armorial firebacks, suggesting a continuity of pattern making, if not the same pattern maker. Many copies of this fireback exist.

    Copies of this fireback are known.

    Arms: Trevor family, of Glynde

    Manufactured: in the mid to late 17th century in the Weald area of England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 917.2 (part of the Hastings Museum museum group)

    Citation: Dawson, C., 1903, 'Sussex Iron Work and Pottery', Sussex Archaeological Collections, 46, pp. 1-54.

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

    Citation: Straker, E., 1931, Wealden Iron (London, Bell)

  5. 160

    hastings_043.jpg
    495 x 673 mm

    Description: Arched rectangular shaped panel with fillet edging; two Salomonic columns supporting a beaded arch; standing figure of Atlas supporting a globe, on ground with plants, and two swags of fruit and leaves suspended from the centre of the arch to the capitals of the columns; above the beaded arch, symmetrical swirls of fruit and foliage; on top, a scallop shell between two sea serpents.

    Notes: Probably an English design copying the north German 'Dutch' style.

    Copies of this fireback are known.

    Manufactured: in the late 17th to early 18th century in England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 917.196.6 (part of the Hastings Museum museum group)

    Citation: Browne, P. J., 27 Jul 1967, 'Sussex Firebacks ... History of an Early Application of Cast Iron', Foundry Trade Journal, 109-111.

    Citation: Butterfield, W. R., 1916, 'Old Wealden Firebacks', The Connoisseur, 46, pp. 197-209.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Lloyd, N., 1925, 'Domestic Ironwork I', Architectural Review, 58, pp. 58-67.

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  6. 171

    hastings_058.jpg
    730 x 584 mm

    Description: Quasi-rectangular with raised symmetrical scrolls between semi-circular re-entrants on top edge; ovolo-moulded edge on bottom and sides, with fillet edging on top; grotesque face with swirled hair locks, above an inverted floral spike, between two moustachioed male figures in tunics, holding pikes, standing on a cavetto-moulded compartment, date beneath.

    Notes: Alleged to represent the 'Brede Ogre', Sir Goddard Oxenbridge (1478-1531) who, legend states, was sawn in half by local children. Stylistically similar to other firebacks with connections with Brede furnace.

    Copies of this fireback are known.

    Inscription: 16 52

    Manufactured: in 1652 probably at Brede furnace in the Weald area of England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 924.42 (part of the Hastings Museum museum group)

    Citation: Butterfield, W. R., 10 Mar 1934, 'The Brede Ogre', Hastings and St Leonards Observer.

    Citation: Hodgkinson, J. S., 2014, 'A Seventeenth-Century Sussex Woodcarver: The Evidence of Cast Ironwork', Regional Furniture, 28, pp. 39-48

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  7. 173

    hastings_060.jpg
    840 x 485 mm

    Description: Rectangular; twisted rope edging (top, and top two-thirds of sides); rectangular stamp with dragon passant, repeated six times: two in top corners; two in bottom corners, rotated left; two in middle, separated by two inverted shields bearing a rose and crown, placed vertically; across each top corner, a length of twisted rope.

    Notes: The same stamps, though fewer in number and excluding the rope, can be seen on another fireback at Hastings, and also on a large fireback, dated 1567, at Hadlow Down, Sussex.

    Manufactured: in the mid to late 16th century in the Weald area of England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 909.78 (part of the Hastings Museum museum group)

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  8. 174

    hastings_061.jpg
    1219 x 495 mm

    Description: Rectangular; plain plate with central crossed-square rope pattern with crosses at the corner and top; on each side a rectangular stamp with swirled tendril decoration.

    Notes: The crossed square was an alchemistic symbol for iron vitriol (i.e. ferrous sulphate or copperas), but the crosses at the extremities may indicate other symbolism or none; similar patterns are found on other firebacks probably made at Pounsley furnace, Sussex. The decorative stamp was probably derived from furniture. Recovered from a property in Burwash, Sussex.

    Manufactured: in the mid to late 16th century possibly at Pounsley furnace in the Weald area of England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 910.26.1 (part of the Hastings Museum museum group)

    Citation: Easton, T. & Hodgkinson, J. S., 2013, 'Apotropaic Symbols on Cast-Iron Firebacks', Jnl. of the Antique Metalware Soc., 21, pp. 14-33.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  9. 159

    hastings_museum_042.jpg
    610 x 521 mm

    Description: Rectangular with Ďpedimentí arch linked by cavetto curves; fillet and cavetto edging; pictorial, a cylindrical furnace with inscribed stone courses, flames issuing from the top, with the heads of three people, a hand raised from two of them, and an angel with wings and arms outstretched; the furnace has a small arched opening bottom centre; above the angel, the inscription THE THREE CHILDREN is inscribed.

    Notes: The scene represents Shadrach, Meshach, and Abednego being delivered from the burning fiery furnace by the angel of God (Daniel 3), the phrase, The Three Children, being a reference to the eponymous apocryphal verses from the Book of Daniel.

    Inscription: THE THREE CHILDREN

    Manufactured: in the early to mid 17th century possibly in the Weald area of England.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 913.58 (part of the Hastings Museum museum group)

    Citation: Browne, P. J., 27 Jul 1967, 'Sussex Firebacks ... History of an Early Application of Cast Iron', Foundry Trade Journal, 109-111.

    Citation: Butterfield, W. R., 1916, 'Old Wealden Firebacks', The Connoisseur, 46, pp. 197-209.

    Citation: Butterfield, W. R., 23 Feb 1935, 'A Scriptural Fireback', Hastings and St Leonards Observer.

    Citation: Hamling, T., 2015, 'Seeing Salvation in the Domestic Hearth in Post-Reformation England' in J. Willis (ed.), Sin and Salvation in Reformation England (Farnham, Ashgate Publishing), 223-44.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

  10. 928

    lewes_002.jpg
    610 x 830 mm

    Description: Carved wooden fireback pattern. Arched rectangular central panel with astragal and fillet edging; PhaŽton riding Apolloís chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel.

    Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks; given to the Sussex Archaeological Society by the Earl of Ashburnham.

    Manufactured: in the early 18th century in England.

    Current location: Anne of Cleves House, Southover High Street, Lewes, East Sussex, England.

    (part of the Sussex Archaeological Society museum group)

    Citation: Dawson, C., 1903, 'Sussex Iron Work and Pottery', Sussex Archaeological Collections, 46, pp. 1-54.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Manwaring Baines, J., 1958, Wealden Firebacks (Hastings Museum)

    Citation: Whistler, R. F., 1888, 'Penhurst: being some account of its Iron Works, Manor House, Church, etc.,' Sussex Archaeological Collections, 36, pp. 1-18.