Firebacks

Description: Rectangular; cavetto edging; a left-facing cockerel grasps a snake in its beak, another snake writhes on the ground behind it; date to left of the cockerel’s tail; four vertical planklines.

Notes: The design may have religious significance, the snake symbolising sin and the cockerel denoting St Peter’s denial of Christ. The ‘1’ of the date is hooked, suggesting a common source with firebacks designed by the pattern-maker, IM. A copy of this fireback is set into the brickwork of 16 Old Church Street, Chelsea, London.

Copies of this fireback are known.

Inscription: 1652

Description: Quasi-rectangular with raised symmetrical scrolls between semi-circular re-entrants on top edge; ovolo-moulded edge on bottom and sides, with fillet edging on top; grotesque face with swirled hair locks, above an inverted floral spike, between two moustachioed male figures in tunics, holding pikes, standing on a cavetto-moulded compartment, date beneath.

Notes: Alleged to represent the 'Brede Ogre', Sir Goddard Oxenbridge (1478-1531) who, legend states, was sawn in half by local children. Stylistically similar to other firebacks with connections with Brede furnace.

Copies of this fireback are known.

Inscription: 16 52

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped. Two plank-lines.

Notes: Whole pattern with added date; one of a series of firebacks where the number ‘1’ is hooked at both ends. Damage and subsequent repair to the bottom right corner has obliterated a letter 'M' seen on another casting; presumably part of 'IM'. A variant, at Lewes, is incorrectly dated 1550.

Copies of this fireback are known.

Inscription: 1650

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped.

Notes: The fireback has been incorrectly dated 1550 instead of 1650, which Schubert, following W. R. Lethaby, asserted was a forgery claiming indications that a ‘6’ had been erased. Undoubtedly the first '5' is more prominent than the other figures though the exact method by which it has been substituted is not clear. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Inscription: 1550

Description: Arched rectangular shape; cavetto moulded edge all round; holes pierced in top corners; a fouled anchor with one fluke resting on the base, a scroll below each top corner, foliage above the text, which is above the anchor; the initials either side of the lower fluke.

Notes: The inscription is a quotation from Psalms 139, v. 1: ‘Domine, probasti me et cognovisti me’ (Lord, thou hast searched me and known me).

Copies of this fireback are known.

Inscription: PROBASTI / ME / I M 16 5[0?]

Description: Arched rectangular shape; fillet edging; shield, helm, crest and mantling of the Worshipful Company of Blacksmiths; date in top corners; initials at bottom, below mantling.

Notes: One of the hooked ‘1’ series; unevenly impressed, the right more deeply than the left.

Copies of this fireback are known.

Inscription: 16 50 / I M

Arms: Worshipful Company of Blacksmiths

Description: Arched rectangular shape; fillet edging; shield, helm, crest and mantling of the Worshipful Company of Blacksmiths (see Fig. 3); date in top corners; initials at bottom, below mantling; two planklines.

Notes: One of the hooked ‘1’ series; a copy from an evenly impressed original.

Copies of this fireback are known.

Inscription: 16 50 / I M

Arms: Worshipful Company of Blacksmiths

Description: Double arched rectangular shaped; ovolo edging; central clock dial with Roman numerals separated by stops, sunburst inside, single hand with fleur de lys pointer; teardrop weights, with finials above, suspended from each side; symmetrical tendrils above; date split below dial.

Notes: One of the ‘hooked 1’ series of firebacks; two versions exist of this fireback, the other without finials above the suspended weights.

Copies of this fireback are known.

Inscription: I · II · III · IIII · V · VI · VII · VIII · IX · X · XI · XII / 16 5 [..]

Description: Quasi-arched rectangular shaped; unique, cavetto-moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree.

Notes: Other known variants are dated; this variant confirms that the dates were added to subsequent castings. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Description: Double arched rectangular shaped; ovolo edging; central clock dial with Roman numerals separated by stops, sunburst inside, single hand with fleur de lys pointer; teardrop weights suspended from each side; symmetrical tendrils above.

Notes: One of the ‘hooked 1’ series of firebacks - the number ‘1’ is just discernable bottom left; two versions exist of this fireback, the other having finials above the suspended weights.

Copies of this fireback are known.

Inscription: I · II · III · IIII · V · VI · VII · VIII · IX · X · XI · XII / 16...