Firebacks

Description: Arched rectangular shaped central panel with paternost bead edging; figure holding a bow in his left hand and a lyre in his right hand, a quiver suspended from his belt, on an undulating ground with small trees, and suspended swags of drapery above; Arched rectangular shaped border with fillet edging, and symmetrical flowers and swirled tendrils; initials at bottom centre; on top, symmetrical pattern of swirled leaves and tendrils.

Notes: The figure is Apollo, personifying the Sun, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with helical ribbon edging; pictorial image of a partially clothed female figure, holding an upraised wreath in her left hand and a garland in her right hand, standing on a ground, with a gadrooned vase containing flowers and leaves to the right and, above, swagged drapery; arched rectangular fillet border with descending leaves and flowers suspended from a wreath, top centre, and a wreath in each top corner; on top, mirrored swirled fronds terminating in the heads of sea monsters; bottom, all decoration obliterated by fire damage.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613. Possibly one of the SHR series.

Description: Arched shape; fillet edging; top centre, date; decorative Tudor royal shield, crown, garter (motto clockwise but reversed) and supporters (dragon and greyhound); a rose to the left and a portcullis (grid of 6) to the right side of crown; the supporters stand on a horizontal compartment which, on similar firebacks, often contains the date.

Notes: There are several firebacks with the Tudor royal arms that were probably originally produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the rose and portcullis.

Inscription: 15 70 / HONY SOYT QVI MAL Y PENSE

Arms: English royal Tudor

Description: Arched rectangular shape; fillet edging to a rounded frame with sections of acanthus leaves at the corners and at the top of the arch, and blank campartments in between; astragal and fillet inside edging; arched rectangular inscription scroll suspended with faux ribbon from the top of the arch; below, a coronet over a large baroque cartouche containg two oval shields: Massenbach - azure two bars or, d'Helmstadt - argent a crow sable; on either side, lion rampant reguardant supporters; four vertical planklines.

Notes: A finely executed carving. Nicolas de Massenbach (1659-1722) and Francoise d'Helmstadt (d.1729) were married at Ourches-sur-Meuse, in Lorraine, in 1695.

Inscription: NDM 1710 FDH

Arms: Nicolas de Massenbach and Francoise d'Helmstadt

Description: Arched rectangular central panel; fillet edging; pictorial scene of a cloaked figure, to the right, tempting a dog, to the left, with a tasty morsel; behind are the outlines of a door and window; arched rectangular border with fillet edging, the date along the bottom; down each side, a floral festoon; over the arch, the inscription, the initials split between each side of the main inscription; on top, floral scrolls.

Notes: The inscription translates as 'loyalty above gifts'; some castings omit the initials, NL, indicating that they were a subsequent addition.

Copies of this fireback are known.

Inscription: N / FIDES DONA SUPERAT / L // 1696

Description: Rectangular; fillet edging; fillet parallel to top edge separating top quarter; two fillets parallel to sides separating side quarters; halves of date in top corner squares.

Notes: Numeral style is typical of first half of 18th century.

Inscription: 17 36

Description: Arched shape; fillet edging; swan within a voided strapwork cartouche; date in Arabic numerals, at bottom, on a broad horizontal fillet.

Notes: Stylistically, of the early 17th century, suggesting the date is 1617, although the third numeral is indistinct. Bonham's sale, Chester, 18 October 2012, lot 384.

Inscription: 16 1[?]7

Description: Rectangular with two-stepped top; double astragal edging on sides; top centre, stamp formed of a talbot statant guardant upon a wreath; date split either side of crest; initials below date, ‘+’ below letters.

Notes: The talbot crest is seen on other firebacks indicating a common source.

Copies of this fireback are known.

Inscription: 16 22 / I + H

Description: Arched rectangular shaped; fillet edging; a lion rampant

Notes: Whole pattern. A modern design of fireback

Copies of this fireback are known.

Description: Arched rectangular shape; ovolo-moulded edge; Tudor royal shield, crown, garter and supporters (dragon and greyhound). Crowned rose on left, and crowned portcullis (grid of 16) on right side of crown; the supporters stand on a horizontal fillet; date panel with ovolo-moulding on top, central putto face splitting two parts of date with faces of putti in profile at each end.

Notes: Arms are of Edward VI. A very clear casting, almost certainly from the original pattern. There are several firebacks with the Tudor royal arms that were probably produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the crowned rose and portcullis.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL I PENSE / 15 48

Arms: Tudor royal Edward VI