Firebacks

Description: Quasi-rectangular; twisted rope edging (top and sides); fleur-de-lys stamp repeated 25 times in four rows (6-6-6-7), interspersed with a length of twisted rope repeatedly stamped between each row and sometimes between fleurs; three rope crosses near top corners.

Notes: The fleurs are identical to others from the ‘Pounsley’ series.

Description: Rectangle with two similar rectangular extensions at top extremities; rope edging (top and sides); on top extensions, two stamps of a dragon and lion supporting a rose and crown, each with a crowned shield bearing a fleur de lys below; central date with rose and crown below; initials TM vertically placed inside middle left edge, initial I middle right; initials I and A, respectively, at lower left and right.

Notes: The initials, TM and I, may relate to a married couple, the first two letters to their first names and the last to their surname; the initials IA are likely to be of the founder as they appear in the same arrangement on other firebacks. The unusual shape would probably have been determined by the structure of the hearth for which it was made; the rose and crown and supporters stamp can also be seen on a large fireback, dated 1593, formerly at Baynard's Park, Surrey; the date and IA stamps can be seen, in identical form, on a fireback in the Victoria & Albert Museum, and on two other firebacks, suggesting a common source for all of these firebacks.

Inscription: TM 1582 I / I A

Description: Rectangular with lifting handles; twisted rope edging (top and sides); elaborate central rope design of concentric squares with eight symmetrical arms each with six branches; two crowned rose en soleil stamps left and right centre; three roses across the bottom interspersed with two fleurs de lys; in top corners, two carved furniture-derived stamps. The width of the main plate is 876mm.

Notes: The rose-en-soleil was the badge of King Edward IV and, thus, a Yorkist symbol. The individual stamps are to be seen, separately or together, on other firebacks, indicating a common source; lifting handles are infrequently encountered on firebacks. The elaborate central rope array may be an interpretation of the escarbuncle, which was the principal heraldic charge on the arms of the Duchy of Cleves (1515-57), possibly associating this fireback with the brief marriage of Henry VIII and Anne of Cleves. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom.

Notes: The supporters are those of Henry VII or Henry VIII, but the initials suggest the fireback dates from the reign of Edward VI (1547-53). John Harvo (d. c1565) was a gunfounder who has been identified as occupying Pounsley furnace, Framfield, Sussex, possibly from as early as 1547. This fireback is also seen with a variety of rectangular, rope-edged side panels bearing stamps or letters, some of which link the source of this and other groups of firebacks. The pattern or model for this fireback may have been made during the reign of Henry VIII (1509-47), with the initials added to an early casting using the original pattern. The protuberance on the bottom of the plate may be the remains of the runner from a pouring basin or overflow channel used during casting. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: E R / HONY SOYT QVE MAL Y PAVNCE / Made in Sussex by John Harvo / DV ET MOVN DRO

Arms: Tudor royal (Edward VI)

Description: Rectangular; plain plate with central crossed-square rope pattern with crosses at the corner and top; on each side a rectangular stamp with swirled tendril, serpent and demi-cup decoration.

Notes: The crossed square was an alchemistic symbol for iron vitriol (i.e. ferrous sulphate or copperas), but the crosses at the extremities may indicate other symbolism or none; similar patterns are found on other firebacks of a group that may have been associated with Pounsley furnace, Sussex. The repeated panel at the top appears to have been formed using a mould for a section of a plasterwork frieze, resulting in an intaglio impression (approx 395 x 142mm or 15½ x 5½ in.) as opposed to the normal bas-relief; this is very unusual on a fireback. The style of the mould dates from the Elizabethan or Jacobean period. The stubs on the bottom edge are likely to have been the remains of runners where the molten iron entered the mould. Recovered from a property in Burwash, Sussex, in 1910.

Description: Rectangular with an ogee arch; twisted rope edging (top and sides); line of small fleurs-de-lys around the top and sides, inside the edging; Tudor rose inside each top corner (overstamped on the left); below each rose an escarbuncle of twisted rope with fleur de lys terminals (understamped); top centre, a Tudor royal shield within an oval garter - HONE SOVT QUEY MAL Y PENSE - with greyhound and lion supporters, and crown above; cross of small fleurs inclined to each side of the crown; inverted 'Y' shape in twisted rope below each supporter, a fleur at the top end of each.

Notes: An oft-used achievement of arms; twisted rope with fleur de lys terminals are seen on other firebacks from the same source. The escarbuncle was the principal charge on the arms of the Duchy of Cleves, the same charge on this fireback possibly associating it with the brief marriage of Henry VIII and Anne of Cleves.

Inscription: HONE SOVT QUEY MAL Y PENSE

Arms: Tudor royal (prob. Henry VIII)

Description: Rectangular; twisted rope edging (top and sides); central Tudor shield, garter, crown and supporters (greyhound and lion), formed from separate stamps; date on a single stamp in top left corner.

Notes: The worn appearance of the central arms, compared with the clarity of the date, suggests that this is an early example of a fireback being used as a pattern, with the addition of a subsequent date. The same stamps forming the arms can also be seen on other firebacks. The extension of the lower part of the ‘3’ on the date stamp suggests that the numbers may have been fixed to the backing block, rather than the date being carved as a whole. Another variant of this fireback has the rope edging extending only three-quarters of the way down the sides.

Inscription: 1583

Arms: Tudor royal

Description: Rectangular; rope edging on top and sides; central inscription panel; repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, three vertical strips at each side, one horizontal strip below panel, plain panel at base.

Notes: A series of firebacks all bearing the inscription carved onto a panel and included with other stamps in the casting of the iron graveslab covering the tomb of Anne Forster (Foster) in St George’s church, Crowhurst, Surrey. Formerly in the John H. Every Collection, for which it was purchased in 1921 at Isfield Place, Sussex.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Rectangular; twisted rope edging (top and sides); top row, two square-within-a-square arrangements of twisted rope between three stamps formed of Gothic tracery cresting; 2nd row, two more tracery cresting stamps (the one on the right over stamping a fleur-de-lys) between two crowned, star-embossed butter mould stamps with a crowned rose-en-soleil stamp in the middle; 3rd row, three star-embossed butter mould stamps with two pairs of fleurs-de-lys between them; bottom row, seven fleurs-de-lys; plus interspersed short rope lengths, and a vertical, double zig-zag arrangement of rope lengths on each side.

Notes: The rose-en-soleil was the badge of King Edward IV and, thus, a Yorkist symbol. Many of the stamps employed on this fireback are seen, with other stamps, on a wide variety of firebacks, suggesting a common source; similar gothic tracery stamps can be seen as pierced cresting on a rare late-Medieval, wooden Easter sepulchre at the redundant church of St Michael at Cowthorpe, North Yorkshire. Another fireback with an almost identical arrangement of the same stamps has also been noted (no. 713).

Description: Rectangular; twisted rope edging (top and sides); central rope carbuncle with eight arms, with a rose between each of the top six pairs of arms; a fleur-de-lys repeated six times in two triads (2-1) in each top corner; a letter ‘E’ rotated clockwise repeated 8 times along the top between the fleurs and roses, and twice down each side; four additional ‘E’s, one to the left of the carbuncle and three to the right.

Notes: All the stamps can be seen on other firebacks associating them with the same source; The ‘E’s are identical to those seen on the John Harvo armorial fireback. The elaborate central rope array may be an interpretation of the escarbuncle, which was the principal heraldic charge on the arms of the Duchy of Cleves, possibly associating this fireback with the brief marriage of Henry VIII and Anne of Cleves. Formerly part of the J. H. Every collection.