Firebacks

Description: Rectangular; rope edging (top and sides); central Tudor royal shield with encircling garter (motto reversed: HONE SOVT QVEY … PEN), separate greyhound and lion supporters, separate crown; a bird, repeated in each top corner, its wings displayed and inverted and its head facing behind and to the left, standing on a scroll; a fleur de lys repeated in the bottom corners; inside the birds is a repeated stamp, half of one similar to a stamp on a fireback in Hastings Museum.

Notes: The particular form of the Tudor arms and supporters is encountered on other firebacks, as are the distinctive style of fleurs de lys and the birds (probably swans, a Lancastrian icon). The plain scroll upon which the bird is perched suggests that there might have been a painted inscription on it originally and that the stamp had not been made specifically for the decoration of firebacks but was, perhaps, redundant from interior domestic decoration. Formerly at Framfield, East Sussex.

Arms: Tudor royal (prob. Henry VIII)

Description: Rectangular with ogee arch; ovolo, egg and dart edging; shield, garter, helm, mantling, crest and motto of the English House of Stuart; date split either side of garter buckle.

Notes: One of several firebacks, all of the same date, but varying in size, framing style and moulding; all have stylistic features in common and will have been the work of the same pattern maker, who was also responsible for carving royal coats of arms in three West Country churches.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL Y PENSE / 16 18 / DIEV ET MON DROIT

Arms: English Stuart royal (James I)

Description: Canted rectangle; complex moulded edging (top and sides); rectangular incised initial stamp repeated ten times 3-4-3.

Notes: The use of an incised stamp is uncommon.

Inscription: RTI [repeated 10 times]

Description: Canted rectangle; double fillet edging (top and sides); repeated 'X' stamp parallel to edging, horizontally across centre, and in two parallel lines from top to centre, dividing top half of plate into three sections; 'daisy' stamp approximately in middle of top left and right sections, repeated four times in triad in top middle section, and thrice along top of bottom section; small roundel stamp repeated 3-3-1 in top left section, and 3-1-3-1 in top right section; date split between top left and right sections; initials split in top centre section.

Notes: An arrangement with several elements likely to have been repeated on other firebacks.

Inscription: 16 D[reversed] B 81

Description: Arched rectangular shaped; ovolo-moulded edging (top and sides); central stamp of a carved bracket figure of a bearded man in a loincloth and cap; rhyme in capitals across rectangular plate, letters carved on strips, split by figure.

Notes: The twin miseries of a smoky house and a scolding wife are mentioned several times in literature. The dress of the figure suggests work as a miner, possibly linking this back with the Forest of Dean. Variants with initials and dates are also known.

Inscription: FROM ·A·-·SMOKY ·LIFE·/ AND·A SCOVL DING·WIFE·/ALL MEN THAT-DOE·ME·SE/ TAKE·PETIE- AND·DELIVER ME

Description: Rectangular central panel with bead edging all round, pictorial representation of the Annunciation by the Angel Gabriel to the Virgin Mary, the angel carries a lily, Mary kneels at a desk, between them is a basket, above them a dove descends from clouds amid sunbeams, to the left is an arch, in the centre a bed, and to the right a window and a canopy; above the panel is a bead-edged arch with a central scallop shell and a floral swag suspended from scrolls; arched rectangular shaped border with fillet edging, a cascade of leaves and fruit (inc. apples, grapes, pears and pomegranates) descending from a wreath, at the base two cartouches conjoined by a scallop shell and containing the inscription; on top a scallop shell between two dolphins.

Notes: Whole pattern. A common fireback design originating in the Siegerland of north Germany and made for the Dutch market. A good clear casting. The illustration is probably drawn from V. Solis, 'Biblische Figuren'.

Copies of this fireback are known.

Inscription: ANNO 1667

Description: Arched rectangular shaped with fillet and cavetto dentil moulding, and paternost bead edging inside; a lion rampant

Notes: Whole pattern. An unusually tall fireback in relation to its width.

Copies of this fireback are known.

Description: Quasi-arched rectangular shape with arch decorated with floral swirls and an urn on each shoulder; three female figures: Aphrodite on the left, Hera in the centre on a plinth with two peacocks behind her, and Athena on the right; a double tassel hangs above Hera’s head.

Notes: The figures are the participants in the Judgement of Paris, the outcome of which precipitated the Trojan War.

Copies of this fireback are known.

Description: Quasi-arched rectangular shape with swirled and draped foliage across the top; fillet edging with bottom panel containing indistinct floral scrolls; figure of Plenty/Abundance holding a bunch of fruit, accompanied on her left by a cherub, and receiving a further bunch of fruit from a faun to her right; two cherubs hold foliage aloft.

Notes: The figure of Plenty is one of the representations in the Iconologia, published in the early 17th century by Cesare Ripa, and subsequently in other editions. They frequently form the subject of firebacks.

Copies of this fireback are known.

Description: Arched rectangular shape with symmetrical scrolled ‘portico’ above, a flower vase between and circular discs at each end, symmetrical horizontal palm fronds below; pilaster with spiral design and Ionic capital on each side; central pictorial scene of a bagpiper with Elizabethan ruff and soft cap with feather in front of a vaulted ruin, on the right a flaming cauldron on a plinth.

Notes: This seems to be pastiche using various elements derived from other firebacks, notably the moulding and scrolled top are from the Lenard fireback , and the palm fronds are from elsewhere. The figure may be adapted from a painting of a bagpiper by Abraham Bloemaert (1564-1651)

Copies of this fireback are known.