Firebacks

Description: Arched rectangular shape; plain edge with 49 large beads parallel with top and sides; upper centre, date in bold Arabic numerals; below date, raised rectangular panel with chamfered sides and corners and fillet edging, and a symmetrical sunburst and rainbow design in low relief.

Notes: Modern, quasi-Art Deco design

Inscription: 1995

Description: Rectangular; low-relief moulded edging along top, then down sides; double-looped 'lens' pattern stamp repeated six times across the top, inside the edging and, rotated, three times down each side; becapped human figure stamp, with his left arm raised to his head and his right arm akimbo, repeated in each top corner; between these, 'IE' monogram with continuous loop between the letters repeated five times, two in line above and three below, the centre one slightly raised; the date between the top two; a lifting handle on each side.

Notes: Said to have been at Horsham, Sussex; on another fireback, at the Old Manor, Upper Beeding in Sussex, cast with the same stamps, and also dated 1617, the monogram stamp is clearly carved on a 'renaissance' shield, indicating that in this instance the stamps were not impressed as deeply. Drawing by J. Lewis André in the J. Starkie Gardner Collection, Victoria & Albert Museum, Archive of Art and Design (AAD/2014/8). Possibly the fireback referred to by Lewis André in 1882 as belonging to a Miss Alman, of East Street, Horsham (Sussex Archaeological Collections XXXII, p.76).

Inscription: IE 1617 IE / IE IE IE

Description: Rectangular; plain plate with three stamps of an iron firedog with a twisted design on the neck, a primitive face on the terminal and a shield bearing initials RW.

Notes: The letters RW are said to relate to Richard Woodman, ironmaster and Protestant martyr, who resided at Cralle Place, and who operated Cralle furnace. A near-identical firedog was discovered at Bridge Cottage, Uckfield, Sussex.

Inscription: RW

Description: Plain rectangle with cavetto moulded edging (top and sides); pediment with same moulding.

Notes: Three identical backs, but with various stamps, indicate that the pattern for this fireback formed the base board for them and came from the same source as a distinct series of Tudor heraldic backs. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Rectangular with pediment; ovolo moulded edging inside top of pediment and inside top and sides of rectangle; centre top, four-petal rose and crown with fleur de lys below; at either end, stamps made from two parts of a wreath (the middle section missing) enclosing a fleur de lys.

Notes: The wreaths from which the stamps have been disassembled can be seen complete on two other firebacks, and the rose and crown is a common stamp on a large series of early firebacks.

Inscription: ?I T

Description: Rectangular; twisted rope edging (top and sides); central rope carbuncle with eight arms, with a rose between each of the top six pairs of arms; a fleur-de-lys repeated six times in two triads (2-1) in each top corner; a letter ‘E’ rotated clockwise repeated 8 times along the top between the fleurs and roses, and twice down each side; four additional ‘E’s, one to the left of the carbuncle and three to the right.

Notes: All the stamps can be seen on other firebacks associating them with the same source; The ‘E’s are identical to those seen on the John Harvo armorial fireback. The elaborate central rope array may be an interpretation of the escarbuncle, which was the principal heraldic charge on the arms of the Duchy of Cleves, possibly associating this fireback with the brief marriage of Henry VIII and Anne of Cleves. Formerly part of the J. H. Every collection.

Description: Arched rectangle with crude scalloping around the edges; elaborate, symmetrical strapwork frame with scrolls top left and right, and below, a bunch of grapes hanging from the top, and the head and forelegs of a goat climbing through; inside each upper scroll, a small astragel edged oval.

Notes: The strapwork, a distinctive feature of Elizabethan design, was probably derived from redundant furniture. Marks round the edge of this fireback suggest that it may have been reduced from a larger size.

Description: Rectangular with pediment; ovolo moulded edging inside top of pediment and inside top and sides of rectangle; centre top, four-petal rose and crown with three fleurs-de-lys below; at either end, stamps made from two parts of a wreath (the middle section missing); in the pediment a cross.

Notes: The wreaths from which the stamps have been disassembled can be seen complete on two other firebacks, and the rose and crown is a common stamp on a large series of early firebacks.

Inscription: I T