Firebacks

Description: Arched rectangular shape; gadrooned edging (top and sides); initials, in separate stamps, at top of arch; date in separate stamps, split by central spindle, below; two different spindles used as stamps, one centrally between splitting initial stamps, the other repeated twice on each side, slightly lower; above each spindle a fleur-de-lys stamp.

Notes: It is possible that the initials were intended to be 'BW' but that it was forgotten that they needed to be reversed when impressed into the mould. The same base board has been used for other firebacks dating from 1622 and 1632, and the central spindle can be be seen on another fireback of 1644. Purchased by J. H. Every at Bigges Farm, Cuckfield, Sussex, in 1918.

Inscription: W B / 16 44

Description: Rectangular; rope edging on top and sides; central inscription panel; repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, three vertical strips at each side, one horizontal strip below panel, plain panel at base.

Notes: A series of firebacks all bearing the inscription carved onto a panel and included with other stamps in the casting of the iron graveslab covering the tomb of Anne Forster (Foster) in St George’s church, Crowhurst, Surrey. Formerly in the John H. Every Collection, for which it was purchased in 1921 at Isfield Place, Sussex.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Rectangular with canted top corners; twisted rope edging all round except on bottom; three impressions of two circular wafering irons: the central one with invected edge, a heart surmounted by a cross beneath which scroll-work is arranged symmetrically, inscription around edge; the two outer stamps comprise a central motif of four hearts arranged in a cross shape, their points facing the centre, within two concentric bands decorated with lace-like patterns. Above each of the two outer stamps is a simple four-pointed cross shape formed from short lengths of twisted rope.

Notes: The use of wafering irons or butter prints as stamps in casting firebacks is infrequent. Formerly part of the J. H. Every collection.

Inscription: ...N:YOU:NOT: REIVE:MY:HERT:IS:YOURES / [?]1562

Description: Quasi-rectangular; twisted rope edging (top and sides); a length of twisted rope stamped six times to form a saltire and two crosses across the width of the plate; surplus iron extends from all sides.

Notes: The surplus iron resulted from over filling of the mould. The crosses are likely to have Christian significance. Formerly part of the J. H. Every collection.

Description: Rectangular; twisted rope edging (top and sides); central rope carbuncle with eight arms, with a rose between each of the top six pairs of arms; a fleur-de-lys repeated six times in two triads (2-1) in each top corner; a letter ‘E’ rotated clockwise repeated 8 times along the top between the fleurs and roses, and twice down each side; four additional ‘E’s, one to the left of the carbuncle and three to the right.

Notes: All the stamps can be seen on other firebacks associating them with the same source; The ‘E’s are identical to those seen on the John Harvo armorial fireback. The elaborate central rope array may be an interpretation of the escarbuncle, which was the principal heraldic charge on the arms of the Duchy of Cleves, possibly associating this fireback with the brief marriage of Henry VIII and Anne of Cleves. Formerly part of the J. H. Every collection.

Description: Rectangular with two-stepped top; plain plate; date across lower step; rope saltire in upper step; initials split below outer shoulders.

Notes: The distinctive hand-formed characters on this and some other stepped firebacks imply a common source. Although the talbot crest, by which other firebacks in the series are identified, is absent on this casting, the shape and the style of the characters places it incontrovertably in the same group. Formerly part of the J. H. Every collection.

Inscription: 1615 / R T

Description: Rectangular; multiple moulding on top and sides; inscription below moulding at top; three pointed crosses, one between inscription and date, one each side of date.

Notes: Purchased by J. H. Every in a sale at Groombridge Place, Kent in 1919. John Rivers was the husband of Isabella Packer, whose father Sir Thomas Packer, owned Groombridge Place. Bequeathed to the Sussex Archaeological Society in 1944.

Inscription: IOHN·RIVERS / 1643

Description: Carved wooden fireback pattern. Arched rectangular central panel with cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by armadillos, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

Notes: The design is derived from a personification of America, on one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677); reputedly from Mayfield; presented to Brighton Museum by Henry Willetts.