Description: Arched rectangular central panel with bead-on-fillet edging; gadrooned vase with a quasi-symmetrical arrangement of fronds, leaves and flowers issuing therefrom, topped by a central bloom; arched rectangular border with fillet edging and a quasi-symmetrical arrangement of fronds, leaves and flowers descending from top centre; at the bottom, leaves splayed from a central cartouche enclosing an indecipherable initial or monogram; on top, symmetrical sea serpents descending from a central beribboned pendant.
Notes: A familiar type of design seen on many small firebacks/gratebacks of this period.
Current location: Godinton House, Great Chart, Kent, England.
- Attached to series:
- British 'Dutch' style firebacks
Description: 'Dutch' style; arched rectangular shaped central panel, bead edging, two children sitting astride a beast (possibly a winged ram); arched rectangular shaped border, fillet edging, swags of fruit bunches suspended from ribbon; on top, symmetrical floral swirls and flowers.
Notes: The image is probably intended to be Phryxus and Helle riding the winged ram with the golden fleece, but in recasting it has been misinterpreted as the young Samson slaying the lion at Timnath; Judges 14: 5-6. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).
Copies of this fireback are known.
Inscription: 16 NDW 97 / DER IUNGE SAMSON [the young Samson]
Current location: Hastings Museum and Art Gallery, John's Place, Bohemia Road, Hastings, East Sussex, England.
Museum number: HASMG 1952.51.28 (part of the Hastings Museum museum group)
- Attached to series:
- 'Dutch' NDW series
Description: 'Dutch' style; arched rectangular central panel, bead edging, a partially clothed female figure holding a wreath in her left hand and a bunch of flowers in her right hand, a circlet of cloth hanging from her right shoulder; arched rectangular shaped border with fillet edging and floral swags suspended; on top, flowers and swirled foliage.
Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613. A damaged recasting is in Farnham Museum. The 'W' initial probably denotes the pattern maker.
Current location:, England.