Firebacks

Description: Arched rectangular shaped central panel with paternost bead edging; figure holding a bow in his left hand and a lyre in his right hand, a quiver suspended from his belt, on an undulating ground with small trees, and suspended swags of drapery above; Arched rectangular shaped border with fillet edging, and symmetrical flowers and swirled tendrils; initials at bottom centre; on top, symmetrical pattern of swirled leaves and tendrils.

Notes: The figure is Apollo, personifying the Sun, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude.

Copies of this fireback are known.

Inscription: SHR

Description: Rectangular; composite: complex (cavetto/cyma recta/ovolo) moulded edging (top and sides), derived from domestic carpentry; two firebacks used as patterns: on the left, rectangular with mirrored floriate scrolled top, simulated overlapping tile edging at sides, with fillet bottom edge, a mythical salamander in the form of a dog with an arrow-shaped tongue, standing among flames, a stapled scroll inside the left and right edges; on the right, arched rectangular with fillet edging indented on the inner side, surrounding a circular clock face with Roman numerals, each interspaced with a bead, and a button outside each quarter, a triangular design of swirled foliage in each bottom spandrel; initials in triad between firebacks; below, stamp formed of a talbot statant guardant upon a wreath; date split: ‘1’s in top corners, ‘6’s above initials; bottom third of fireback plain.

Notes: The talbot crest, which in this instance has been over pressed and shows the shape of the backing, is seen on other firebacks indicating a common source; the 'salamander' fireback is part of the Stapled Scroll series; composite firebacks (where other firebacks are used as patterns) are uncommon in England.

Inscription: 16 61 / IBM

Description: Rectangular with mirrored floriate scrolled top; simulated overlapping tile edging at sides, with fillet bottom edge; a mythical salamander in the form of a dog with an arrow-shaped tongue, standing among flames; a stapled scroll inside the left and right edges.

Notes: This fireback was used to create a composite fireback design on a plate at Rivers Farmhouse, Ardingly.

Description: Arched rectangular central panel, bead edging, female figure, her right arm raised, sitting on a bull; arched rectangular border, fillet edging, swags of fruit bunches suspended from ribbon, inscription below central panel; on top, symmetrical floral swirls and flowers; plain panel at bottom.

Notes: The image is of Europa being carried away to Crete by Zeus disguised as a bull.

Copies of this fireback are known.

Inscription: 16 NDW 97

Description: Rectangular with arched, mirrored scrolls on top and central scallop shell; fillet edging; in a grove with two putti above, blowing trumpets, to the left, a naked female figure seated against a table, pointing at three children to the right, on a rock; at the bottom, narrow panel with indistinct decoration.

Notes: The scene is probably from classical mythology, but has not been identified.

Copies of this fireback are known.

Description: Quasi-arched rectangular shape with arch decorated with floral swirls and an urn on each shoulder; three female figures: Aphrodite on the left, Hera in the centre on a plinth with two peacocks behind her, and Athena on the right; a double tassel hangs above Hera’s head.

Notes: The figures are the participants in the Judgement of Paris, the outcome of which precipitated the Trojan War.

Copies of this fireback are known.

Description: Arched rectangular central panel, bead edging, a stork, to the left, its beak in the top of a tall vase, a fox seated to the right, a tree behind; arched rectangular border, fillet edging, swags of fruit bunches (missing at the sides) suspended from ribbon, inscription below central panel; on top, symmetrical floral swirls and flowers.

Notes: The scene is drawn from 'The Fox and the Stork', one of Aesop's fables. A recasting.

Copies of this fireback are known.

Inscription: 16 NDW 97

Description: Ionic columns supporting a semi-circular arch, in the centre of which the bust of a man has a floral swag beneath; below is a quasi-arched rectangle of beads within which is the figure of Hercules, wielding a club, slaying the Nemean Lion; beneath are floral scrolls; on top of the main arch two kneeling putti hold a wreath over the bust.

Notes: Not the standard 'Dutch' type, which may indicate a different origin.

Copies of this fireback are known.

Description: Carved wooden fireback pattern. Rectangular shape with fillet edging; pictorial scene with three nymphs playing cymbals and tambourine, and dancing in the shade of two trees, with three satyrs play pipes behind; a jug stands on a pedestal; in the foreground a putto fills a jug from a barrel.

Notes: From the Fonderie Salan, Dammarie-sur-Saulx (Meuse).

Description: Arched rectangular shaped central panel with top corners cavetto canted, bead-and-pellet edging on a wide fillet; hanging drapery with central tassels over three low-arched cubicles, the two outer smaller than the centre, with Tuscan columns and overlapping scales behind; on a plinth of overlapping scales with a scallop shell behind, the standing figure of Neptune/Poseidon, holding a trident in his right hand; water issues from by his feet and from the waves below him disport two ‘sea horses’ and three dolphins; arched rectangular shaped border with top corners cavetto canted, fillet edging: suspended symmetrical beads with tassel ends decorated with sea shells; between two looped 'W' figures, the inscription separating halves of the date along the bottom; above, a central scallop shell with symmetrical floral scrolls on each side.

Notes: From a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot. The inscription, translated as 'GOD He is our strength', is a paraphrase of Psalm 46: 1; the original wooden pattern is in the Historisch Museum, Rotterdam; an identical inscription and date is found on several firebacks. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. Formerly at Dogwells Farmhouse, Corscombe, Dorset; another example is at Lower Brockhampton farmhouse, Herefordshire, having originally been in Dunster Castle, Somerset.

Copies of this fireback are known.

Inscription: 17 DVW Ydyw Ein Cadernid 24