Firebacks

Description: Arched rectangular central panel with bead edging; wickerwork Garden of Holland (Hollandse Tuin) within which is seated a berobed female figure holding a cap of freedom on the end of a long pole; before her is the crowned heraldic lion of the States General of the Netherlands, clutching a sheaf of arrows in its left front paw; above are the words, Pro Patria; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription 'L6C'; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: An overtly patriotic theme with symbols of Dutch nationhood; the inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Inscription: PRO PATRIA / L6C

Description: Arched rectangular central panel; fillet edging; pictorial scene of a cloaked figure, to the right, tempting a dog, to the left, with a tasty morsel; behind are the outlines of a door and window; arched rectangular border with fillet edging, the date along the bottom; down each side, a floral festoon; over the arch, the inscription, the initials split between each side of the main inscription; on top, floral scrolls.

Notes: The inscription translates as 'loyalty above gifts'; some castings omit the initials, NL, indicating that they were a subsequent addition. The illustration is derived from 'The thief and the dog', one of a series of engravings of Aesop's Fables by Wenceslaus Hollar.

Copies of this fireback are known.

Inscription: N / FIDES DONA SUPERAT / L // 1696

Description: Arched rectangular central panel with canted, cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by dogs, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677). The pattern for this fireback, from which the protuberances above the serpents’ heads is missing, is in Rottingdean Grange (no. 930). The pattern, however, has a base panel of a chain-link design, which is missing from this casting.

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; in the left and right bottom corners, the initials 'HH' and 'S' respectively; at the bottom, a central cartouche with date, between floral swags; on top, twin spirals between descending floral festoons.

Notes: The figure is an allegory of Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699). A recasting.

Copies of this fireback are known.

Inscription: [?H]H ...

Description: Quasi-arched rectangular shape with swirled and draped foliage across the top; fillet edging with bottom panel containing indistinct floral scrolls; figure of Plenty/Abundance holding a bunch of fruit, accompanied on her left by a cherub, and receiving a further bunch of fruit from a faun to her right; two cherubs hold foliage aloft.

Notes: The figure of Plenty is one of the representations in the Iconologia, published in the early 17th century by Cesare Ripa, and subsequently in other editions. They frequently form the subject of firebacks.

Copies of this fireback are known.

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; crowned figure, holding a sceptre in his right hand, sitting in a chariot drawn to the left by two horses with ostrich feather head-dresses; the whole upon a causeway with pilasters and masonry, and waves beneath; a heron flying to the left; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, symmetrical, flower bunches, descending from a ribbon loop; monogram centre bottom, between plant tendrils; on top, symmetrical scrolled plant tendrils.

Notes: The design is derived from a personification of Europe, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677); a similarity with Queen Anne may not be coincidental; the flying heron has been copied from a print by Wenceslaus Hollar c.1658.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shaped central panel with bead-and-pellet edging on a wide fillet; crowned figure, holding a sceptre in his right hand, sitting in a chariot drawn to the left by two, caparisoned horses with ostrich feather head-dresses; the whole upon a three-arched bridge with keystones and a string course, waves beneath; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, symmetrical, descending oak leaf and acorn branches, with a looped 'W' in each shoulder; inscription at base; on top, symmetrical scrolled plant tendrils and berries. A single central vertical plankline.

Notes: One of a series produced in the same year. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The design is derived from a personification of Europe, one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella for Louis XIV. The inscription translates as 'God is our strength'.

Copies of this fireback are known.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular shaped border with fillet edging, containing floral swags suspended from a wreath; on top, a scallop shell between two dolphins.

Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Description: Arched rectangular central panel with triple bead and pellet edging; semi-naked figure of Fortune, holding in her hands a billowing sheet, and standing on a ground; arched rectangular fillet border enclosing suspended swagged flowers and berries (top and sides), with indeterminate foliage on the bottom on either side of an empty cartouche; on top, symmetrical wsirled foliage.

Notes: The design is derived from an engraving by Aegidius Sadeler after a painting by Christoph Schwarz of about 1580-1600. Although not marked as such, other castings of this fireback are marked with the initials, GK, and dated to 1700.

Copies of this fireback are known.

Description: Fragment; upper half of an arched rectangular shaped fireback; fillet edging; divided into two halves; left half - naked female figure of Truth holding scales in right hand, surrounded by motto ribbon bearing the text: HET IS V EEN SCHADE DAT TROVE IS LICHTER DAN EEN PLV; right half - naked female figure of Vigilance, a bird seated on her right hand, and with two dogs on leads held in her left hand, surrounded by a motto ribbon bearing the text: ICH IAGE OM DIE VINDEN OFT ICH TROVE KONDE VINDEN; initials between scales; date divided by cross of an orb forming the centre of the four intended panels.

Notes: The complete fireback has four figures (clockwise from top left) representing Truth, Vigilance (both naked), Indifference and Perfidy (both clothed).

Copies of this fireback are known.

Inscription: SG 1598 HET IS V EEN SCHADE DAT TROVE IS LICHTER DAN EEN PLV / ICH IAGE OM DIE VINDEN OFT ICH TROVE KONDE VINDEN