Firebacks

Description: Sub-rectangular; twisted rope edging; lengths of twisted rope arranged to form two 'V' shapes and an 'I' overlapping to forma possible monogram.

Notes: The 'monogram' comprises different length pieces of rope and may have an apotropaic significance, the double 'V' referring to the Virgin Mary.

Description: Arched rectangular central panel with additional arch above; bead and fillet edging; pictorial scene of, on the left, a tree next to a female and, in the centre, a male figure, both in eastern dress, a page behind holding a train, and to the right a short obelisk surmounted by a crescent, behind which is the head of a figure with a camel; behind is a small building also surmounted by a crescent, with clouds above; the word, ASIA, is centre bottom; identical shaped border with cavetto-moulded edging; a pomegranate on top with descending swags of drapery; at the sides, overlapping bunches of foliage suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a pomegranate with a descending serpent on each side, and a pomegranate on each shoulder of the plate.

Notes: A pastiche of the EUROPA design based on an engraving c.1642 of Friedrich Wilhelm, Elector of Brandenburg, and his wife, Luise Henriette of Oranje-Nassau, by Mathias Czwiczek, with the figures adopting very similar poses in an oriental setting; one of a series depicting allegories of the four continents.

Copies of this fireback are known.

Inscription: ASIA / MB

Description: Arched rectangular central panel with additional arch above; bead and fillet edging; pictorial scene of Solomon, rising from a scallop-backed, canopied throne, greeting the Queen of Sheba, with other figures in attendance; identical shaped border with cavetto-moulded edging; a vase on top with descending swags of drapery; at the sides, overlapping bunches of foliage suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a pomegranate with a descending serpent on each side, and a pomegranate on each shoulder of the plate.

Notes: Several contemporary paintings are of similar scenes; this design may have been derived from one of two by Erasmus Quellinus. Close observation shows that the scene depicted, and some other decorative elements, are different to those on a similar fireback, no. 1289.

Copies of this fireback are known.

Description: Arched rectangle with crude scalloping around the edges; elaborate, symmetrical strapwork frame with scrolls top left and right, and below, a bunch of grapes hanging from the top, and the head and forelegs of a goat climbing through; inside each upper scroll, a small astragel edged oval.

Notes: This strap-work stamp, characteristic of late-16th and early-17th century architectural drawings and engravings and derivative of the work of artists like Hans Vredeman de Vries, was probably derived from interior carving on a fireplace overmantel or similar. The goat and bunch of grapes suggest an allusion to Bacchus. Marks round the edge of this fireback suggest that it may have been reduced from a larger size. Mitford collection, Petworth House.