Firebacks

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; descending swags of fruit and seashells enclosing the central panel; inscription in an oval cartouche at the bottom; on top, a Holy Roman Imperial crown between two mirrored dolphins, heads downward.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the initials, L8G, denote the style of border - other firebacks having the same inscription have the same border - and other borders are denoted by similar inscriptions (e.g. L6C and L7C).

Copies of this fireback are known.

Inscription: L8G

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. Illustrated in Lloyd (1925).

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)