Firebacks

Description: Arched rectangular central panel with bead edging; wickerwork Garden of Holland (Hollandse Tuin) within which is seated a berobed female figure holding a cap of freedom on the end of a long pole; before her is the crowned heraldic lion of the States General of the Netherlands, clutching a sheaf of arrows in its left front paw; above are the words, Pro Patria; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription 'L6C'; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: An overtly patriotic theme with symbols of Dutch nationhood; the inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Inscription: PRO PATRIA / L6C

Description: Arched rectangular central panel with bead on fillet edging, pictorial representation of a man and woman walking, behind the woman a child holds her train and a young person carries a parasol; from behind a column on the right, a horse's head is visible, a tree stands to the left, at the foot of the scene is the word 'EUROPA'; arched rectangular border with fillet edging, from a central bunch of grapes at the top of the arch, a ribbon on each side suspends bunches of fruit and flowers; at the bottom a central cartouche containing the inscription 'L7G', with flowers on each side;; on top are two mirrored dolphins.

Notes: The pictorial scene is based on an engraving c.1642 of Friedrich Wilhelm, Elector of Brandenburg, and his wife, Luise Henriette of Oranje-Nassau, by Mathias Czwiczek; one of series of firebacks depicting allegories of the four continents; the initials, L7C, denote the style of border - other firebacks having the same inscription have the same border - and other borders are denoted by similar inscriptions (e.g. L6G and L8G).

Copies of this fireback are known.

Inscription: EVROPA / L7G

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of Jesus sitting at the well with the woman of Samaria standing opposite, a rural scene behind, trees on each side and clouds with sunrays above; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription 'L6C'; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The scene, seen on many German firebacks and stoveplates, is from St John's gospel, chapter 4; the inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Copies of this fireback are known.

Inscription: L6C

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; descending swags of fruit and seashells enclosing the central panel; inscription in an oval cartouche at the bottom; on top, a Holy Roman Imperial crown between two mirrored dolphins, heads downward.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the initials, L8G, denote the style of border - other firebacks having the same inscription have the same border - and other borders are denoted by similar inscriptions (e.g. L6C and L7C).

Copies of this fireback are known.

Inscription: L8G

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus sitting in a couch, with two other females, swathed in drapery, a putto holding an oval mirror to her left; Arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The design is a copy of 'The Toilet of Venus' by Simon Vouet (c.1640); the image has been reversed. The inscription indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Copies of this fireback are known.

Inscription: L6C

Description: Arched rectangular central panel with bead edging; pictorial scene of a female holding a small child, with two putti, one on each next side of her; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The allegorical figure of Charity; the inscription indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Copies of this fireback are known.

Inscription: L6C