Firebacks

Description: Arched rectangular shape with cyma recta shoulders; astragal edging (top and sides); top centred, date split by a mirrored 'TC' monogram.

Notes: A bold, simple design, its dimensions reflecting the reduced size of fireplaces in the period.

Inscription: 16 TCTC 93

Description: Canted rectangle; stepped fillet edging (top and sides); straight twisted rope lengths parallel to top and parallel to each side, forming inner rectangle with rope quadrants across top corners; side compartments: line of 12 beads along top inside rope line, 3 semi-circular at corners, with a single bead in each corner quadrant, and 8 down each side; top centre, date with single bead above; cross with a cross stamp repeated 10 times to right of date and 9 time to left, one in each corner, and 13 down the left side and 12 down the right.

Notes: The quadrant arc and use of repeated beads suggests a common source with other firebacks of the same period.

Inscription: 1686

Description: Arched rectangular panel with a Salomonic column on each side enclosing a scene of Abraham about to sacrifice Isaac but being restrained by an angel; below, bottom panel of indeterminate decoration (due to corrosion); above each column a burning torch, with symmetrical floriate scrolls over the arch.

Notes: Given the biblical subject, this is probably of German manufacture although the Salomonic columns are more often encountered on English pastiches of the 'Dutch' style.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; in the left and right bottom corners, the initials 'HH' and 'S' respectively; at the bottom, a central cartouche with date, between floral swags; on top, twin spirals between descending floral festoons.

Notes: The figure is an allegory of Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699). A recasting.

Copies of this fireback are known.

Inscription: [?H]H ...