Firebacks

Description: Rectangular; fillet edging; fillet parallel to top edge separating top quarter; two fillets parallel to sides separating side quarters; halves of date in top corner squares.

Notes: Numeral style is typical of first half of 18th century.

Inscription: 17 36

Description: Arched rectangular panel with a Salomonic column on each side enclosing a scene of Abraham about to sacrifice Isaac but being restrained by an angel; below, bottom panel of indeterminate decoration (due to corrosion); above each column a burning torch, with symmetrical floriate scrolls over the arch.

Notes: Given the biblical subject, this is probably of German manufacture although the Salomonic columns are more often encountered on English pastiches of the 'Dutch' style.

Description: Canted rectangle; simulated rope edging; otherwise plain.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; pictorial scene of a figure in Roman dress, holding a large sword, and holding the head of a bearded man in his left hand; below to the left, a naked, decapitated body; above the winged face of a putto between mirrored, scrolled foliage; arched rectangular border with fillet edging; flowers in chain under the arch and down the sides; at the bottom, swirled foliage; on top, a crown between fruit triads.

Notes: Perseus holding the severed head of the Medusa; possibly loosely adapted from a drawing by Crispijn de Passe the elder (1564-1637). Similarities in the design and execution of the pattern suggest a common source with contemporary English firebacks.

Description: Fragment (left end only); prob. rectangular; twisted rope edging; slightly angled stamp formed of the end of a firedog with semi-circular feet, and shields at the base and top of the pilaster; V-shaped arrangement of a length of twisted rope stamped twice, the point touching the left edge of the plate and one end touching the top.

Notes: Likely to have been a triple arrangement of firedog impressions.

Description: Arched rectangular with plain edges; arched rectangular inset with cavetto edging and armorial design in low relief: circular garter enclosing an ornate Tudor royal shield, surmounted by a crown; date inside top of arch; initials inside top corners of rectangle

Notes: Discovered by Mr Anthony Hill of the Plymouth ironworks, Glamorgan, in the 1820s, and believed by David Mushet, in his 'Papers on Iron and Steel' to have been cast at the early furnace on the opposite side of the River Taff; a variant of the same date (no. 288) has an inscription on the bottom panel and roses in relief at the bottom corners of the rectangle, which may have been obliterated by fire damage on this casting, the drawing showing it how the artist thought it might have looked originally. The west country source for both of these firebacks offers the possibility of an origin in those parts.

Inscription: HONV SOIT QVE MALE V [illegible]

Arms: Tudor royal - Edward VI

Description: Rectangular; cavetto-moulded edging (top and sides); date, in s florid style, split between top corners; central oval shield of impaled arms surmounted by a crest of a lion's head erased upon a wreath.

Notes: George Worge (1705-65), of Starr’s Green, Battle, steward of the Battle Abbey estate, married Elizabeth (1707-67), daughter of John Collier, town clerk of Hastings, in 1727. The arms of Worge have been variously blazoned, but the memorial to George Worge in Battle church indicates these tinctures: gules, a fess cotised or, in chief three lion’s heads erased of the last; Collier - argent, on a chevron azure, between three unicorns courant couped gules, as many oak sprigs fructed proper. The arms and crest in the same form can be seen on a fireback with an elaborate border (no. 757).

Inscription: 17 62

Arms: Worge impaling Collier (George and Elizabeth Worge)

Description: Arched rectangular central panel with bead edging; figure of a man with a shield, brandishing a sword in his right hand, a lion behind him; arched rectangular border with astragal and fillet edging; mirrored swirled foliate design; on top, a scallop shell between two descending sea serpents.

Notes: The figure is probably Hercules who was charged by Eurystheus to slay the Nemean lion, one of his 12 labours.

Copies of this fireback are known.

Description: Rectangular shape; triple fillet moulded edging (top and sides); overpressed stamp, repeated three times (top centre and below, to left and right) of a crowned rose within a circular garter, each with the initials ER to left and right respectively; lower centre, the initials IC.

Notes: The rose and crown stamp bears striking similarities to rose and crown designs used to mark some bronze cannon of the Tudor period. The initials ER could refer to Edward VI (1547-53) or Elizabeth I (1558-1603). The initials IC most probably relate to the person for whom the fireback was made.

Inscription: ER [thrice] / I C

Description: Rectangular shape; indeterminate moulded edging; central initials (A? D M)in triad, between split date (6 reversed).

Notes: The characters have been derived from an odd assortment: the numbers appear to be a recognisable character set, with the 6 and 9 interchangeable, although 6 has been inadvertently reversed; the 6/9 has also been used, with the same stamp as has been used to form the uprights of the M, to construct a probable capital A (or R); the nature of the stamps forming the M is unclear. Noted in 1939 at Palfrey Farm, near Petworth, West Sussex, which from the mid-16th century had been home to the Penycod family, suggesting that the fireback had not been original to the house.

Inscription: 16 / A[?] D M [triad] / 49