Firebacks

Description: Rectangular with small detached pediment; cavetto-moulded edging; upper centre, shield, helm, crest and mantling, with date, 1635, split either side of crest; top, date, 1649, split either side of armorial; initials split either side of armorial, below date.

Notes: The armorial, tentatively associated with the family of Brooke or Broke of Madeley, Shropshire (blazon: chequy argent and sable, impaling a chevron between three estoiles), dated 1635, was formed from a pattern designed for a smaller fireback (see no. 917), but positioned on a larger backing board with the later date and initials added separately, most of the frame of the original fireback being pared away. From an illustration in the catalogue of an exhibition on heraldry at Burlington House, London, in 1894.

Inscription: 16 35 / 16 49 / R B

Arms: poss. Brooke or Broke of Staffordshire

Description: Arched rectangular shaped; cavetto moulded edging; male figure in dress of the period, right hand on hip, left hand holding reins, astride a prancing horse; date and inscription (letter 'N' reversed) follow inside top edge.

Notes: Thomas Fairfax, 3rd Lord Fairfax of Cameron (1612-1671), commander of the New Model Army, which probably prompted the epithet, conqueror. 1649 was the year of Charles I's execution, to which Fairfax was opposed.

Copies of this fireback are known.

Inscription: 1649 LD FAIRFAX COVNQVIROR

Description: Rectangular; flanged edging; rectangular upper panel with cyma recta edging; pictorial scene of Jesus sitting at the well with the woman of Samaria, inscription along the bottom edge; lower inset rectangular panel with date in relief.

Notes: The inscription reads: From the maiden of Samaria - John 4

Inscription: VOM FROWLEIN VON SAMARIA JOH 4 / 1649

Description: Rectangular shape; indeterminate moulded edging; central initials (A? D M)in triad, between split date (6 reversed).

Notes: The characters have been derived from an odd assortment: the numbers appear to be a recognisable character set, with the 6 and 9 interchangeable, although 6 has been inadvertently reversed; the 6/9 has also been used, with the same stamp as has been used to form the uprights of the M, to construct a probable capital A (or R); the nature of the stamps forming the M is unclear. Noted in 1939 at Palfrey Farm, near Petworth, West Sussex, which from the mid-16th century had been home to the Penycod family, suggesting that the fireback had not been original to the house.

Inscription: 16 / A[?] D M [triad] / 49

Description: Quasi-Arched rectangular shape with cyma reversa shoulders; ovolo edging; stylised lion passant guardant; crowned rose with leaf and stem on left, crowned fleur de lys on right, thistle with leaves above centre; three right-facing scrolls at base; down-facing scroll, with staple, on right side; date split between bottom corners; initials below date, bottom right.

Notes: Blatantly Royalist in its symbolism, a variant (no. 901) is dated (perhaps more convincingly) 1641. Numeral style, initials, leaf depiction and the stapled scroll are typical features of firebacks made from patterns by the same maker. A later version of the same subject, but with a different shaped plate and without the fleur-de-lys, is also known (see 'Royalist series'). M. A. Lower writes of firebacks of this design of being cast at Waldron Furnace in Sussex (Lower, 1849, p.219).

Copies of this fireback are known.

Inscription: 16 49 / IM

Description: Rectangular; cavetto-moulded edge; a snake rises from a fire and bites the middle finger of the hand of a sleeved left arm that descends from a top right corner cloud; left and right, ‘S’ scrolls appear strapped to the edge of the fireback; the date, top left of centre; initials, bottom right corner.

Notes: An illustration of the New Testament episode (Acts 28: 3) when St Paul, shipwrecked in the island of Malta, was putting sticks on a fire and a viper bit him. The distinctive shape of the ‘1’ in the date and the initials, ‘IM’, together with the ‘S’ scrolls, parallel such features in other firebacks. The design is an adaptation of an illustration in 'Devises Heroiques' by Claudius Paradin (1557) which was translated into English by Geoffrey Whitney as 'The Book of Emblemes' (1586).

Copies of this fireback are known.

Inscription: 1649 / IM