Firebacks

Description: Arched rectangular shape; parallel astragal and fillet edging; four panels divied by fillets, an orb with a cross at the intersection; top left, naked female figure holding scales in her right hand, a scroll bearing an inscription above her and to her left and right; top right, a naked female figure holding a hawk in her right hand and leading two dogs with her left hand, a scroll bearing an inscription above her and to her left and right; bottom left, a clothed female figure, at her feet a fox attacking a serpent, a scroll bearing an inscription above her and to her left and right; bottom right, a clothed female figure, at her feet hounds chasing and attacking another animal, a scroll bearing an inscription above her and to her left and right.

Notes: The figures (clockwise from top left) probably represent Justice and Vigilance (both naked), Indifference and Perfidy (both clothed).

Copies of this fireback are known.

Inscription: ..T IS V EN SCHADE DAT TROV IS LICHTER DAN PLVME / ICH JAG OM DIE VINDE OFT ICH TROV KOND FINDEN / TROV IS DOET ONTROVE VERDT VERFAVLEN / ONTOVE LOEPT OVER ..AL

Description: Rectangular; cavetto-moulding within a flanged edge; floriate arch above a female figure with a child in her left arm and another by her right side, initials split by the group; below a simulated rope-twist fillet, elaborate floriate cartouche containing the word, CHARITAS.

Notes: A late stove-plate, illustrated in von den Driesch p.484.

Copies of this fireback are known.

Inscription: G S / CHARITAS

Description: Rectangular shape with ovolo-moulded edging; within the collar of the Order of the Golden Fleece, a central shield of the arms of Spain: quarterly Castile and Leon, Aragon and Aragon-Sicily, with an escutcheon of Portugal; in base Austria, Burgundy ancient, Burgundy modern and Brabant with an escutcheon of Flanders impaling Tyrol; above, a crown; supporters: two golden lions rampant; below the shield, the date, 1595; above the crown, the inscription: Dominus mihi adiutor (the Lord is my helper).

Notes: The arms of King Philip II of Spain following the unification with Portugal, as used in the Spanish Netherlands. Part of the bequest to the Victoria and Albert Museum by Lieut. Colonel G. B. Croft-Lyons in 1926.

Copies of this fireback are known.

Inscription: DOMINVS MIHI ADIVTOR

Arms: King Philip II of Spain (Spanish Netherlands)

Description: Rectangular shape; fillet edging; arrangement of five shields: centre, arms of the kingdom of France surmounted by a crown and, below, the word FRANCE on a fillet edged rectangular block over a cartouche; top left, arms of the duchy of Lorraine surmounted by a bishop's mitre and crozier separating a largely illegible text; top right, arms of the kingdom of Spain surmounted by a crown with the letters SPA to the left; bottom right, arms of the duchy of Nevers surmounted by a coronet below a fillet edged rectangle with the word NEVERS; bottom left, arms of the kingdom of England surmounted by a crown below a fillet edged rectangle with the word ANGLIA; bottom centre, the date 1623.

Notes: A taque de foyer or takenplatte; the arms in the corners are likely to be of (from top left): Louis III of Lorraine, Archbishop of Reims; King Philip III of Spain; Charles I, Duke of Nevers and Rethel; and Queen Elizabeth I of England. A similar fireback with the same arms, illustrated by von den Driesch (1990, p.181), has the date 1611, but the absence of a cardinal's hat over the arms of Louis of Lorraine suggests that the fireback originally dates from before 1605.

Inscription: [LORR]AI[NE] SPA / ANGLIA NEVERS / FRANCE / 16z3

Arms: Louis of Lorraine; Kingdom of Spain; Kingdom of France; Kingdom of England; Charles Gonzaga, Duke of Nevers

Description: Arched rectangular central panel with bead on fillet edging, pictorial scene of Hercules standing, right arm akimbo and left hand holding a club that rests on his shoulder; to his right the allegorical female figure of Virtue, clothed and resting her left hand on Hercules's right shoulder; to his left the female allegorical figure of Volupta, the pair symbolising the 'crossroads' where Hercules has to decide which path in life to take; below them the text VIRTUS HERCULES VOLUPTA; above, seated above clouds, Jupiter surveys the scene, the word IVPITER below; arched rectangular border with fillet edging, from a central bunch of grapes at the top of the arch, a ribbon on each side suspends bunches of fruit and flowers; at the bottom a central cartouche containing the inscription 'L7G', with flowers on each side;; on top are two mirrored dolphins, their tails covering a bunch of grapes.

Notes: The pictorial scene is loosely based on a painting c.1636-7 by Nicholas Poussin. The inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L6C and L8G) indicate different borders. Image from von den Driesch (p. 512).

Copies of this fireback are known.

Inscription: IVPITER / VIRTVS HERCVLES VOLVPTA / L7C