Firebacks

Description: Rectangular; ovolo moulded edging (top and sides); eight impressions of a fleur de lys, arranged in three horizontal rows (3-2-3), carefully spaced.

Notes: The same fleur de lys stamp has been noted on several firebacks, indicating a common source.

Copies of this fireback are known.

Description: Arched rectangular shape; astragal edging. Shield, helm, crest and mantling of the Worshipful Company of Blacksmiths.

Notes: Blazon: Sable, a chevron Or between three hammers Argent handled and crowned with open crowns of the second; Crest: a phoenix in flames rising proper; arms granted in 1611.

Copies of this fireback are known.

Arms: Worshipful Company of Blacksmiths

Description: Arched rectangle; ovolo, egg-and-dart moulded edging; shield, helm, coronet, crest and mantling; curved inscription panel below shield.

Notes: The heraldic devices on the shield, and the form of the helm and crest suggest this may be a continental achievement of arms; the style of the fireback is, however, English.

Inscription: indecipherable

Description: Arched rectangular shape; twisted rope edging (top and sides); date stamp, 1634, in arch; initials, EH, separated by a cross, below date.

Notes: The same date stamp has been noted on another fireback; the cross between the initials may have an apotropaic purpose.

Inscription: 1634 /E + H

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Hornchurch)

Description: Rectangular; astragal edging; leopard passant guardant sinister canted, facing a leopard passant, with a crowned shield between bearing the initials, KH, above a fleur-de-lys.

Notes: One of the Royal series with uncommonly few stamps.

Copies of this fireback are known.

Inscription: KH

Description: Arched shape with scrolled side brackets; astragal edging on arch; bipartite design with side pilasters and a central pilaster surmounted by two gothic traceried arches within each of which are two roses and two fleurs-de-lys; below left arch, letter ‘W’ (possibly ‘WY’ monogram) above first half of date; below right arch, shield bearing arms of the Borough of Stratford-upon-Avon above second half of date.

Notes: The combination of the monogram and the arms of Stratford suggest an individual with a formal office within the borough; a mixture of Gothic and Classical elements; damage to bottom right side.

Inscription: W [Y?] / 15 85

Arms: Borough of Stratford-upon-Avon

Description: Cavetto canted rectangular central panel with ovolo-moulded edging, enclosing a pictorial scene of a naked female seated at a fountain on the left, with two clothed males to her right; behind, a part of a domed brick building with the inscription around the top of the wall; enclosing the scene, twin floral festoons suspended from top centre; on top, a central crown between two descending dolphins.

Notes: The scene depicts the Apocryphal story of Susanna and the Elders.

Copies of this fireback are known.

Inscription: SVSANA

Description: Rectangular; three birds turned to the left, their heads facing right, and their right wing extended; vine pattern strips, one horizontal along the top, 14, of varied length, vertically across the rest of the fireback; seven ‘pineapple’ shapes with criss-cross markings, arranged in three groups — 3-1-3 — adjacent to the birds.

Notes: The same vine strips are found on several firebacks, including some of the ‘Anne Forster’ series; the birds are also seen on a number of firebacks; the ‘pineapple’ shapes may be the same as those on the ‘Anne Forster’ graveslab in Crowhurst church, Surrey. John Starkie Gardner and later writers attributed the birds to an association with the Fowle family; this is unlikely to be correct as the Fowles came to prominence in the iron industry towards the end of the sixteenth century and had their own distinctive decorative emblems. Formerly in the collection of Lady Dorothy Nevill.