Firebacks

Description: Rectangular; twisted rope edging (top and sides) with a fillet inside; top centre, concentric roundel with rose-and-crown below; top left, initials in triad with small rose below 'W' and small fleur-de-lys below 'M'; upper right, date with small fleur below '6' and small rose lower, below second '7'.

Notes: The style of rose and crown is similar to that used in gun founding in the Tudor period, suggesting that the furnace that was the source of this fireback may have been used for that purpose.

Inscription: WLM [triad] 1677

Description: Rectangular; cavetto moulded edging; date aplit by intitials placed centrally at top.

Inscription: 17 TM 70

Description: 'Dutch' style; arched rectangular shaped central panel with bead edging, figure of Charity holding a baby in her left arm and an olive branch in her right, two other children stand on each side of her, one holding a burning heart, trees in the background; arched rectangular shaped border with fillet edging and a repeated leaf pattern; on top a clam shell between two symmetrical serpents.

Notes: Typical type of fireback produced in Germany by Dutch pattern makers; the central panel was made separately for insertion into different borders; this border is a relatively simple type; the portrayal of Charity is derived from the 'Iconologia' of Cesare Ripa.

Copies of this fireback are known.

Description: Plain rectangle with cavetto moulded edging (top and sides); pediment with same moulding.

Notes: Three identical backs, but with various stamps, indicate that this fireback came from the same source as a distinct series of Tudor heraldic backs.

Description: Rectangular with ‘pediment’ arch linked by cavetto curves; fillet and cavetto edging; pictorial, a cylindrical furnace with inscribed stone courses, flames issuing from the top, with the heads of three people, a hand raised from two of them, and an angel with wings and arms outstretched; the furnace has a small arched opening bottom centre; above the angel, the inscription THE THREE CHILDREN is inscribed.

Notes: The scene represents Shadrach, Meshach, and Abednego being delivered from the burning fiery furnace by the angel of God (Daniel 3), the phrase, The Three Children, being a reference to the eponymous apocryphal verses from the Book of Daniel.

Inscription: THE THREE CHILDREN

Description: Carved wooden fireback pattern. Arched rectangular central panel with astragal and fillet edging; Phaëton riding Apollo’s chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel.

Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks; given to the Sussex Archaeological Society by the Earl of Ashburnham.

Description: Arched rectangular central panel with bead-and-pellet edging; on a ground between two plants, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Arched rectangular central panel with arch and bead edging within a similarly shaped cavetto-moulded border and pomegranates on to and on the ach shoulder of the plate; pictorial representation of the king of Sweden mounted on a horse.

Notes: The king would be Gustav II. There is a companion fireback bearing the image of Prince Fredrik Henrik of Oranje.

Copies of this fireback are known.

Inscription: DIE KONINCK VON SWEDEN

Description: Arched rectangular shape; fillet edging; shield, crest and motto in relief in a recessed arched rectangle.

Notes: The arms are of Weston, of West Horsley, Surrey: Sable, a chevron or between three leopards heads erased argent crowned or and langued gules; crest: a wolf passant ducally gorged or; motto: Gloria sat Deus unus - God alone is sufficient glory; the Westons were at West Horsley Place from the mid 18th century.

Inscription: GLORIA SAT DEUS UNUS

Arms: Weston family of West Horsley, Surrey

Description: Arched rectangular central panel with bead on broad fillet edging; pictorial scene of Neptune/Poseidon, a trident in hand, in a chariot drawn through the waves by two 'sea horses', above are clouds and three birds; arched rectangular border with fillet edging; diagonal grid forming squares, in each one of two types of flower arranged in alternate lines; at the bottom, the letter W in a cartouche between swirled foliage; on top, mirrored swirled foliage issuing upwards from a mythical creature on each shoulder.

Notes: There is some question as to whether this is a later pastiche of an early-eighteenth century style,

Inscription: W