Firebacks

Description: Arched rectangular shape; fillet edging; central male figure clothed in 17th century style, facing to the left, holding a mallet in his raised right hand and holding a board with rectangular detailing in relief in his left hand; vertical boards in relief behind; below to the left, a smaller figure holding a long pole diagonally with other detailing in relief behind; to the lower right, a female figure, contemporaneously clothed, a scroll feature to her right; behind, an archtectural grille with scrolled detailing; above, swagged drapery with three descending tasselled ropes.

Notes: A pastiche of a 17th century fireback. The scene appears to be of a carpenter's workshop but some of the detail in the lower parts of the fireback is indistinct owing to corrosion. The drapery was probably inspired by a similar feature on several late-17th or early-18th century 'Dutch'-style fireback designs. The reverse (upcast) side of the fireback is very smooth indicating a modern date for the casting.

Description: Canted rectangle; twisted rope edging (top and sides); central arrow-shaped design formed of three repeated rope lengths.

Notes: The arrow design probably has an apotropaic (evil-averting) purpose, perhaps intended as the initials VV for 'virgo virginum'.

Description: Damaged rectangular plate; no edging; a buckle stamp repeated eight times in alternate horizontal and vertical pairs in four columns.

Notes: The buckle closely resembles that used to decorate glazed bricks on the walls of Laughton Place, Sussex, built by Sir William Pelham in 1534.

Description: Rectangular; twisted rope edging (top and sides); fleur de lys arranged in a pattern of 20, in three rows: 7-6-7.

Notes: A type of fleur-de-lys used on firebacks possibly cast at Pounsley Furnace.

Description: Rectangular; rope edging (top & sides); in centre, Tudor shield, garter, crown and supporters (greyhound and lion); date top left.

Notes: The armorial achievement is seen on other firebacks and was formed from four separate stamps (one example has the shield and garter inverted); the supporters are consistent with the date; the style of the numerals is uncharacteristic of the period. The same date in identical form is on a similar fireback at Groombridge Place, Speldhurst, Kent.

Inscription: 1579 / HONE SOVT qVEY MAL Y PENSE

Arms: Tudor royal

Description: Quasi-arched rectangular shape with symmetrical double fillet rococo edging; high relief pictorial battle scene with mounted knights carrying lances and pennants.

Notes: The battle scene may have been inspired by more than one classical portayal of a battle in history; likely sources are 'The Defeat of the Pisans at the Tower of St Vicenzo' by Giorgio Vasari and 'Alexander the Great's crossing of the Granicus' by Charles Le Brun. An engraving by Daniel Kellerthaler (1574-1648) has a similar frame enclosing an unidentified cavalry conflict.

Copies of this fireback are known.

Description: Rectangular; twisted rope edging (top and sides); central Tudor royal shield with encircling garter (motto reversed), separate greyhound and lion supporters, separate crown; rectangular bordered stamp with an animal facing to the right, repeated once above and on each side of the armorial; bold fleur-de-lys stamp repeated once on each side of the armorial below the other stamp; all irregularly positioned.

Notes: The armorial and fleurs-de-lys are seen together on a plate at Alfriston Clergy House.

Copies of this fireback are known.

Arms: Tudor royal (prob. Henry VIII)

Description: Canted rectangle; ovolo-moulded edging; shield and dolphin crown of the dauphin of France, encircled by the Ordre d'Esprit and the Ordre de St Michel; dolphins in the bottom corners, separating digits of the date.

Notes: The 24th Dauphin was Louis, son of Louis XV and father of Louis XVI. Part of the bequest to the Victoria and Albert Museum by Lieut. Colonel G. B. Croft-Lyons in 1926.

Inscription: 1 7 5 0

Arms: Dauphin of France (24th Dauphin)

Description: Rectangular; twisted rope edging (top and sides); top centre, twisted rope saltire between two food moulds used as stamps, comprising two concentric discs with a hatched design and enclosing four hearts arranged in a cross; below the saltire another food mould stamp; in the top corners, a twisted rope saltire with a double V design below each, the open ends facing inwards; below each of the upper pair of food mould stamps, an inverted twisted rope V.

Notes: The food mould stamps can be seen on another fireback dated to 1562; the rope Vs and saltires have an apotropaic, or evil averting, purpose.