Firebacks

Description: Rectangular; rope edging (top and sides); central Tudor royal shield with encircling garter (motto reversed: HONE SOVT QVEY … PEN), separate greyhound and lion supporters, separate crown; a bird, repeated in each top corner, its wings displayed and inverted and its head facing behind and to the left, standing on a scroll; a fleur de lys repeated in the bottom corners; inside the birds is a repeated stamp, half of one similar to a stamp on a fireback in Hastings Museum.

Notes: The particular form of the Tudor arms and supporters is encountered on other firebacks, as are the distinctive style of fleurs de lys and the birds (probably swans, a Lancastrian icon). The plain scroll upon which the bird is perched suggests that there might have been a painted inscription on it originally and that the stamp had not been made specifically for the decoration of firebacks but was, perhaps, redundant from interior domestic decoration.

Arms: Tudor royal (prob. Henry VIII)

Description: Arch-shaped; fillet edge; Tudor shield, crown (with a circlet of acanthus leaves), garter (motto clockwise) and supporters. Crowned rose on dexter, and crowned portcullis (grid of 16) on sinister side of crown; the supporters, a dragon and a greyhound, stand on separate plinths; on the plinth below the greyhound is the number 28, probably half of the date 1528, the other part missing on the left side.

Notes: There are several firebacks with the Tudor royal arms that were probably produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the crowned rose and portcullis.

Inscription: HONY SOIT QVI MAL Y PENSE / 28

Arms: Tudor royal

Description: Fragment; rectangular; flanged top edge; probable symmetrical arrangement of crowned Tudor royal shield stamps (4 above 3); vertical line on either side of each shield; left hand print in bottom left corner, probably mirrored on right.

Notes: The right side of the fireback is missing. Very crude modelling of stamp suggests an early date; the same crowned shield and use of hand print can be seen on a fireback at Rolvenden, indicating a common source..

Description: Quasi-rectangular; twisted rope edging (top and sides); three gothic panels arranged horizontally, the centre one wider than the other two, each panel a symmetrical arrangement of tracery patterns with an inverted ogee arch on top incorporating two flowers; below are six, irregularly spaced fleurs-de-lys.

Notes: The panels were probably derived from a dismantled wooden chest or hutch table, c.1500. Their gothic style belies the probable age of the fireback, such chests already being old when their parts might have been re-used. The same panels are on a fireback at East Grinstead Museum.

Description: Rectangular; twisted rope edging (top and sides); inscription made of short lengths of twisted rope, irregularly spaced across upper middle, central device formed of a Tudor 'A' with overstamped 'V'.

Notes: It is not clear if the central device is a monogram, or if it might have apotropaic significance.

Inscription: T A M T

Description: Plain edged, damaged rectangular plate; a buckle stamp repeated eight times in alternate horizontal and vertical pairs in four columns.

Notes: The buckle closely resembles that used to decorate glazed bricks on the walls of Laughton Place, Sussex, built by Sir William Pelham in 1534.

Description: Rectangular; broad fillet edging; ‘IhS’ stamp repeated five times (4-1-4) centrally.

Notes: The use of the christogram suggests a Catholic, and therefore a possibly pre-Reformation or Marian date.

Inscription: IhS [repeated 5 times]

Description: Rectangular (damaged top left corner); plain plate; centre top, a circle of twisted rope enclosing a shield, indented at the top, charged with a bird upon a branch; on each side, a cross of twisted rope above two splayed lengths of rope.

Notes: The rope design is likely to be apotropaic; the heavily pitted reverse of this fireback shows the use of poor quality iron cast at a relatively low temperature; the bird shield stamp has been seen on another fireback with clear French provenance.

Description: Rectangular; top and side edging formed from the repeated stamping of a short length of twisted rope; three gothic panels arranged horizontally, the centre one wider than the other two, each panel a symmetrical arrangement of tracery patterns with an inverted ogee arch on top incorporating two flowers; a separate fleur-de-lys stamp has been repeated above each panel.

Notes: The panels were probably derived from a dismantled wooden chest or hutch table, c.1500. Their gothic style belies the probable age of the fireback, such chests already being old when their parts might have been re-used. The same panels are on a fireback at Nymans, Handcross.

Description: Sub-rectangular shape; twisted rope edging (top and sides); two crosses between two saltires, all formed of straight lengths of twisted rope and irregularly arranged.

Notes: A poorly cast, and probably early, fireback.