Firebacks

Description: Arched rectangular central panel, bead edging, female figure, her right arm raised, sitting on a bull; arched rectangular border, fillet edging, swags of fruit bunches suspended from ribbon, inscription below central panel; on top, symmetrical floral swirls and flowers; plain panel at bottom.

Notes: The image is of Europa being carried away to Crete by Zeus disguised as a bull.

Copies of this fireback are known.

Inscription: 16 NDW 97

Description: Rectangular central panel with bead edging; a phoenix, with wings displayed, rising from the flames; rectangular border with bead edging, flowers and leaves festooned from a central flower; initials split either side of a flower at the base; on top, symmetrical swirled leaves.

Notes: Although similar to 'Dutch' types made in north Germany, this is probably an English design. A fireback bearing a phoenix was one of three designs ordered by Trubshaw's, ironmongers of London and Birmingham, from George Sitwell's furnace at Foxbrooke, Derbyshire, in the 1660s. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: R (or B) G

Description: Rectangular with a sinuous arch and three simulated loops, one top centre, the other two to each side; two-handled flower vase with gadrooned upper surface and acanthus bas-relief below, trailing fruited vines issuing from top descending through handles to base; lion’s mask at top; date split either side of vase base; ball on each shoulder of the plate; broadened side edges.

Notes: The simulated loops are seen on a small number of other firebacks, suggesting a common pattern-maker; a variation on a design typical of this period.

Inscription: 16 77

Description: Rectangular with arched, mirrored scrolls on top and central scallop shell, below which are swagged drapes with a central tassel; fillet edging; in a grove, to the left a putto blowing a horn, to the right a semi-naked female figure seated, holding the tail of a fish, with two ?dogs at her feet; at the bottom, narrow panel with symmetrical scrolled foliate decoration.

Notes: Like others in the series, the scene is not immediately identifiable with a scene in classical mythology.

Copies of this fireback are known.

Description: Rectangular; cavetto-moulded edging; English royal Stuart shield, garter, crown, supporters and motto.

Notes: One of many designs of the Stuart royal arms on firebacks. A recasting, hence the illegible motto. Sold at Christie's Masters and Makers auction, 30 November 2010, lot 517 (£1,875).

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL Y PENSE / DIEV ET MON DROIT

Arms: English Stuart royal

Description: Rectangular; no edging; quasi-symmetrical arrangement of crosses and buckle outlines: a cross at each corner and one to right of middle, three buckles along the top and three buckles in triad, level with, and below, the central cross; two horizontal plank lines; lower left part of back missing due to wear and corrosion. The fireback has a small accumulation of iron slag on the reverse side, probably caused by a failure, by the founder, to tap off all the slag from the furnace hearth before casting.

Notes: The buckles, which could have been stamped using a branding iron, suggest a connection with the Pelham family. This is the fireback noted in 1861 at Warbleton Priory, Sussex, which the Pelhams endowed in 1413; the priory was dissolved in 1535 suggesting that the fireback dates from before then. The excrescence, left of centre, on the surface of the fireback was probably caused by molten iron being poured from a ladle into the sand mould and displacing some of the sand.