Firebacks

Description: Carved wooden fireback pattern. Canted arched rectangular shape with cavetto-moulded astragal edging; coronet in arch; oval shield with a crowned lion lion rampant, supported two griffons reguardant, the whole within a cartouche, the bottom of which terminates in two swirls between which is a human mask.

Notes: Theodore Agrippa d'Aubigné

Arms: Theodore Agrippa d'Aubigné

Description: A modified recasting of a variant of the ‘Armada’ fireback, with initials changed to IK, a single anchor panel, and the addition of a plain base and borders, the latter each with a twisted rope saltire, upper middle.

Notes: It is likely that an original four-panel fireback has been used to recast a copy with additional side and base panels; the saltires may have apotropaic significance. A second fireback at the house cast in the 19th century is identical but for being 1% smaller all round, and has a full-width extension on top bearing four symmetrical rope saltires, the outer two larger than the inner two. The first example was used to make the second.

Inscription: 1588 / IK

Description: Rectangular with three-faced arch; ogee moulded edging; top centre, overlapping, crossed staples arranged diagonally, each pointing to a bottom corner.

Notes: The crossed staple is the badge of the Nevill family, and this fireback came from Eridge Park, the seat of the Marquess of Abergavenny.

Description: Arched; twisted rope edging; date at top; initials in triad below date.

Notes: An unusually tall fireback in proportion to its height, probably specifically related to its early use with a coal fire.

Inscription: 1648 / TMH [triad]

Description: Low arched rectangular shape; broad rebated fillet edging; stylised Tudor royal shield, crown and supporters (dragon and greyhound); Tudor rose in top left corner; portcullis in top right corner.

Notes: Pastiche 'Tudor' design by George Shaw of Saddleworth, Lancashire, c.1850, possibly intended to be passed off as genuine Tudor. Another casting is at Hever Castle, Kent. Firebacks with the same armorial design within a different, arched edging are also known.

Copies of this fireback are known.

Arms: Tudor royal

Description: Rectangular with plait-effect border and a column of beads down each side; pictorial scene of a male figure in gown and full-bottom wig, holding a fool’s cap in his right hand, standing behind a seated male figure, bald and bearded, with the papal triple crown falling off his head; he is seated at a desk on which are two books; behind him and to the right, three books are on a small shelf. Above the figures, a longer shelf, the width of the plate, supports other books and papers, together with the figure of a dog, from whose mouth a scroll issues bearing an unreadable inscription. On top, two putti hold hands in front of a flaming grenade.

Notes: The design is copied from a cartoon of c.1672 showing Titus Oates, the instigator of the popish Plot, presenting a fool’s cap to the Pope (see Hodgkinson 2010, p.209).

Copies of this fireback are known.

Description: Oval armorial bearings carried by two naked, kneeling male figures, between them a scallop shell; above the shield a lion’s face surmounted by a crest of a lion’s head erased; the shield is surrounded by floral scrolls. The arms are of Worge impaling Collier: Worge - gules, a fess ermine, cotised argent, in chief three lion’s heads erased of the last; Collier - argent, on a chevron azure, between three unicorns courant couped gules, as many oak sprigs fructed proper.

Notes: George Worge (1705-65), of Starr’s Green, Battle, steward of the Battle Abbey estate, married Elizabeth Collier (d.1767) of Hastings in 1727. This deeply detailed fireback might have been cast in a closed mould; it had a circular aperture in the centre into which, in this instance, an armorial was placed; the same armorial is on a fireback, dated 1762, at Great Dixter, Northiam, Sussex, as is the lion crest.

Arms: Worge impaling Collier (George Worge)