Firebacks

Description: Cavetto canted rectangular central panel with ovolo-moulded edging, enclosing a pictorial scene of a naked female seated at a fountain on the left, with two clothed males to her right; behind, a part of a domed brick building with the inscription around the top of the wall; enclosing the scene, twin floral festoons suspended from top centre; on top, a central crown between two descending dolphins.

Notes: The scene depicts the Apocryphal story of Susanna and the Elders.

Copies of this fireback are known.

Inscription: SVSANA

Description: Arched rectangular central panel with bead-on-fillet edging; pictorisl scene of a central cross-shaped pillar entwined with a snake; two pavilions to the left with human figures lying before them; two standing figures to the right, one holding a staff; above, clouds with snakes descending from the sky; arched rectangular border with fillet edging; on each side, descending festoons of fruit entwined with ribbon; at the bottom, a central cartouche between palm fronds; on top, foliate swirls.

Notes: The scene is an illustration of the plague of serpents visited upon the children of Israel by God (Numbers 21: 6).

Copies of this fireback are known.

Description: Rectangular; cavetto edging all round; seated lion on right, its tail rising above its back and its head turned to face the viewer; a seated sheep on the left.

Notes: Intended to represent the saying, ‘The lion shall lie down with the lamb’, a popular misquotation of Isaiah 11: 6. Some variants are dated 1679 (see no. 481).

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; image of two helmeted men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage descending from a scallop shell; bottom of the image obscured by corrosion damage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a popular subject on a variety of media in the period.

Inscription: I N

Description: Rectangular with arched, mirrored, scrolls on top, surmounted by the winged face of a cherub; fillet edging continued into mirrored scrolls over the top; on either side, scrolled stylised seed pods; central scene of King David beneath a baldachin standing on a plinth, playing a harp to his left; to his left a child plays the violin, to his right another plays a trumpet, both stand on low plinths; at the bottom, a rectangular panel with an oval within a cartouche between swirled foliage.

Notes: An untypical religious-inspired subject with notably rococo design elements.

Copies of this fireback are known.

Description: Arched rectangular shape; ovolo moulded edge all round; the fireback is divided, unequally, into three Old Testament scenes. Centre left: Joseph is pushed into a well shaft by one of his brothers; above, six other brothers, wearing cloaks and sober puritan hats, look on; below, one of Joseph’s brothers presents Jacob with Joseph’s coat; Joseph utters the words, ‘Ah it is my son’s coat’ in a speech bubble above. Top right: Isaac kneels on a wooden pyre; behind him, Abraham holds Isaac’s head with his left hand, and raises a cleaver above his head with his right hand; above Abraham, an angel stays his hand; to the right of Isaac a ram stands beside a bush. Bottom right: beneath a pergola Jacob lies on his deathbed; his twelve sons gather round his bed.

Notes: The scenes depicted are derived from, respectively, Genesis 38: 20-24 & 32-33, Genesis 22: 6-13, and Genesis 49. The distinctive pictorial subject, the naïve figuration, as well as a number of minor features, such as the use of an ‘S’ scroll, draw parallels with the Lenard fireback, and the pattern may have been the work of the same wood carver, suggesting that it may share the same source. Another, probably contemporary, example is at Hampton Court.

Copies of this fireback are known.

Inscription: AH IT IS MY SONES COT [Genesis 38: 33]

Description: Arched rectangular central panel with additional arch above; bead edging; pictorial scene of Solomon, rising seated on a scallop-backed, canopied throne, greeting the Queen of Sheba, with other figures in attendance; identical shaped border with cavetto-moulded edging; a vase on top with descending swags of drapery; at the sides, festoons of flowers suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a bunch of three flowers with an ascending serpent on each side, and a bunch pf fl;owers on each shoulder of the plate.

Notes: Several contemporary paintings are of similar scenes; this design may have been derived from a Dutch engraving of a drawing by an anonymous French artist after Maarten van Heemskerck. Close observation shows that the scene depicted, and some other decorative elements, are different to those on a similar fireback, no. 489. Wilkinsons auction, Doncaster, 25 Mar 2024, lot 606 (£200).