Firebacks

Description: Arched rectangular shaped with narrow shoulders; fillet edging; date in individual numerals across arch.

Notes: A larger version is different in the spacing of the numerals and the proportions of the plate. For another casting of this fireback see J. Every Collection catalogue #20 (Sussex Archaeological Society library, Barbican House, Lewes, Sussex).

Copies of this fireback are known.

Inscription: 1658

Description: Arched rectangular shaped central panel, bead-and-pellet on fillet edging; beneath swagged curtains, a basket containing a variety of fruit - plums, apples, pears and grapes - resting on a table draped with a fringed cloth; arched rectangular shaped border with fillet edging and symmetrical foliate tendrils; date in bottom corners split betwen foliate tendrils incorporating looped 'W' shapes; on top, symmetrical scrolled plant tendrils.

Notes: One of a series of firebacks made originally in 1724. The basket of fruit was probably inspired by still-life paintings by European artists of the first half of the 17th century. Formerly at Salem, Massachusetts.

Copies of this fireback are known.

Inscription: 17 24

Description: Quasi-arched rectangular shaped; unique, cavetto-moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree.

Notes: Other known variants are dated; this variant confirms that the dates were added to subsequent castings. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Description: Rectangular; cavetto edging all round; seated lion on right, its tail rising above its back and its head turned to face the viewer; a seated sheep on the left; date split across top.

Notes: Intended to represent the saying, ‘The lion shall lie down with the lamb’, a popular misquotation of Isaiah 11: 6.

Copies of this fireback are known.

Inscription: 1679

Description: Carved wooden fireback pattern. Arched rectangular central panel with cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by armadillos, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

Notes: The design is derived from a personification of America, on one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677); reputedly from Mayfield; presented to Brighton Museum by Henry Willetts. A casting from this pattern is no. 215.

Description: Arched rectangular shaped central panel with hollow bead edging; a putto, its head inclined to its left, standing on a platform, holding a wand in its right hand and a branch in its left hand, a flower in a pot is on each side, and above, swagged drapery; arched rectangular shaped border with fillet edging; swirled flowers and tendrils symmetrically arranged, with SHR monogram at centre bottom; two mirrored stylised sea serpents on top; to each side a vertical extension with bead edging, of the same decoration as the side borders.

Notes: The figure depicted is probably emblematic although the meaning has yet to be determined. The frame of the central panel and the enclosing border are identical to those noted on another fireback displaying a figure of Pluto (see fireback no. 164). This may be an example of an image from one casting being superimposed within the frame of an earlier fireback. The border is identical to that seen on fireback no. 1220.

Inscription: SHR

Description: Arched rectangular shaped central panel with hollow bead edging; to the right, a seated male figure beside a wellhead, pointing towards a standing female resting a ewer on the wellhead over which a rope hangs, and behind the male figure is a tree, and above, swagged drapery; arched rectangular shaped border with fillet edging; swirled flowers and tendrils symmetrically arranged, with SHR monogram at centre bottom; two mirrored stylised sea serpents on top; to each side a vertical extension with bead edging, of the same decoration as the side borders.

Notes: The frame of the central panel and the enclosing border are identical to those noted on another fireback displaying a figure of Pluto (see fireback no. 164), while the pictorial scene, of Jesus and the Woman of Samaria (St John 4: 5-28) is more typical of continental firebacks and stoveplates. This may be an example of an image from one casting being superimposed within the frame of an earlier fireback. The central image is sharper than the surrounding border.

Inscription: SHR

Description: Rectangular; cavetto edging all round; seated lion on right, its tail rising above its back and its head turned to face the viewer; a seated sheep on the left.

Notes: Intended to represent the saying, ‘The lion shall lie down with the lamb’, a popular misquotation of Isaiah 11: 6. Some variants are dated 1679 (see no. 481).

Copies of this fireback are known.

Description: Stove-plate; poss. fragment; rectangular; flanged edging on top and sides; pictorial scene illustrating the biblical tale of Joshua and the five kings.

Notes: Joshua 10.