Firebacks

Description: Arched rectangular shaped central panel with paternost bead edging; figure holding a bow in his left hand and a lyre in his right hand, a quiver suspended from his belt, on an undulating ground with small trees, and suspended swags of drapery above; Arched rectangular shaped border with fillet edging, and symmetrical flowers and swirled tendrils; initials at bottom centre; on top, symmetrical pattern of swirled leaves and tendrils.

Notes: The figure is Apollo, personifying the Sun, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; crowned figure, holding a sceptre in his right hand, sitting in a chariot drawn to the left by two horses with ostrich feather head-dresses; the whole upon a causeway with pilasters and masonry, and waves beneath; a heron flying to the left; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, symmetrical, flower bunches, descending from a ribbon loop; monogram centre bottom, between plant tendrils; on top, symmetrical scrolled plant tendrils.

Notes: The design is derived from a personification of Europe, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677); a similarity with Queen Anne may not be coincidental; the flying heron has been copied from a print by Wenceslaus Hollar c.1658.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; crowned figure, holding a sceptre in his right hand, sitting in a chariot drawn to the left by two horses with ostrich feather head-dresses; the whole upon a causeway with pilasters and masonry, and waves beneath; a heron flying to the left; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, symmetrical, flower bunches, descending from a ribbon loop; monogram centre bottom, between plant tendrils; on top, symmetrical scrolled plant tendrils.

Notes: The design is derived from a personification of Europe, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677); a similarity with Queen Anne may not be coincidental; the flying heron has been copied from a print by Wenceslaus Hollar c.1658.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shaped central panel with open-bud edging; pictorial: Venus in her chariot drawn by doves, with her child, Cupid; a heron flies away to the left; above are swagged curtains and a pair of tassels, below is a landscape; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet Venus in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585); the flying heron has been copied from a print by Wenceslaus Hollar c.1658. The theft, in 1699, from a Thames-side warehouse of several firebacks, included '6 of Venus in a Chariot with Doves', which is likely to refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shaped central panel with bead-and-pellet edging on a broad fillet; Jupiter in his chariot drawn by eagles; above are clouds, below is a landscape; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is probably adapted from a personification of the planet, Jupiter, in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585).

Inscription: SHR

Description: Arched rectangular shaped central panel with ’nutshell,’ paternost edging on a broad fillet; figure of Neptune/Poseidon holding a trident in his right hand, standing on a pedestal in the centre of a circular fountain, with two hippocampi, water issuing from their mouths; in front, a mermaid swims in waves, her arms raised; behind, blasts of wind issue from clouds; arched rectangular border with fillet edging; symmetrical design of seashells suspended from chains of pearls; bottom centre, the monogram between swirled plant tendrils; on top, symmetrical floral swirls.

Notes: Although very similar in size and design to a fireback in the 1724 series, this is not based on a design by Daniel Marot; instead it may have been inspired by the design for a fountain by Jean Lepautre (1618-82) published in a set of 12 etchings by Jean Le Blond in 1650. Almost certainly the 'iron chimney back' purchased by Henry Campion, of Danny, from John Legas for two guineas in 1731; another example, presumably from the same source, is at The Vine, near Basingstoke, Hampshire.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shaped central panel with 'nutshell' edging; pictorial: Mercury in his chariot drawn by two birds (possibly ravens) across the clouds, his caduceus held aloft; above are clouds, below is a landscape with plants; arched rectangular shaped border with fillet edging, a scallop shell top centre with descending symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; on top is a symmetrical design of scrolled floral tendrils. One vertical plankline right of centre.

Notes: The design is based on a personification of the planet Mercury in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585). The holes were for fixing to a grate.

Inscription: SHR

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; nude figure of a man standing on a mound, resting his left hand on a club, a plant to his right, and drapery swags above; arched rectangular border with symmetrical swirls; monogram centre bottom; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Hercules.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; head-dressed figure, holding a sceptre in her right hand, sitting in a chariot drawn to the left by two armadillos; the whole upon a two-arched bridge with masonry, decorated keystones and spandrels, and waves beneath; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677).

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with hollow bead edging on a broad fillet; figure of a woman standing on a mound, holding a bow in her right hand and an arrow in her left, a plant to her right, and drapery swags above; arched rectangular border with symmetrical swirls of foliage and diagonal leaves at corners; monogram centre bottom between swirled tendrils; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Diana/Artemis, goddess of hunting, as she carries a bow and arrow, and has a hound at her feet.

Copies of this fireback are known.

Inscription: SHR