Firebacks

Description: Arched rectangular shape with fillet edging; mirrored drapery swags emanating from two wings, and terminating in elongated tassels hung from hooks; date split by wings; initials split at bottom corners.

Notes: A simple design with space for further personalised decoration.

Copies of this fireback are known.

Inscription: 16 87 / C S

Description: Arched rectangular shaped central panel with open-bud edging; pictorial: Venus in her chariot drawn by doves, with her child, Cupid; a heron flies away to the left; above are swagged curtains and a pair of tassels, below is a landscape; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet Venus in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585); the flying heron has been copied from a print by Wenceslaus Hollar c.1658. The theft, in 1699, from a Thames-side warehouse of several firebacks, included '6 of Venus in a Chariot with Doves', which is likely to refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel, with bead-and-pellet edging; pictorial, standing female figure in classical dress, facing to the left, holding a snake in her right hand, a bunch of flowers at lower left; the initials located in bottom corners; arched rectangular border, fillet edging, containing swirled foliage, with a putto in the top corners; on top, two perched bird facing each other, with swirled foliage descending behind them.

Notes: The figure is of Sapientia, or Wisdom, based closely on an engraving, one of a set entitled 'The Virtues' by Hendrik Goltzius c.1593; a small number of firebacks bear the initials, GK; it is not known to whom they refer, but dated ones are of 1700.

Copies of this fireback are known.

Inscription: G K

Description: Arched rectangular shape; Greek Key border with fillet edges; in high relief, in front of swagged drapery, the shield of, quarterly, France quartering England, Scotland and Ireland, surrounded by a Garter, and surmounted by a ducal coronet; below, the inscription in capitals.

Notes: The use of the Greek Key design as a border is believed to be unique for an English fireback. Although somewhat indistinct, the use of the Stuart royal arms and the ducal coronet can be explained by the fact that the fireback was one of a group cast for the 2nd Duke of Richmond, whose father, the 1st duke, was the illegitimate son of Charles II and Louise de Kéroualle. The Richmond arms were differenced from the Stuart royal arms by the addition of a bordure compony (the detail of which is not distinct on this casting). Sowley Furnace, near Beaulieu in Hampshire, was owned in 1732 by John, 2nd Duke of Montagu, and was let to Miles Troughton. Similar, but larger, variants of this fireback are at Goodwood House, the seat of the Dukes of Richmond, where this fireback is likely to have once been. Criterion Auctions, Islington, 7 Jan 2019, lot 128 (£50).

Inscription: HONI SOIT QUI MAL Y PENSE / SOWLEY MDCCXXXII

Arms: Duke of Richmond

Description: Sub-rectangular fragment; undulating vine tendril strip repeated twice vertically from left edge with a bird stamp (probably a swan, a Lancastrian badge) repeated three times between, interspersed with a grape cluster stamp repeated seven times; vine tendril stamp repeated twice horizontally at right angles to rightmost vertical strip, three bird stamps between strips and two above, interspersed with seven grape cluster stamps.

Notes: This fragment incorporates common elements from a large series of firebacks.

Description: Arched rectangular shape: ovolo-moulded edging; pictorial scene of St George in armour, mounted on a horse, spearing a dragon which lies beneath the horse; in each top corner, a rose.

Notes: A portrayal of St George and the Dragon in bold relief that owes something to the famous modelling by Benedetto Pistrucci of 1817; however, the figure of St George is disproportionately large in relation to the horse.

Description: Arched rectangular central panel with arch and bead edging within a similarly shaped cavetto-moulded border and pomegranates on to and on the ach shoulder of the plate; pictorial representation of the king of Sweden mounted on a horse.

Notes: The king would be Gustav II. There is a companion fireback bearing the image of Prince Fredrik Henrik of Oranje.

Copies of this fireback are known.

Inscription: DIE KONINCK VON SWEDEN

Description: Arched rectangular shaped central panel with five-bead and open pellet edging; pictorial: regal figure in his chariot drawn by two horses, a sceptre in his right hand; above, a putto descends from swagged curtains and a pair of tassels; below is a landscape with a cornucopia; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of ivy and acanthus leaves and tendrils; the initial, N, in a cartouche bottom centre, between symmetrical oak fronds, leaves and acorns; above is a symmetrical design of scrolled floral tendrils terminating in sea monsters.

Notes: Very similar in design and execution to firebacks of the SHR and EB series, suggesting designs emanating from the same source and with a similar inspiration. The figure in the chariot may be an allegory of the Sun.

Inscription: N

Description: Arched rectangular; fillet edging with darts on the inside; circular arms of France within the chains of the Ordre d'Esprit and the Ordre de St Michel, with crown above, all resting on a framework compartment, with olive leaf sprays on each side ofn the shield.

Notes: Typical form of the arms of France of the period of Louis XIV.

Arms: France modern

Description: Fragment; rectangular shape; ovolo-moulded edging (top and sides); six stamps, in two columns of three, taking the form of a long-pointed arrow head within a circlet of small curls.

Notes: The stamps are of an unfamiliar type with some similarity to the heraldic symbol for ermine. Because only the left part of the fireback has survived it is not known how many original columns of this stamp there were.