Firebacks

Description: Arched shape; cavetto moulded edging; shield, crown, tassels and ribbons, of the combined kingdom of Castille, Aragon, Leon and Sicily.

Notes: Probably the arms of King Charles V of Spain; quarterly (1 & 4) Castille and Leon, (2 & 3) Aragon and Aragon-Sicily.

Inscription: 15 [?]0

Arms: Royal House of Trastámara (Spain)

Description: Rectangular with cavetto curves rising to corners and a ‘portico’ top; fillet edging with bas-relief, alternate regularly spaced semi-circles and triangles inside; two-handled flower vase with acanthus bas-relief, trailing vines issuing from top, with pomegranate and hop(?), descending through handles to base; lion’s head at top; date split either side of vase base.

Notes: The bas-relief edging also appears on other firebacks, suggesting the same pattern maker. The date was probably added separately. Formerly in Dallington, East Sussex. Burstow & Hewett auction, Battle, 3 Apr 2019, lot 1706 (£35).

Copies of this fireback are known.

Inscription: 1662

Description: Arched; fillet edging; Tudor royal shield, garter, crown and supporters (dragon and greyhound); top left, crowned Tudor rose; top right, crowned portcullis (grid of 6).

Notes: There are several firebacks with the Tudor royal arms that were probably produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the crowned rose and portcullis.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL I PENSE

Arms: Tudor royal

Description: Arched rectangular central panel with bead edging; standing female figure, classically dressed, holding a child in her arms, another child holding a wreath, seated to her left, and a putto standing to her right; arched rectangular border with fillet edging; mask top centre with descending floral bunches on ribbons, with a cartouche centre bottom; on top, two symmetrical descending serpents.

Notes: The figure represents Charity, one of a several iconic figures portrayed on firebacks of this period.

Copies of this fireback are known.

Description: Arched rectangular shape with arch; bead-on-fillet edging within a cavetto-moulded border; pictorial representation of a man and woman in the dress of the mid 17th century, with a fruit tree between them.

Notes: The significance of this design has not been satisfactorily explained. Carpentier suggests it may be a contemporary depiction of Adam and Eve.

Copies of this fireback are known.