790mm tall

  1. 139

    535 x 790 mm

    Description: Arched rectangular shaped central panel with bead-and-pellet edging; figure of Abraham, a scimitar in his raised right hand, which is being restrained by an angel emerging from a cloud; Isaac is kneeling to Abraham's left and a ram is caught in a bush to the left of the plate; the initials are in the top corners; arched rectangular shaped border with fillet edging, and swags of leaves suspended from flowers; on top, symmetrical foliate swirls.

    Notes: The design is an adaptation of an engraving by Adriaen Collaert (1555-1623) of a painting by Maarten de Vos (1532-1603), Plate 5 of The Story of Abraham. In the 'Thesaurus sacrarum historiarum veteris testamenti', published in Antwerp by Gerard de Jode (1509-1591) in 1579, 1585 and, subsequently, by Visscher in 1589. One of a small group of firebacks, all of similar shape, some with biblical designs, others mythological, all dated around 1700 and bearing the letters GK.

    Copies of this fireback are known.

    Inscription: G K / 1700

    Manufactured: in 1700 in the Siegerland area of Germany.

    Current location: Hastings Museum and Art Gallery, Hastings, East Sussex, England.

    Museum number: 052.51.37 (part of the Hastings Museum museum group)

    Citation: Lloyd, N., 1925, 'Domestic Ironwork I', Architectural Review, 58, pp. 58-67.

  2. 828

    lewes,_lewes house.jpg
    755 x 790 mm

    Description: Upon a rectangular base plinth with an inscribed rectangle, to each side, a wide foliate scroll; central cartouche behind an oval shield bearing three fleurs-de-lys over a horizontally textured ground, supported on each side by a draped male figure, the whole surmounted by a French royal crown; on top, an arch rising from horizontal moulding on each side.

    Notes: Characteristic of designs illustrated by architects such as Daniel Marot; the texturing on the shield indicates the azure tincture.

    Arms: French royal

    Manufactured: in the late 17th to early 18th century in France.

    Current location: in private hands, Lewes, East Sussex, England.

  3. 631

    635 x 790 mm

    Description: Arched rectangular shape with arch; bead-on-fillet edging within a cavetto-moulded border; pictorial representation of a man and woman in the dress of the mid 17th century, with a fruit tree between them.

    Notes: The significance of this design has not been satisfactorily explained. Carpentier suggests it may be a contemporary depiction of Adam and Eve.

    Copies of this fireback are known.

    Manufactured: in the mid to late 17th century in the Siegerland area of Germany.

    Current location: Mark Ripley Forge & Fireplaces, Northbridge Street, Robertsbridge, East Sussex, England.

    Citation: Carpentier, H., 1912, Plaques de Cheminées, Paris.

  4. 958

    950 x 790 mm

    Description: Rectangle with triangular arch; twisted rope edging (top and sides); centre top, initials in triad, E above; two twisted rope crosses irregularly spaced below initials.

    Notes: The initials, probably of a husband and wife, show minimal extension in the horizontal, although the 'I' has a stud halfway; the crosses almost certainly have an apotropaic purpose; the depth of the casting varies between the top, where it is thickest, and the bottom.

    Inscription: IEL [triad]

    Manufactured: in the late 16th to early 17th century in England.

    Current location: in private hands, Sutton, Surrey, England.

  5. 1059

    unknown_97 550x790.jpg
    550 x 790 mm

    Description: Arched rectangular central panel with bead on broad fillet edging; pictorial scene of a figure in a chariot on left, drawn across clouds by two peacocks; above, a putto and a bird flying in clouds; to the right, a tree; arched rectangular border with fillet edging; symmetrical undulating oak fronds descending from a loop; at the bottom, the letter W in a cartouche between swirled foliage; on top, mirrored swirled foliage descending from a loop.

    Notes: The figure is likely to be that of Hera/Juno, who is traditionally associated with peacocks. The initial 'W' probably identifies the pattern maker; a single vertical line right of centre indicates the join between two boards that formed the pattern. The 'W' initial probably denotes the pattern maker.

    Inscription: W

    Manufactured: in the late 17th to early 18th century in England.

    Current location:.