Firebacks

Description: Arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom; two rectangular side panels with twisted rope edging top and side; a short length of turned dowel stamped four times, diagonally, on each panel.

Notes: The supporters are those of Henry VII or Henry VIII, but the initials suggest the fireback dates from the reign of Edward VI (1547-53). John Harvo (d. c1565) was a gunfounder who has been identified as occupying Pounsley furnace, Framfield, Sussex, possibly from as early as 1547; the fireback may have been cast originally during the reign of Henry VIII (1509-47), with the initials added to an early casting using the original pattern. The disparity between the worn surface of the armorial panel and the greater clarity of the extensions indicates that the extended casting was made using an already well-used armorial fireback and therefore at a substantially later date.

Copies of this fireback are known.

Inscription: E R / HONY SOIT QVE MAL Y PAYNCE / Made in Sussex by John Harvo / DV ET MOVN DROI

Arms: Tudor royal - Probably Henry VIII

Description: Rectangular with triangular pediment; stepped fillet and ogee moulded edge; initials in rectangular panel (F reversed); date in pediment.

Notes: The triangular top is a separate element, in this instance impressed before the lower panel. A variant at Hastings Museum (no. 118) has the letters positioned slightly differently.

Inscription: 1586 / FM

Description: Rectangular shape with ovolo-moulded edging; within the collar of the Order of the Golden Fleece, a central shield of the arms of Spain: quarterly Castile and Leon, Aragon and Aragon-Sicily, with an escutcheon of Portugal; in base Austria, Burgundy ancient, Burgundy modern and Brabant with an escutcheon of Flanders impaling Tyrol; above, a crown; supporters: two golden lions rampant; below the shield, the date, 1595; above the crown, the inscription: Dominus mihi adiutor (the Lord is my helper).

Notes: The arms of King Philip II of Spain following the unification with Portugal, as used in the Spanish Netherlands. Part of the bequest to the Victoria and Albert Museum by Lieut. Colonel G. B. Croft-Lyons in 1926.

Copies of this fireback are known.

Inscription: DOMINVS MIHI ADIVTOR

Arms: King Philip II of Spain (Spanish Netherlands)

Description: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of circular motifs comprising concentric rings deepening towards the centre.

Notes: ‘Knot’ patterns were popular in gardens of the period. The garden theme is continued with the side panels. An example of the same design, noted at Linchmere, West Sussex, is a different casting, the top panel with the date and initials being slightly askew. From a photograph in the Victoria and Albert Museum, London; photographed at Mapesbury House, Willesden in 1904.

Copies of this fireback are known.

Inscription: 1598 / IM IB

Description: Rectangular; twisted rope edging; top centre, inscription panel.

Notes: The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. In the will of John Weston, of Weston's Place, Warnham, are bequests to his kinswoman, Frances Forster, daughter of Robert Forster (one of the two sons of Anne Forster), and to John Forster, his godson (TNA, PROB 11/190/472); John Weston's wife was Bridget, grand-daughter of Anne Forster.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Rectangular; twisted rope edging (top and upper three-quarters of sides); central Tudor shield, garter, crown and supporters (greyhound and lion), formed from separate stamps; date on a single stamp in top left corner.

Notes: This is an early example of a fireback being used as a pattern, with the addition of a subsequent date. The same stamps forming the arms can also be seen on other firebacks. The extension of the lower part of the ‘3’ on the date stamp suggests that the numbers may have been fixed to the backing block, rather than the date being carved as a whole. Another variant of this fireback has the rope edging extending further down the sides.

Inscription: 1583 / HONE SOVT qVEY MAL Y PENSE

Arms: Tudor royal (prob. Henry VIII)

Description: Rectangular; rope edging on top and sides; central inscription panel; repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, one vertical strip at each side.

Notes: The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. Formerly at Stonelands, West Hoathly.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Rectangular central panel bearing an anchor with coiled rope between two fleurs de lys, below which are two roses; this arrangement is repeated alongside; above, a semicircular arch contains the initials between two roses as in the central panel, with the date above; where the arch meets the central panel there is an arc across each corner; The top and sides panels are edged with simulated twisted rope.

Notes: One of an unusual series formed from separate panels arranged, in this instance, with the vertical panel repeated.

Copies of this fireback are known.

Inscription: 1588 / IFC

Description: Arched rectangular shape with canted top corners; astragal-and-fillet and cavetto moulded strip on each side, angled at top; raised central square panel bearing main inscription in sans-serif characters justified to left (2s formed like Zs); irregular arrangement of small ‘serrated’ square stamps repeated 29 times in two vertical groups of 12 on each side of the inscription panel (6 on the outside, side to side, 6 on the inside, roughly corner to corner); 2 squares, side to side, below each side of the arch, above the inscription panel; 1 square at top of arch between non-matching initials.

Notes: The inscription is the same as on the iron plate above the grave of Richard Gray in Withyham church; another fireback, said to have the same inscription, was formerly at Wolvesey Palace, Winchester, and later in Winchester Museum, but is now missing; the moulding strips are likely to have been derived from furniture. Frances Ashbie and Richard Graye's godson, Richard, the son of William Ashbie, were among the beneficiaries of Richard Graye's will and the initials, IA, on the fireback may relate to another member of that family. The fireback was noted at Sompting, near Lancing, West Sussex, in the 1820s.

Inscription: I A / ANNO·DOMINI·1582 / THE·27·DAY·OF·· / FEBRVARYE·DYED· / RICHARDE·GRAYE / PARSON·OF· · / WYTHIHAM·