Firebacks

Description: Arched rectangular central panel with astragal and fillet edging; Phaëton riding Apollo’s chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel; on top, earl’s coronet above an illegible character, between mirrored, swirled foliage.

Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks and can be compared with other. The wooden pattern from which this casting was made survives in the collection of the Sussex Archaeological Society (no. 928).

Description: Arched rectangular central panel with astragal and fillet edging; to the left, Æneäs carrying his father, Anchises; to the right, an arched gateway and portcullis beneath battlements with flames rising therefrom; above left, clouds; far left, a tree; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel; plain rectangular extensions to the bottom and each side; on top, mirrored, swirled foliage.

Notes: Many of the early illustrated editions of Ovid’s Metamorphoses show Æneäs escaping from burning Troy, with his father on his back, most of them with an archway in the background.

Copies of this fireback are known.

Inscription: TAN

Description: Arched rectangular central panel with bead-and-pellet edging; on a ground between two plants, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; female figure, a crown above her head, holding two snakes; arched rectangular border with fillet edging; top centre, knot of ribbon with festoons of pomegranates suspended therefrom via a ring on each shoulder of the plate; at the bottom, two crossed palm fronds; on top, symmetrical arrangements of swirled foliage; on each side, a plain rectangular panel with fillet edging.

Notes: Possibly the allegorical figure of Democracy; the form of the palm fronds and the swirled foliage on top suggest a common pattern-maker with the TAN series and the Mayfield 'Dutch' series.

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; nude figure of a man standing on a mound, resting his left hand on a club, a plant to his right, and drapery swags above; arched rectangular border with symmetrical swirls; monogram centre bottom; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Hercules.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shaped central panel, bead-and-pellet edging, narrow-necked, two-handled urn with flowers and wheat ears issuing therefrom, the vase resting on a wall with stone courses, against which are two small flowers in pots with a stool between; arched rectangular shaped border with fillet edging and symmetrical floral tendrils, a looped 'W' in each shoulder; on top, mirrored leaves, tendrils and wheat ears; inscription along bottom of border.

Notes: The largest of six flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The casting is an amalgamation of parts of two firebacks of the same design, the bottom portion from an earlier casting than the top (reduction 2%). The inscription translates as 'God is our strength'.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; head-dressed figure, holding a sceptre in her right hand, sitting in a chariot drawn to the left by two armadillos; the whole upon a two-arched bridge with masonry, decorated keystones and spandrels, and waves beneath; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677).

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with hollow bead-on-fillet edging; pictorial scene of a female figure standing on a scallop shell on a ground, holding wind-blown drapery aloft; arched rectangular border with fillet edging; top centre, a scallop shell with descending tendrils and alternating flowers and scallop shells, and swirled leaves at the bottom; on top, mirrored serpents.

Notes: The allegorical figure of Fortune; similar in many respects to other ‘Dutch’ style firebacks of the period. The theft in 1699 from a Thames-side warehouse of several firebacks, including '5 iron Chimney-Backs cast in the figure of Fortune standing naked on a Conchus in the Sea' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Description: Arched rectangular central panel with bead-and-pellet edging; S-scroll, two-handled, gadrooned vase with tulip stems, flowers and leaves; arched rectangular border with fillet edging and suspended flower bunches; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two symmetrical, coiled serpents; narrow, curved shouldered side panels with beads in oval depressions.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Arched rectangular central panel with hollow bead edging on a broad fillet; figure of a woman standing on a mound, holding a bow in her right hand and an arrow in her left, a plant to her right, and drapery swags above; arched rectangular border with symmetrical swirls of foliage and diagonal leaves at corners; monogram centre bottom between swirled tendrils; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Diana/Artemis, goddess of hunting, as she carries a bow and arrow, and has a hound at her feet.

Copies of this fireback are known.

Inscription: SHR