Firebacks

Description: Arched rectangular shape with sloped spandrels; stepped fillet-moulded edging; pictorial scene of a behatted woman and a girl standing behind a kneeling cloaked figure of a man wearing a pointed cap and holding an open book, with a cross above it; to the left a cottage with trees and ground; to the right the frame of a building.

Notes: The scene is entitled 'Frère Luce', copied from an engraving by Nicolas Larmessin III (1656-1725), of a painting (now lost) by Nicolas Vleughels (1668-1737), from 'Suites d'Estampes Nouvelles pour les Contes de La Fontaine' (c.1736-43).

Copies of this fireback are known.

Description: Quasi-arched rectangular shape; fillet edging, indented on the inner edge; pictorial representation of a phoenix rising from flames, date split either side of its neck; the lateral edges are wide in relation to the top, from which the arch rises from two loop and is surmounted by a fleur-de-lys; above each shoulder of the plate, a roundel.

Notes: The looped fillet edging is rarely seen and does not seem to be diagnostic of a particular pattern-maker.

Inscription: 16 77

Description: Arched shape with scrolled side brackets; astragal edging on arch; bipartite design with side pilasters and a central pilaster surmounted by two gothic traceried arches within each of which are two roses and two fleurs-de-lys; below left arch, letter ‘W’ (possibly ‘WY’ monogram) above first half of date; below right arch, shield bearing arms of the Borough of Stratford-upon-Avon above second half of date.

Notes: The combination of the monogram and the arms of Stratford suggest an individual with a formal office within the borough; a mixture of Gothic and Classical elements; damage to bottom right side.

Inscription: W [Y?] / 15 85

Arms: Borough of Stratford-upon-Avon

Description: Rectangular; wide fillet and cavetto-moulded edging; female figure holding a bow, with a quiver of arrows on her back, standing on a scallop shell; foliate swirls on each side.

Notes: The figure is that of Diana or Artemis.

Description: Quasi-arched rectangular shape; no edging; arched rectangular central panel edged with a garland within a cartouche between guilloche-moulded bands that extend vertically below to form two further panels separated by a similar but plain band; the two bottom panels each extend sideways to form simulated pedestals; below is a plain, borderless panel. Within the main panel, at each corner a cherub head facing towards the centre; within the border of the panel, a symmetrical strapwork band forms the edge of a cartouche that is scrolled at the bottom and which curves away from the edge of the panel at the sides to reveal scrolls from behind, and which forms a heart shape in front of each of the putti enclosing an indeterminate feature; in the centre of the panel, resting upon a scrolled cartouche with scallop shells to left and right, a gadrooned medallion enclosing the depiction of an empty mural monument, draped from above and with a lion's mask below. Resting upon the pedestal to the right, a consol enclosing an indeterminate circular feature with two descending bands; on the pedestal to the left a similar consol and indeterminate circular feature but with a single descending band; above each consol the head of a classical deity facing to right and left respectively, above which are rows of vertical figures, four on the left and two on the right, which may be caryatid figures possibly intended to depict the Daughters of Athens on the Parthenon; above the main panel symmetrical scrolls. In the lower panel, a central rectangular cartouche, scrolled at the top and bottom, between symmetrical vignettes.

Notes: Some of the detail is too indistinct to permit accurate description, but a fireback of untypical design features that are all characteristic of the early-17th century.

Description: Canted rectangular shape; astragal edging with repeated fleurs-de-lys inside top and side edges; figure of St George impaling a dragon to the left with a lance over an undulating ground, with a kneeling figure above a sheep to the right.

Notes: The mould for this unusual fireback may have been formed using a redundant carved, medieval wooden panel, perhaps from a church. Wilkinson's Auctioneers, Doncaster, 24 June 2018, lot 132.