Firebacks

Description: Arched rectangular; astragal edging with simiulated ribbon pattern; inscription on a banner in arch; crowned roundel bearing the arms of France between two angel supporters carrying trumpets; below, a triumph of arms; on the bottom, a plain extension panel.

Notes: The motto, translated, reads 'Alone against all'; other firebacks bear the motto, 'Victorieux contre tous' (Victorious against all).

Inscription: SEVL CONTRE TOVS

Arms: France modern

Description: Stove-plate; rectangular; flanged edging; central rectangular panel bearing the shield of the kingdom of Denmark and Norway with male supporters, encircled by the chain of the Order of the Elephant; one each side of the central panel, repeated floriate stamps and flower heads.

Notes: A similar plate is illustrated by Nygard-Nilssen vol. 1, p.255. The poor detail suggests that this is a copy.

Arms: Kingdom of Denmark and Norway

Description: Arched rectangular; fillet edging with darts on the inside; circular arms of France within the chains of the Ordre d'Esprit and the Ordre de St Michel, with crown above, all resting on a framework compartment, with olive leaf sprays on each side ofn the shield.

Notes: Typical form of the arms of France of the period of Louis XIV.

Arms: France modern

Description: Canted rectangle; ovolo-moulded edging; shield and dolphin crown of the dauphin of France, encircled by the Ordre d'Esprit and the Ordre de St Michel; dolphins in the bottom corners, separating digits of the date.

Notes: The 24th Dauphin was Louis, son of Louis XV and father of Louis XVI. Part of the bequest to the Victoria and Albert Museum by Lieut. Colonel G. B. Croft-Lyons in 1926.

Inscription: 1 7 5 0

Arms: Dauphin of France (24th Dauphin)

Description: Rectangular shape with ovolo-moulded edging; within the collar of the Order of the Golden Fleece, a central shield of the arms of Spain: quarterly Castile and Leon, Aragon and Aragon-Sicily, with an escutcheon of Portugal; in base Austria, Burgundy ancient, Burgundy modern and Brabant with an escutcheon of Flanders impaling Tyrol; above, a crown; supporters: two golden lions rampant; below the shield, the date, 1595; above the crown, the inscription: Dominus mihi adiutor (the Lord is my helper).

Notes: The arms of King Philip II of Spain following the unification with Portugal, as used in the Spanish Netherlands. Part of the bequest to the Victoria and Albert Museum by Lieut. Colonel G. B. Croft-Lyons in 1926.

Copies of this fireback are known.

Inscription: DOMINVS MIHI ADIVTOR

Arms: King Philip II of Spain (Spanish Netherlands)

Description: Rectangular shape; fillet edging; arrangement of five shields: centre, arms of the kingdom of France surmounted by a crown and, below, the word FRANCE on a fillet edged rectangular block over a cartouche; top left, arms of the duchy of Lorraine surmounted by a bishop's mitre and crozier separating a largely illegible text; top right, arms of the kingdom of Spain surmounted by a crown with the letters SPA to the left; bottom right, arms of the duchy of Nevers surmounted by a coronet below a fillet edged rectangle with the word NEVERS; bottom left, arms of the kingdom of England surmounted by a crown below a fillet edged rectangle with the word ANGLIA; bottom centre, the date 1623.

Notes: A taque de foyer or takenplatte; the arms in the corners are likely to be of (from top left): Louis III of Lorraine, Archbishop of Reims; King Philip III of Spain; Charles I, Duke of Nevers and Rethel; and Queen Elizabeth I of England. A similar fireback with the same arms, illustrated by von den Driesch (1990, p.181), has the date 1611, but the absence of a cardinal's hat over the arms of Louis of Lorraine suggests that the fireback originally dates from before 1605.

Inscription: [LORR]AI[NE] SPA / ANGLIA NEVERS / FRANCE / 16z3

Arms: Louis of Lorraine; Kingdom of Spain; Kingdom of France; Kingdom of England; Charles Gonzaga, Duke of Nevers

Description: Upon a moulded base plinth, wide scrolled side double fillets with foliage about the scrolls and suspended bell flowers in chain above; central foliate cartouche behind an oval shield surmounted by a vicomte's coronet, with an abbot's mitre to the left and the scrolled top of an abbot's crozier to the right; on top, an arch rising from horizontal moulding on each side, with a small central cartouche enclosing a plain button and a suspended bell flower.

Notes: The quartered arms may include those of Leclerc de Lesseville (az. three crescents or), one of whose number was bishop of Coutances 1659-65.

Arms: ?Leclerc quartering ?

Description: Ogee-arched rectangular shape, centred by a scroll-edged cartouche enclosing a pair of armorial ovals, the left cast with a crowned lion rampant, the right with a salamander surrounded by flames, all between a pair of greyhound supporters and edged with bellflower-decorated pilasters.

Notes: The heraldic design depicting the marriage of Paul de Chabannes (1686-1769), comte de Chabannes de Vergers, with Marie-Madeleine Sallonyer on 1st July 1715 (whose shield is a golden salamander bedded in red hot fire on a blue shield).

Copies of this fireback are known.

Description: Arched rectangular on a plain rectangular plinth; cavetto-moulded edging (top and sides) with repeated floriate motif; within mirrored olive leaves, shield (three pallets, on a fess in chief three mullets, an eagle displayed) surmounted by a crown; on each side above the plinth, a bracket formed of a rose within a foliate swirl; on each shoulder, a dolphin.

Notes: A baroque style of fireback; the excrescences on the shield are the result of careless pouring of the iron into the mould.