Firebacks

560mm wide

15 results

  1. 669

    rottingdean_grange 02.jpg
    560 x 475 mm

    Description: Rectangular; reversed cavetto-moulded edge on top and sides; pictorial scene depicting Abraham about to sacrifice Isaac; Abraham is on the left, holding the top of Isaac’s head with his left hand, his right hand holding a sword; in the middle stands a pyre; above and to the right an angel emerges from the clouds, while below a ram stands beside a bush; the inscription is above and to the left.

    Notes: The scene is drawn from Genesis 22: 11; And the angel of the Lord called unto him out of heaven, and said, “Abraham, Abraham”: and he said, “Here am I”. The subject and the naïve figuration is similar to a fireback incorporating two other Old Testament scenes (no. 94), and may be the work of the same pattern maker.

    Inscription: ABRAHAM ABRAHAM [Genesis 22: 11]

    Manufactured: in the early- to mid-17th century possibly at Brede Furnace in the Weald area of England.

    Current location: Rottingdean Grange, The Green, Rottingdean, East Sussex, England.

    (part of the Brighton Museum museum group)

    Citation: Hodgkinson, J. S., 2007, 'A Godly chimney plate and other firebacks from Brede', Wealden Iron, 2nd ser., 27, pp. 18-26.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Hodgkinson, J. S., 2012, 'Pre-Restoration Iron Firebacks', Journal of the Antique Metalware Society, 20, pp. 2-15.

  2. 904

    unknown_63 560x810.jpg
    560 x 810 mm

    Description: Arched rectangular shaped central panel with five-bead and open pellet edging; pictorial: regal figure in his chariot drawn by two horses, a sceptre in his right hand; above, a putto descends from swagged curtains and a pair of tassels; below is a landscape with a cornucopia; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of ivy and acanthus leaves and tendrils; the initial, N, in a cartouche bottom centre, between symmetrical oak fronds, leaves and acorns; above is a symmetrical design of scrolled floral tendrils terminating in sea monsters.

    Notes: Very similar in design and execution to firebacks of the SHR and EB series, suggesting designs emanating from the same source and with a similar inspiration. The figure in the chariot may be an allegory of the Sun.

    Inscription: N

    Manufactured: in the early-18th century in England.

    Current location: not known.

  3. 751

    va_27.jpg
    560 x 430 mm

    Description: Rectangular, cavetto moulded edging; Stuart royal shield, garter, supporters and crown.

    Notes: One clear vertical plank line indicate that the pattern for this fireback was formed of a series of boards probably secured by horizontal battens on the rear.

    Copies of this fireback are known.

    Inscription: HONI SOIT QVI MAL Y PENSE

    Arms: English Stuart royal

    Manufactured: in the mid- to late-17th century in England.

    Current location: Victoria & Albert Museum, Cromwell Road, Kensington & Chelsea, Greater London, England.

    Museum number: 432.1896 (part of the Victoria & Albert Museum museum group)

  4. 769

    va_45.jpg
    560 x 475 mm

    Description: Rectangular; cavetto-moulded edge; a snake rises from a fire and bites the middle finger of the hand of a sleeved left arm that descends from a top right corner cloud; left and right, ‘S’ scrolls appear strapped to the edge of the fireback; the date, top left of centre; initials, bottom right corner.

    Notes: An illustration of the New Testament episode (Acts 28: 3) when St Paul, shipwrecked in the island of Malta, was putting sticks on a fire and a viper bit him. The distinctive shape of the ‘1’ in the date and the initials, ‘IM’, together with the ‘S’ scrolls, parallel such features in other firebacks. The design is an adaptation of an illustration in 'Devises Heroiques' by Claudius Paradin (1557) which was translated into English by Geoffrey Whitney as 'The Book of Emblemes' (1586).

    Copies of this fireback are known.

    Inscription: 1649 / IM

    Manufactured: in 1649 possibly at Brede Furnace in the Weald area of England.

    Current location: Victoria & Albert Museum, Cromwell Road, Kensington & Chelsea, Greater London, England.

    Museum number: M.119-1984 (part of the Victoria & Albert Museum museum group)

    Citation: Hamling, T., 2010, Decorating the 'Godly' Household (New Haven, Yale), pp. 251-2.

    Citation: Hamling, T., 2015, 'Seeing Salvation in the Domestic Hearth in Post-Reformation England' in J. Willis (ed.), Sin and Salvation in Reformation England (Farnham, Ashgate Publishing), 223-44.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Hodgkinson, J. S., 2014, 'A Seventeenth-Century Sussex Woodcarver: The Evidence of Cast Ironwork', Regional Furniture, 28, pp. 39-48.

  5. 626

    westland_ltd 13197 560x815.jpg
    560 x 815 mm

    Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure seated in a chariot, his left arm resting on the side of the chariot, his right hand holding a sceptre at arm’s length, the chariot drawn by two lions across a ground with small bushes; clouds above with the personification of the wind blowing to the left; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top a vase of fruit between two mirrored serpents. A recasting.

    Notes: Similar to other designs incorporating figures in chariots, though not from the same series; a recasting has the date, 1702, superimposed

    Copies of this fireback are known.

    Manufactured: in the late-17th to early-18th century in England.

    Current location: Westland Ltd, St Leonards Church, Leonard Street, Shoreditch, London, England.